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Suitable for Keystage 3 (Scottish P7+) singing, this is a collection of 12 classics songs from stage and screen. Featuring classics alongside songs form shows written especially for children, it includes a useful context on each song and suggestions for adding movement.
(Piano/Vocal/Guitar Songbook). More than 30 songs made famous by kids singing on stage, arranged in piano/vocal/guitar notation. Includes: Castle on a Cloud * Do-Re-Mi * Gary, Indiana * Getting Tall * I Just Can't Wait to Be King * I Whistle a Happy Tune * I Won't Grow Up * It's the Hard-Knock Life * Let Me Entertain You * Little People * So Long, Farewell * Tomorrow * Where Is Love? * You're Never Fully Dressed Without a Smile * and more.
The full eBook version of Iron & Wine: The Songbook in fixed layout format, containing songs from albums and EPs by American singer-songwriter Iron & Wine. The artist-approved chord songbook includes lyrics and chords with short picking patterns in tab and notation and is full colour throughout with artwork, photographs and tour posters, a song index and index of first lines. Sam Beam is a singer-songwriter who has been creating music as Iron & Wine for over a decade. Through the course of seven albums, numerous EPs and singles, and the initial volumes of an Archive Series – Iron & Wine has captured the emotion and imagination of listeners with distinctly cinematic songs. Contents: The Creek Drank The Cradle (2002) The Sea & The Rhythm [EP] (2003) Our Endless Numbered Days (2004) In The Reins (2005) Woman King [EP] (2005) The Shepherd's Dog (2007) Around The Well (2009) Kiss Each Other Clean (2011) Ghost On Ghost (2013) Archive Series Volume No.1 (2015) Beast Epic (2017) Archive Series Volume No.3 (2017) Weed Garden (2018)
Birdy: The Piano Songbook is the artist-approved songbook from award-winning English singer-songwriter Birdy. Specially curated by the artist herself, the book includes an introduction from her alongside accurate transcriptions of her most popular songs, many in print for the first time.
A retelling, based on the film script, of Dickens' tale about a miser whose life is changed by Christmas.
Action songs, feel-good songs, rhythmic songs and funny songs -- Eileen Diamond's Everyday Songbook is a bright collection of 29 catchy melodies. The songs cover everyday topics appropriate to the age groups, and have been carefully designed to stimulate language development, creativity, coordination, memory, rhythmic responses and concentration. No musical knowledge is required as demonstration and fun backing tracks are provided on the two CDs included. (Alternatively, piano accompaniments are available to download.) Actions and follow-up activities are also included, as well as simple percussion parts to some of the songs. The Everyday Songbook is ideal for use at home, nursery and elementary school.
Dramaturgy is at the heart of any musical theatre score, proving that song and music combined can collectively act as drama. The Musical Theatre Composer as Dramatist: A Handbook for Collaboration offers techniques for approaching a musical with the drama at the centre of the music. Written by a working composer of British musical theatre, this original and highly practical book is intended for composers, students of musical theatre and performing arts and their collaborators. Through detailed case studies, conceptual frameworks and frank analysis, this book encourages the collaboration between the languages of music and drama. It offers a shared language for talking about music in the creation of musical theatre, as well as practical exercises for both composers and their collaborators and ways of analysing existing musical theatre scores for those who are versed in musical terminology, and those who are not. Speaking directly to the contemporary artist, working examples are drawn from a wide range of musicals throughout Part One, before a full case study analysis of Everybody's Talking About Jamie brings all the ideas together in Part Two. Part Three offers a range of practical exercises for anyone creating new musicals, particularly composers and their collaborators.
The book, which was published early this year and is available unbundled from the CD-ROM for $69.95, contains information on more than 800 composers and examines some 1,500 operas in detail. Each composer's musical career is outlined, with an assessment of his or her overall contribution to opera. Opera entries include cast lists and orchestral forces, a commentary on the background of the work, a synopsis of the plot, and a musical analysis identifying musical highlights and points of interest. Recording and edition information is included. For those who don't like to turn pages, prefer to read from the screen, or just like the click-click of the mouse, the CD-ROM provides computer access via Windows to the information and pictures (small black and whites) of the book. The CD-ROM holds some enhancements: notably, three hours of music excerpts (unheard by this reviewer who lacks the needed 16-bit sound card; some, according to the press release, are as long as three to five minutes). Annotation copyright by Book News, Inc., Portland, OR
From the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft.