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Mary Elmes is the great unsung heroine of modern Ireland. Risking her life to save Jewish children during the Holocaust, she turned her back on a promising academic career to help others. She is the only Irish person to be honoured as Righteous Among the Nations by Israel for this work. In 1937 she travelled to Spain as an aid worker, where she ran children’s hospitals, moving from one bombed-out building to the next in the midst of a horrific civil war. Moving to France after Franco’s victory, she continued to work in the wretched refugee camps hastily thrown together by the French authorities for 500,000 escaping Spanish Republicans. Soon, Jews fleeing the Nazis were also imprisoned in the internment camps. Mary initially sought to relieve the suffering of all the inmates but when the deportations to the east began she worked to save hundreds of Jewish children from the death camps, going so far as to smuggle children out of the camp in her own car. Eventually her actions came to the notice of the collaborationist Vichy government and in 1943 she was arrested by the Gestapo and jailed for six months. The Extraordinary Story of Mary Elmes tells the gripping story of one woman’s heroism during two of the twentieth century’s bloodiest conflicts. It includes a number of interviews with some of those who owe their lives to Mary Elmes, as well as photographs and a wealth of archival material.
Clodagh Finn has travelled throughout Europe to piece together the story of this remarkable, unknown Irish woman, meeting many of those children Mary Elmes saved. Here, in a book packed with courage, heroism, adventure and tragedy, her story is finally remembered. The children called her 'Miss Mary', and they remember her kindness still. She gave them food and shelter and later risked her life to help them escape the convoys bound for Auschwitz. Turning her back on a brilliant academic career, Mary Elmes ventured into a war zone to help children in the Spanish Civil War. In 1939, she fled Franco's forces but continued to work with refugees in France when the Second World War broke out. In 1942, when it became evident that Jews were being deported to their deaths, she smuggled children to safety in the boot of her car. She was arrested and imprisoned by the Gestapo, but went straight back to work after her release. When the war was over, Mary married and settled down, never speaking about what she had done. Her story was forgotten. In A Time to Risk All her remarkable story is finally remembered as it should be. 'A compelling portrait of an unsung Irish heroine of two wars' Madeleine Keane, Literary Editor, Sunday Independent 'Brings to light the life of Mary Elmes, showing a remarkable, independent and courageous woman whose compassion knew no borders.' Yvonne Altman O'Connor, Culture and Education Director, Irish Jewish Museum
Imagine beetles ejecting defensive sprays as hot as boiling water; female moths holding their mates for ransom; caterpillars disguising themselves as flowers by fastening petals to their bodies; termites emitting a viscous glue to rally fellow soldiers--and you will have entered an insect world once beyond imagining, a world observed and described down to its tiniest astonishing detail by Thomas Eisner. The story of a lifetime of such minute explorations, For Love of Insects celebrates the small creatures that have emerged triumphant on the planet, the beneficiaries of extraordinary evolutionary inventiveness and unparalleled reproductive capacity. To understand the success of insects is to appreciate our own shortcomings, Eisner tells us, but never has a reckoning been such a pleasure. Recounting exploits and discoveries in his lab at Cornell and in the field in Uruguay, Australia, Panama, Europe, and North America, Eisner time and again demonstrates how inquiry into the survival strategies of an insect leads to clarifications beyond the expected; insects are revealed as masters of achievement, forms of life worthy of study and respect from even the most recalcitrant entomophobe. Filled with descriptions of his ingenious experiments and illustrated with photographs unmatched for their combination of scientific content and delicate beauty, Eisner's book makes readers participants in the grand adventure of discovery on a scale infinitesimally small, and infinitely surprising.
“A solid resource for parents and educators” (Kirkus Reviews), Brave Girls is an empowering guide to cultivating confident, passionate, and powerful young leaders during the most formative stage of life: the middle school years. After years of research as a psychologist and consultant for women struggling in the professional world, Stacey Radin made a groundbreaking realization: women who become successful leaders learn how to do so in the middle grades—the most formative stage in a girl’s development and self-identification. Drawing on her own experience with Unleashed, an after-school program dedicated to empowering girls through puppy rescue, Radin has written Brave Girls­—the ultimate guidebook for anyone who wants to help girls become confident, passionate, and powerful leaders. At a pivotal time in their lives, girls learn to advocate for others, think critically, and, most importantly, gain confidence in their ability to create change. Perfect for “anyone concerned with girls and women’s lives” (New York Times bestselling author Michael Gurian), Brave Girls shows how contributing to one cause can shape a leader for life while reducing the hazards of middle school—bullying, excessive competition, fear of speaking out—and identifying the patterns that truly make a difference. If we take initiative early enough, we can inspire today’s girls to become the next generation of strong, enthusiastic, and fulfilled leaders in all areas of society.
