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The King has Vivian. Jake is dead. But the end is not here. Something remains. A chance. One they’re both forced to take as the King takes his war right to the heart of the Coalition. …. The Eye of the Gods follows a hidden alien power and a meddlesome soldier fighting destiny in another galaxy. If you love your space operas with action, heart, and a splash of romance, grab The Eye of the Gods Episode Five today and soar free with an Odette C. Bell series. The Eye of the Gods is the 10th Galactic Coalition Academy series. A sprawling, epic, and exciting sci-fi world where cadets become heroes and hearts are always won, each series can be read separately, so plunge in today.
Vivian's body is gone. Her mind remains. For now. Jake and Vivian must save everyone aboard their ship with nothing more than a hope and a prayer. But hope won't work for long, and how can you pray when the gods themselves are here to kill you? …. The Eye of the Gods follows a hidden alien power and a meddlesome soldier fighting destiny in another galaxy. If you love your space operas with action, heart, and a splash of romance, grab The Eye of the Gods Episode Four today and soar free with an Odette C. Bell series. The Eye of the Gods is the 10th Galactic Coalition Academy series. A sprawling, epic, and exciting sci-fi world where cadets become heroes and hearts are always won, each series can be read separately, so plunge in today.
The complete The Eye of the Gods series. Follow Vivian and Jake on their saga to another galaxy in this five-book boxset. Vivian Bond has a secret that could bring down the Milky Way. Special Commander Jake Trace doesn't care – he hates her. When Jake meets the irritating Vivian at a gallery and she steals a painting he must secure for his superiors, he locks onto her like a hunter to prey. It’s the only thing that saves her life. For Vivian Bond has enemies. Everywhere. She has a twisted destiny she’s run from her whole life. Now it will catch up. Vivian and Jake are thrown together in a fight for the Milky Way and beyond as an ancient power rises once more. …. The Eye of the Gods follows a hidden alien power and a meddlesome soldier fighting destiny in another galaxy. If you love your space operas with action, heart, and a splash of romance, grab The Eye of the Gods: The Complete Series today and soar free with an Odette C. Bell series. The Eye of the Gods is the 10th Galactic Coalition Academy series. A sprawling, epic, and exciting sci-fi world where cadets become heroes and hearts are always won, each series can be read separately, so plunge in today.
Vivian is back. But for her to stay, Jake must fight his way through the ship. He’ll have his work cut out for him when a god descends. He might not be divine, but he believes in retribution. Jake and Vivian must find a way to unify the ship and resist. If they don’t, and the god obtains Vivian, it will be over. For everyone and everything. …. The Eye of the Gods follows a hidden alien power and a meddlesome soldier fighting destiny in another galaxy. If you love your space operas with action, heart, and a splash of romance, grab The Eye of the Gods Episode Three today and soar free with an Odette C. Bell series. The Eye of the Gods is the 10th Galactic Coalition Academy series. A sprawling, epic, and exciting sci-fi world where cadets become heroes and hearts are always won, each series can be read separately, so plunge in today.
From Wall Street Journal bestselling author Aleron Kong comes, Awakening, Book One of God's Eye, the long awaited second series of the Labyrinth Universe! Telos is a world at the center of the Universe. A bright jewel wrapped in a Lattice of realities. It is a world that gods and demons call home at the beginning of a new age. Remy is a newly risen deity, struggling to survive in a Battle Royale where the consequences are worse than death and last longer than damnation. He will find that he cannot live without his tribe of worshipers. Their strength is his, and his is theirs. Other tribes want nothing more than to feast upon their flesh and consume their power. It is a deadly race of technology and power, faith and corruption, of commoners and legends. Gods of ancient pantheons and demons of forbidden nightmares compete in a timeless game where the stakes are the souls of every living being. These old forces will come to fear a newly risen god. His name will become a curse on their lips. His name will be a chant in the mouths of the faithful. His name will be carved in time. Zero Fell, Zero Fell, ZERO FELL!
