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This is a historical novel about the conquest of Mexico. "The Fair God or The Last of the Tzins" is a delightful story about the Spanish Conquistadors and the Aztecs. The conquest of Mexico by Cortez is a central theme, and this unique historical novel recounts the fall of the Aztec Empire.
The Fair God: The Last of the 'Tzins is a magnificent tale of the conflict between the Spanish Conquistadors and the Aztecs. The Cortez's conquest of Mexico is a central theme and the novel gives an account of the descent of the Aztec Empire. Lew Wallace (1827-1905) was an American lawyer, Union general in the American Civil War, politician, diplomat and author, best known for his historical adventure story, Ben-Hur: A Tale of the Christ, a bestselling novel that has been called "the most influential Christian book of the nineteenth century." He wrote several historical novels and biographies of American generals.
The Fair God or The Last of the 'Tzins is a magnificent tale of conflict between the Spanish Conquistadors and the Aztecs. The Cortez's conquest of Mexico is a central theme and this unique historical novel gives an account of the descent of the Aztec Empire. Lew Wallace (1827-1905) was an American lawyer, Union general in the American Civil War, politician, diplomat and author, best known for his historical adventure story, Ben-Hur: A Tale of the Christ, a bestselling novel that has been called "the most influential Christian book of the nineteenth century." He wrote several historical novels and biographies of American generals.
Fernando De Alva, a noble Tezcucan, flourished, we are told, in the beginning of the sixteenth century. He was a man of great learning, familiar with the Mexican and Spanish languages, and the hieroglyphics of Anahuac. Ambitious to rescue his race from oblivion, and inspired by love of learning, he collected a library, availed himself of his knowledge of picture-writing, became master of the songs and traditions, and, in the Castilian language, composed books of merit. It was scarcely possible that his labors should escape the researches of Mr. Prescott, who, with such incomparable genius, has given the world a history of the Conquest of Mexico. From him we have a criticism upon the labors of the learned Fernando, from which the following paragraph is extracted. "Iztlilzochitl's writings have many of the defects belonging to his age. He often crowds the page with incidents of a trivial and sometimes improbable character. The improbability increases with the distance of the period; for distance, which diminishes objects to the natural eye, exaggerates them to the mental. His chronology, as I have more than once noticed, is inextricably entangled. He has often lent a too willing ear to traditions and reports which would startle the more sceptical criticism of the present time. Yet there is an appearance of good faith and simplicity in his writings, which may convince the reader that, when he errs, it is from no worse cause than the national partiality. And surely such partiality is excusable in the descendant of a proud line, shorn of its ancient splendors, which it was soothing to his own feelings to revive again—though with something more than their legitimate lustre—on the canvas of history.
The Spanish invasion of Mexico in 1519, which led to the end of the Aztec Empire, was one of the most influential events in the history of the modern Atlantic world. But equally consequential, as this volume makes clear, were the ways the Conquest was portrayed. In essays spanning five centuries and three continents, The Conquest of Mexico: 500 Years of Reinventions explores how politicians, writers, artists, activists, and others have strategically reimagined the Conquest to influence and manipulate perceptions within a wide variety of controversies and debates, including those touching on indigeneity, nationalism, imperialism, modernity, and multiculturalism. Writing from a range of perspectives and disciplines, the authors demonstrate that the Conquest of Mexico, whose significance has ever been marked by fundamental ambiguity, has consistently influenced how people across the modern Atlantic world conceptualize themselves and their societies. After considering the looming, ubiquitous role of the Conquest in Mexican thought and discourse since the sixteenth century, the contributors go farther afield to examine the symbolic relevance of the Conquest in contexts as diverse as Tudor England, Bourbon France, postimperial Spain, modern Latin America, and even contemporary Hollywood. Highlighting the extent to which the Spanish-Aztec conflict inspired historical reimaginings, these essays reveal how the Conquest became such an iconic event—and a perennial medium by which both Europe and the Americas have, for centuries, endeavored to understand themselves as well as their relationship to others. A valuable contribution to ongoing efforts to demythologize and properly memorialize the Spanish-Aztec War of 1519–21, this volume also aptly illustrates how we make history of the past and how that history-making shapes our present—and possibly our future.