“Patiently, and unflinchingly, Ackerman is becoming one of the great poet laureates of America’s tragic adventurism across the globe.” —Pico Iyer Eden lies in a hospital bed, unable to move or speak. His wife Mary spends every day on the sofa in his room. We see them through the eyes of Eden’s best friend, a fellow Marine who didn’t make it back home—and who must relive the secrets held between all three of them as he waits for Eden to finally, mercifully die and join him in whatever comes after. A breathtakingly spare and shattering novel that explores the unseen aftereffects—and unacknowledged casualties—of war, Waiting for Eden is a piercingly insightful, deeply felt meditation on loyalty, friendship, betrayal, and love. “The Tim O’Brien of our era.” —Vogue “Devastating.” —The Wall Street Journal “Haunting. . . . Daring.” —The Boston Globe “Heart-wrenching.” —NPR
Since 1995, more than 150,000 students and researchers have turned to The Craft of Research for clear and helpful guidance on how to conduct research and report it effectively . Now, master teachers Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams present a completely revised and updated version of their classic handbook. Like its predecessor, this new edition reflects the way researchers actually work: in a complex circuit of thinking, writing, revising, and rethinking. It shows how each part of this process influences the others and how a successful research report is an orchestrated conversation between a researcher and a reader. Along with many other topics, The Craft of Research explains how to build an argument that motivates readers to accept a claim; how to anticipate the reservations of thoughtful yet critical readers and to respond to them appropriately; and how to create introductions and conclusions that answer that most demanding question, "So what?" Celebrated by reviewers for its logic and clarity, this popular book retains its five-part structure. Part 1 provides an orientation to the research process and begins the discussion of what motivates researchers and their readers. Part 2 focuses on finding a topic, planning the project, and locating appropriate sources. This section is brought up to date with new information on the role of the Internet in research, including how to find and evaluate sources, avoid their misuse, and test their reliability. Part 3 explains the art of making an argument and supporting it. The authors have extensively revised this section to present the structure of an argument in clearer and more accessible terms than in the first edition. New distinctions are made among reasons, evidence, and reports of evidence. The concepts of qualifications and rebuttals are recast as acknowledgment and response. Part 4 covers drafting and revising, and offers new information on the visual representation of data. Part 5 concludes the book with an updated discussion of the ethics of research, as well as an expanded bibliography that includes many electronic sources. The new edition retains the accessibility, insights, and directness that have made The Craft of Research an indispensable guide for anyone doing research, from students in high school through advanced graduate study to businesspeople and government employees. The authors demonstrate convincingly that researching and reporting skills can be learned and used by all who undertake research projects. New to this edition: Extensive coverage of how to do research on the internet, including how to evaluate and test the reliability of sources New information on the visual representation of data Expanded bibliography with many electronic sources
When Singapore fell dramatically to the Japanese on 15 February 1942, hundreds of people scrambled to leave. Amongst the evacuees were 65 Australian nurses who boarded coastal freighter "Vyner Brooke" which Japanese bombers sank. The largest group of nurses that made it to shore gathered at Radji Beach. Eventually the shipwreck survivors surrendered to the Japanese rather than slowly starve to death. The Japanese did not accept their surrender and divided the Europeans into three groups and killed all in turn. The Australian nurses were in the third group, and 21 of them died in a hail of bullets as they walked into the waters off the beach. There was one survivor, Vivian Bullwinkel, and she went on to survive the various camps and diseases that took away several of her friends.
In Road to Divorce, Lawrence Stone explored the different ways in which marriage took place, and analysed the confusion and uncertainty surrounding the legality of the institution in its various forms before the Marriage Act of 1753. He now shows in absorbing detail, through a series of case-studies, how courting and marrying couples tended to manoeuvre around the ambiguities of the law, and how they sometimes became entangled in a web of moral and legal contradiction leading to personal catastrophe. There are stories about unwise courtship, prenuptial pregnancies, forced marriages by parents or parish officials, bigamy, clandestine marriages often performed in haste in peculiarly squalid circumstances and repented at leisure. These fascinating studies reveal in intimate, often ribald, detail how men and women adjusted their sexual conduct, moral attitudes, and matrimonial plans to suit an ambiguous legal situation. Professor Stone has traced the ways in which, during the seventeenth and eighteenth centuries, demands by individuals for love and affection were starting to take precedence over family interests and parental dictation in the search for a spouse; the studies he has drawn from court records for Uncertain Unions enable us to see this great moral transition being played out in the lives of men and women, often in their own words. These are vivid, human histories, presented in revealing detail, by a leading historian of the family.
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.