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Important and valuable . . . and distinguishes itself among the recent crop of American furniture catalogues as a book seriously intent on capturing objective visual information in its many high-quality photographs. --Decorative Arts Society Newsletter
An annual publication forging a link between social history, American studies, and the decorative arts.
Answers questions about when, where, how, & even why a piece of furniture was made, covering three centuries of changing styles.
Texas is an art lover's paradise. More than one hundred venues located within the state welcome visitors to experience the visual arts. These include internationally recognized collections such as the Chinati Foundation, the Kimbell Art Museum, the Menil Collection, and the Nasher Sculpture Center; renowned encyclopedic institutions such as the Museum of Fine Arts, Houston, the Dallas Museum of Art, and the San Antonio Museum of Art; and dozens of first-rate art centers, alternative spaces, and university galleries. In addition to delighting the eye with a wide-ranging assortment of exhibitions, many of these museums and galleries are housed within architectural gems. To enhance the reader's visits to familiar destinations and to encourage the exploration of lesser-known venues, Art Guide Texas presents the only in-depth survey devoted exclusively to the state's nonprofit visual arts institutions. Rebecca Cohen organizes the book regionally. Individual entries for museums and galleries give essential contact information, including phone numbers and Web sites, as well as a description of the collection(s) and past exhibitions, a brief history of the institution, significant architectural details about the building, and assorted practical tips. Black-and-white photographs accompany many of the entries, as well as notable quotes on art and architecture. In addition, Cohen's essays on the phenomenal late-twentieth-century growth of the arts in Texas and on arts activity in the different regions of the state provide a helpful context for exploring the arts in Texas.
Progressive former governor James Stephen Hogg moved his business headquarters to Houston in 1905. For seven decades, his children Will, Ima, and Mike Hogg used their political ties, social position, and family fortune to improve the lives of fellow Houstonians. As civic activists, they espoused contested causes like city planning and mental health care. As volunteers, they inspired others to support social service, educational, and cultural programs. As philanthropic entrepreneurs, they built institutions that have long outlived them: the Houston Symphony, the Museum of Fine Arts, Memorial Park, and the Hogg Foundation. The Hoggs had a vision of Houston as a great city—a place that supports access to parklands, music, and art; nurtures knowledge of the "American heritage which unites us"; and provides social service and mental health care assistance. This vision links them to generations of American idealists who advanced a moral response to change. Based on extensive archival sources, The Hogg Family and Houston explains the impact of Hogg family philanthropy for the first time. This study explores how individual ideals and actions influence community development and nurture humanitarian values. It examines how philanthropists and volunteers mold Houston's traditions and mobilize allies to meet civic goals. It argues that Houston's generous citizens have long believed that innovative cultural achievement must balance aggressive economic expansion.
In 36 brief sections, Naeve identifies the distinguishing characteristics of each style that makes up America's rich furniture heritage. Each trend is related to international stylistic movements, innovative craftsmen, influential publications, and the technological improvements that shaped them. Key factors of each style are highlighted for easy identification.
A definitive guide to the 18th- and 19th-century painted furniture that has dominated recent antiques shows. The authors consider the elegant painted furniture from major East Coast style centers. An impressive array of works by prominent craftsmen are highlighted. 350 full-color photos. Major reviews.
Meant for both connoisseur and amateur, this is the definitive book in its field. During ten years of research, the authors examined furniture from coast to coast, in museums and private collections. American Furniture has a running text along with its identification captions, which places furniture in its social and historical context. In its 100 color pictures and 1300 black-and-white photos, the book frequently presents furniture in the rooms they were made for. There is extensive coverage of the masterpieces from the seventeenth century to the present, many of them newly photographed for this book, but coverage is by no means restricted to these pieces. This is the first book to encompass furniture "away from the mainstream"--Pieces made away from the furniture centers of New York, New England, and Pennsylvania. Thus, there is discussion of the furniture of the Southwest; furniture made in Dutch, Spanish, French, and Norwegian settlements; and furniture made in religious enclaves or as part of social or aesthetic reform movements. Also, line drawings reveal how antique furniture was made--and therefore how to tell a genuine antique from a forgery.--From publisher description.