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A beautiful and practical book for designing dramatic character make-up. The author, Irene Corey, is a world-honored designer for live theatre, film, and television, who approaches make-up for the face as if it were a canvas, without limitations. She reinforces or ignores what nature has given. Her positive and direct style, her sense of humor, the remarkable assemblage of pictorial resources, her creative vision--all make this a valuable book in the classroom and in the studio dressing room. Author Irene Corey's techniques open new realms of inspiration for the make-up artist and theatre student. The beginner will find the make-up exercise progression a practical guide. Corey also lucidly traces the procedure of designing make-up using photographs as inspiration including the aging process, many cultures and time periods and non-human creatures, as well. More than 400 illustrations and photos, many in color. Transparent overlays. A proven text book for college and professional education.
America's preeminent makeup artist shares his secrets, explaining not only the basics of makeup application and technique but also how to use the fundamentals to create a wide range of different looks. 200 color photos & sketches.
Part of the successful Kids Activity Book series, Painting on a Canvas is the perfect activity book for children who love to paint. It also provides simple ways to get creative juices running. Easy instructions cover different art techniques, with extra tips for advanced artists. Material lists enable adult helpers to gather everything in advance. Also included are spotlights of famous artists like Picasso and Michelangelo.Ages 5 and up
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witnessed the reevaluation of traditional practices as well as focused research supporting significant new methodologies, procedures, and synthetic materials for the care and conservation of paintings on fabric supports. Conserving Canvas compiles the proceedings of the conference, presenting a wide array of papers and posters that provide important global perspectives on the history, current state, and future needs of the field. Featuring an expansive glossary of terms that will be an invaluable resource for conservators, this publication promises to become a standard reference for the international conservation community. The free online edition of this open-access publication is available at getty.edu/publications/conserving-canvas. Also available are free PDF and EPUB downloads of the book.
Design a silly face...or a scary one, or a fairy one, or anything else you can dream up! The world-renowned authors of Extreme Face Painting are taking it back to the basics, with some innovative twists. All ages and all skill levels will learn the secrets to creating awesome face art with easy-to-find materials, friendly instruction for beginners, and fresh inspiration for more seasoned face painters. • 40 all-new, step-by-step projects. • Award-winning expert techniques for creating believable face paint designs. • Beginners will learn to paint everything from simple flowers to a full Frankenstein face. • Intermediate artists will learn techniques for creating the look of fur, the illusion of depth, and more intricate designs like and owl mask or a spitting cobra. So grab some supplies and get ready to put a new face on fun!
A New York Times Book Review Editors’ Choice Selection “[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out.”—Boston Globe In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects’ lives. These women inhabited a rarefied world of wealth and strict conventions—yet all of them did something unexpected, something shocking, to upend society’s rules.
He had left a part of himself with them, he knew. Each one had become a part of the story in his mind, each one could identify with the spirit of one of the characters, and only they could know which one. Samantha Perkins and her husband, Nick, live in the quiet little town of Benetton, Maine, with their children and grandchildren. They spent their days relaxing with their family and teaching their grandchildren Christian values through thrilling adventure stories of imaginary places. But when Samantha receives a puzzling phone call from her old roommate, Nancy, her quiet life of family, faith, and fairy tales is turned on its nose. Nancy's life is in shambles. Her husband has died, her daughter destroyed her most prized possession, and now she's missing. Just when things couldn't get stranger, Nick begins to have visions of a new story to tell the grandchildren, but unlike his other stories, he just can't quite figure out how this one ends. In Samantha, Nick, and Nancy's quest to put Nancy's life back together, they each find something more-the integral piece of the canvas of their lives. Join new author PJ Almeida in looking through Canvas Windows-an adventurous story of two worlds blended together by one man.
The 1876 events known as Custer’s Last Stand, Battle of Little Big Horn, or Battle of Greasy Grass have been represented over 1000 times in various artistic media, from paintings to sculpture to fast food giveaways. Norman Denzin shows how these representations demonstrate the changing perceptions—often racist—of Native America by the majority culture, juxtaposed against very different readings shown in works composed by Native American artists. Consisting of autobiographical reminiscences, historical description, artistic representations, staged readings, and snippets of documents, this multilayered performance ethnography examines questions of memory, race, and violence against Native America, as symbolized by the changing interpretations of General Custer and his final battle.