Catherine McDowell presents a detailed and insightful analysis of the creation of adam in Gen 2:5–3:24 in light of the Mesopotamian mīs pî pīt pî (“washing of the mouth, opening of the mouth”) and the Egyptian wpt-r (opening of the mouth) rituals for the creation of a divine image. Parallels between the mouth washing and opening rituals and the Eden story suggest that the biblical author was comparing and contrasting human creation with the ritual creation, animation, and installation of a cult statue in order to redefine ṣelem ʾelohîm as a human being—the living likeness of God tending and serving in the sacred garden. McDowell also considers the explicit image and likeness language in Gen 1:26–27. Drawing from biblical and extrabiblical texts, she demonstrates that ṣelem and demût define the divine-human relationship, first and foremost, in terms of kinship. To be created in the image and likeness of Elohim was to be, metaphorically speaking, God’s royal sons and daughters. While these royal qualities are explicit in Gen 1, McDowell persuasively argues that kinship is the primary metaphor Gen 1 uses to define humanity and its relationship to God. Further, she discusses critical issues, noting the problems inherent in the traditional views on the dating and authorship of Gen 1–3, and the relationship between the two creation accounts. Through a careful study of the tôledôt in Genesis, she demonstrates that Gen 2:4 serves as both a hinge and a “telescope”: the creation of humanity in Gen 2:5–3:24 should be understood as a detailed account of the events of Day 6 in Gen 1. When Gen 1–3 are read together, as the final redactor intended, these texts redefine the divine-human relationship using three significant and theologically laden categories: kinship, kingship, and cult. Thus, they provide an important lens through which to view the relationship between God and humanity as presented in the rest of the Bible.
Writing the Wayward Wife is a study of rabbinic interpretations of sotah, the law concerning the woman suspected of adultery (Numbers 5:11-31). The focus of the book is on interpretations of sotah in tannaitic and amoraic texts: the Mishnah, Tosefta, Midrash Halakhah, Midrash Aggadah, and the Palestinian and Babylonian Talmuds. The body of the work is in-depth analysis of the legal and ritual proceedings. Jewish Greek interpretations (Josephus, Philo, and LXX) also are addressed, along with the Protevangelium of James, and fragments from the Dead Sea Scrolls and Cairo Geniza. Finally, the disappearance of the ritual is discussed, with implications for the development of rabbinic authority. In previous secondary literature, the law of sotah has been understood as either proto-feminist or misogynist. This book argues that neither of these are appropriate paradigms. Rather, this book identifies the emergence of two major interpretive themes: the emphasis on legal procedures, and the condemnation of adultery.
Ambiguity, present in all aspects of the poem, is seen as central to Milton's authorial intentions. Shawcross proposes that the many ambiguities surrounding Milton's dramatic poem Samson Agonistes are intentional: the actual words, the dates of composition, the genre, and the characters - particularly Samson and Dalila but including Manoa, Harapha, and the Chorus. Ambiguity also lies in Milton's presentation of political issues both philosophical and practical, his treatment of gender concepts, the constant questioning of the reader, and the poem's effect. Discussing all these elements, Shawcross follows with a detailed reading of the text which argues that it remains purposefully ambiguous, reflecting Milton's own recognition of the uncertainty of the content, and suggesting that Milton himself would question some of the nice 'solutions' that modern scholarship has offered in the last two decades. JOHN SHAWCROSS is Professor of English, Emeritus, University of Kentucky.
The #1 New York Times Bestseller | Now a series on Disney+ 12-year-old Percy Jackson discovers he is the son of Poseidon in the opener to the hilarious, fast-paced adventure fantasy series for young readers ages 10 and up The eBook edition of the first book in Rick Riordan’s thrilling series, filled with magic, mythology, and plenty of monsters Percy Jackson is about to be kicked out of boarding school again—he can't seem to stay out of trouble. Is he supposed to stand by while a bully picks on his scrawny best friend? Or not defend himself when his teacher turns into a monster and tries to kill him? Mythical creatures seem to be walking straight out of the pages of Percy's Greek mythology textbook and into his life. What’s worse, he's angered a few of them: Zeus's master lightning bolt has been stolen, and Percy is the prime suspect. Percy and his friends Grover the satyr, and Annabeth, the demigod daughter of Athena, must find and return Zeus's stolen property and bring peace to a warring Mount Olympus. They travel cross country to the gates of the Underworld in Los Angeles, facing a host of enemies determined to stop them. Withmillions of copies and over 10 years spent on the New York Times bestseller list, Percy has also become a movie, a Broadway musical, and now a Disney+ series. He continues to find fans in classrooms and libraries across the world.