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A collection of animal fables told by the Greek slave Aesop.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ethics in Aesop’s Fables: the Augustana Collection offers an original and innovative analysis of the Greek fable in the framework of Greek ethical thinking. The book starts with a brief account of the history and genre of the Greek fable. It then focuses on the Augustana collection of prose fables and analyses its ethical content in the larger context of Greek thought. A detailed comparison of Greek ethical thinking with the language of the fables shows the persistence of certain types of ethical reasoning and of certain key ethical norms. The author argues that although the fable was not 'philosophy', it was indeed 'philosophical' because it communicated normative messages about human behaviour, which reflected widespread views in Greek ethical thought. This book is of special interest to both students and scholars of Greek fable and of Greek philosophy.
The history of the fable likely does not originate with Aesop; however it is with him that we associate the fable's most ancient of known origins. Little is actually known of the life of Aesop. According to the historical accounts of Herodotus, Aristotle, and Plutarch, he was a slave from the Greek island of Samos who lived between 620 and 564 BC. Described as a strikingly ugly man he is said to have secured his freedom through his cleverness. Known for his wit, Aesop would become employed as an advisor by kings and city-states. The simplicity of the fable cannot be overstated. The short narrative form and the use of animals to personifying particular human characteristics makes the fable a particularly useful form of instruction for imparting bits of wisdom to children. Dozens of fables have been attributed to Aesop, however given their sometimes conflicting moral lessons, the attribution of some fables to Aesop is considered by certain scholars as to be spurious. Collected together here are some of the most famous examples of Aesop's fables. This edition follows the translation of V. S. Vernon Jones, includes an introduction by G. K. Chesterton, is illustrated by Arthur Rackham, and is printed on premium acid-free paper.
Four timeless anthologies of cherished fables, fairy tales, and bedtime stories from Aesop, Hans Christian Andersen, the Brothers Grimm, and Andrew Lang. The most enchanting stories of childhood are included in this sweeping collection. These are the classic tales—of princes and princesses, monsters and magic, enchanted forests and fantastic creatures—that have thrilled readers around the world for generations. Aesop’s Fables: In ancient Greece, a storyteller named Aesop captivated his listeners with tales both beautiful and instructive. From “The Boy Who Cried Wolf” to “The Tortoise and the Hare,” his fables retain the power to guide and entertain. Hans Christian Andersen’s Fairy Tales: Inspired by ancient Danish legends as well as Arabian Nights, Andersen’s classic stories—including “The Emperor’s New Clothes” and “The Snow Queen” (the basis for Frozen)—are composed with a directness that children and adults still find refreshing. The Brothers Grimm: From “Rapunzel” to “Hansel and Gretel” to “Little Red Riding Hood,” the German folktales the Brothers Grimm brought to the world’s attention have become part of the very fabric of our culture. The Blue Fairy Book: Originally published in 1889, this first volume of Andrew Lang’s renowned Fairy Books includes such favorites as “Beauty and the Beast,” “Puss in Boots,” “Aladdin,” and “Jack the Giant-Killer.” To read these stories is to be transported to a realm of imagination. Here, the most important life lessons are imparted through the irresistible magic of storytelling.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reformer of the church, biblical theologian, and German translator of the Bible Martin Luther had the highest respect for stories attributed to the ancient Greek author Aesop. He assigned them a status second only to the Bible and regarded them as wiser than "the harmful opinions of all the philosophers." Throughout his life, Luther told and retold Aesop’s fables and strongly supported their continued use in Lutheran schools. In this volume, Carl Springer builds on the textual foundation other scholars have laid and provides the first book in English to seriously consider Luther’s fascination with Aesop’s fables. He looks at which fables Luther knew, how he understood and used them, and why he valued them. Springer provides a variety of cultural contexts to help scholars and general readers gain a deeper understanding of Luther’s appreciation of Aesop.
Ever since children have learned to read, there has been children’s literature. Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter. The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word. “Lerer has accomplished something magical. Unlike the many handbooks to children’s literature that synopsize, evaluate, or otherwise guide adults in the selection of materials for children, this work presents a true critical history of the genre. . . . Scholarly, erudite, and all but exhaustive, it is also entertaining and accessible. Lerer takes his subject seriously without making it dull.”—Library Journal (starred review) “Lerer’s history reminds us of the wealth of literature written during the past 2,600 years. . . . With his vast and multidimensional knowledge of literature, he underscores the vital role it plays in forming a child’s imagination. We are made, he suggests, by the books we read.”—San Francisco Chronicle “There are dazzling chapters on John Locke and Empire, and nonsense, and Darwin, but Lerer’s most interesting chapter focuses on girls’ fiction. . . . A brilliant series of readings.”—Diane Purkiss, Times Literary Supplement