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Deft and lyrical, this paperback edition of Michel Faber's collection of stories is his first since his auspicious debut, Some Rain Must Fall. It has sealed his reputation as one of Britain's most daring and original authors. Acclaimed for his pitch-perfect prose and brilliant characterisation, Faber is also celebrated for his mastery of contrasting styles. From achingly sad lost lives, through moments of exquisitely distilled happiness, to biblical innocence and savagery, Faber's characters are redeemed, abandoned, beloved and laid bare.
One of the most original and daring writers in English letters, Michel Faber shows his incredible mastery of wildly diverse literary forms with this, his long-awaited second collection of stories. Faber’s characters in these 17 fictions are often dislocated—fragile beings confronting moments of fracture—in worlds that are both real and surreal. From the achingly sad lives of “The Safehouse” to the moments of exquisite happiness in “Vanilla-right Like Eminem” to the futuristic savagery of “The Fahrenheit Twins,” these are fearless stories that crack our humanity wide open. With his brilliant characterization and pitch-perfect prose, Michel Faber has produced a short story collection that will seal his reputation as one of our most arresting and gifted writers.
Three novellas filled with “gallows humor and a sense of real peril,” by the acclaimed author of The Book of Strange New Things (The New York Times). The bestselling author of The Crimson Petal and the White “draws his characters with assured comic efficiency” (The Guardian), using “evocative language” to offer up “intriguing glimpses of unfamiliar worlds” (Los Angeles Times), in these acclaimed novellas. In “The Courage Consort,” an a cappella vocal ensemble is sequestered in a Belgian château to rehearse a monstrously complicated new piece, but competing artistic temperaments and sexual needs create as much discordance as the avant-garde music. In “The Hundred and Ninety-Nine Steps,” a lonely woman joins an archaeological dig at Whitby Abbey and unearths a mystery involving a long-hidden murder. And in “The Fahrenheit Twins,” strange children, identical in all but gender, are left alone at the icy zenith of the world by their anthropologist parents to create their own ritual civilization. From a wildly inventive author whose novel The Book of Strange New Things was named one of 2014’s best reads by everyone from the New Yorker to io9, The Courage Consort is an eclectic collection of well-told tales, in which Michel Faber “marches on, establishing himself as one of the most versatile fiction writers working today” (Kirkus Reviews). “Readers will again be immersed in the intense worlds he creates.” —Publishers Weekly
A monumental, genre-defying novel that David Mitchell calls "Michel Faber’s second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents. It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
Documents the award-winning writer's experiences of living, working, and raising twin sons in Rome during the year following his receipt of a prestigious Rome Prize stipend, a period during which he attended the vigil of the dying John Paul II, brought his children on a snowy visit to the Pantheon, and befriended numerous locals. Reprint. 35,000 first printing.
In this collection, Michel Faber revisits the world of his bestselling novel 'The Crimson Petal and the White', briefly opening doors onto the lives of its characters to give us tantalising glimpses of where they sprang from and what happened to them.
The book offers a unique in-depth understanding of the twin relationship, and the way in which twin development is affected by our attitudes to twins and our enduring fascination with them. It explores our historical fascination with this subject and the origins of this excitement, how our perceptions of twins reflect our own longing for a perfect soul-mate, and the effect this personal projection has on the development in twins. It is a book written with the general reader in mind rather than "experts". Twins share a deep psychic bond that forms the core of their twinship, but they are never identical. Many factors will affect their development, including the early mutual resonances and sensate experiences between them, and parental and societal attitudes in raising them.
Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.
This cultural history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. It is one piece of the wider cultural award puzzle and illustrates how, far from being parochial or niche, lesser-known awards, whose histories may be yet untold, play their own role in the circulation of cultural value through the consecration of literary value. The study of the Society’s Book of the Year and First Book of the Year Awards not only highlights how important connections between literary awards and national culture and identity are within prize culture and how literary awards, and their founding institutions, can be products of the socio-political and cultural milieu in which they form, but this study also illustrates how existing literary award scholarship has only begun to scratch the surface of the complexities of the phenomenon. This book promotes a new approach to considering literary prizes, proposing that the concept of the literary awards hierarchy can contribute to emerging and developing discourses pertaining to literary, and indeed cultural, prizes more broadly.