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In this wide-ranging study Stephen Foster explores Puritanism in England and America from its roots in the Elizabethan era to the end of the seventeenth century. Focusing on Puritanism as a cultural and political phenomenon as well as a religious movement, Foster addresses parallel developments on both sides of the Atlantic and firmly embeds New England Puritanism within its English context. He provides not only an elaborate critque of current interpretations of Puritan ideology but also an original and insightful portrayal of its dynamism. According to Foster, Puritanism represented a loose and incomplete alliance of progressive Protestants, lay and clerical, aristocratic and humble, who never decided whether they were the vanguard or the remnant. Indeed, in Foster's analysis, changes in New England Puritanism after the first decades of settlement did not indicate secularization and decline but instead were part of a pattern of change, conflict, and accomodation that had begun in England. He views the Puritans' own claims of declension as partisan propositions in an internal controversy as old as the Puritan movement itself. The result of these stresses and adaptations, he argues, was continued vitality in American Puritanism during the second half of the seventeenth century. Foster draws insights from a broad range of souces in England and America, including sermons, diaries, spiritual autobiographies, and colony, town, and court records. Moreover, his presentation of the history of the English and American Puritan movements in tandem brings out the fatal flaws of the former as well as the modest but essential strengths of the latter.
This revised and significantly expanded edition contains a rigorous examination of key concepts, new chapters and discussions within existing chapters, and added reference materials in the appendix, while retaining its classroom-tested approach to helping readers navigate through the deep ideas, vast collection of the fundamental methods of structural analysis. The authors show how to undertake the numerous analytical methods used in structural analysis by focusing on the principal concepts, detailed procedures and results, as well as taking into account the advantages and disadvantages of each method and sphere of their effective application. The end result is a guide to mastering the many intricacies of the range of methods of structural analysis. The book differentiates itself by focusing on extended analysis of beams, plane and spatial trusses, frames, arches, cables and combined structures; extensive application of influence lines for analysis of structures; simple and effective procedures for computation of deflections; introduction to plastic analysis, stability, and free and forced vibration analysis, as well as some special topics. Ten years ago, Professor Igor A. Karnovsky and Olga Lebed crafted a must-read book. Now fully updated, expanded, and titled Advanced Methods of Structural Analysis (Strength, Stability, Vibration), the book is ideal for instructors, civil and structural engineers, as well as researches and graduate and post graduate students with an interest in perfecting structural analysis.
This is a review of developments in the behaviour and design of steel structures in seismic areas. The proceedings look at the analytical and experimental research on the seismic response of steel structures, and cover topics such as global behaviour and codification, design and application.
This book investigates a number of central problems in the philosophy of Charles Peirce grouped around the realism of his semiotics: the issue of how sign systems are developed and used in the investigation of reality. Thus, it deals with the precise character of Peirce's realism; with Peirce's special notion of propositions as signs which, at the same time, denote and describe the same object. It deals with diagrams as signs which depict more or less abstract states-of-affairs, facilitating reasoning about them; with assertions as public claims about the truth of propositions. It deals with iconicity in logic, the issue of self-control in reasoning, dependences between phenomena in their realist descriptions. A number of chapters deal with applied semiotics: with biosemiotic sign use among pre-human organisms: the multimedia combination of pictorial and linguistic information in human semiotic genres like cartoons, posters, poetry, monuments. All in all, the book makes a strong case for the actual relevance of Peirce's realist semiotics.
This edited collection speaks to and expands on existing debates around incarceration. Rather than focusing on the bricks and mortar of institutional spaces, this volume’s inventive engagements in ‘thinking through carcerality’ touch on more elusive concepts of identity, memory and internal – as well as physical – walls and bars. Edited by two human geographers, and positioned within a criminological context, this original collection draws together essays by geographers and criminologists with a keen interest in carceral studies. The authors stretch their disciplinary boundaries; tackling a range of contemporary literatures to engage in new conversations and raising important questions within current debates on incarceration. A highly interdisciplinary project, this edited collection will be of particular interest to scholars of the criminal justice system, social policy, and spatial carceral studies.
A sequence of 2,400 propositions and problems features only hints. Suitable for advanced undergraduates and graduate students, this unique approach encourages students to work out their own proofs. 1974 edition.
This book examines applied theatre projects that bring together diverse groups and foster intercultural dialogue. Based on five case studies and informed by play theory, it argues that the playful elements of theatre processes nurture a unique intimacy among diverse people. However, this playful quality can also dampen explicit conversations about participants’ cultural differences, and defer an interrogation of people’s own entrenchment in systemic power imbalances. As a result, addressing these differences and imbalances in applied theatre contexts may require particular strategies.
Strain Measurement in Biomechanics will provide a valuable reference source for all research workers in biomechanics and biomaterials as well as orthopaedic manufacturers and orthopaedic surgeons.
Providing a clear description of the theory of polydisperse multiphase flows, with emphasis on the mesoscale modelling approach and its relationship with microscale and macroscale models, this all-inclusive introduction is ideal whether you are working in industry or academia. Theory is linked to practice through discussions of key real-world cases (particle/droplet/bubble coalescence, break-up, nucleation, advection and diffusion and physical- and phase-space), providing valuable experience in simulating systems that can be applied to your own applications. Practical cases of QMOM, DQMOM, CQMOM, EQMOM and ECQMOM are also discussed and compared, as are realizable finite-volume methods. This provides the tools you need to use quadrature-based moment methods, choose from the many available options, and design high-order numerical methods that guarantee realizable moment sets. In addition to the numerous practical examples, MATLAB® scripts for several algorithms are also provided, so you can apply the methods described to practical problems straight away.
Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier’s filmmaking bible, Voice & Vision. Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process—from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution—and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format.