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The Extended Hand is a "contemplative memoir" that covers two seemingly separate lives. When Robert answers the phone, he has trouble understanding his neighbor's question: "What do you mean, there's a notice in today's paper listing our condo for sale?" Through the kitchen windows, he can see the ocean waves rolling in toward the Maui beach. Surely there must be a mistake. But when he calls his wife Marti on the eastside of Seattle, he learns the truth: "Yes, I filed for bankruptcy." Once, as a child, Marti fell through an open manhole into a sewer and was rescued by the extended hand of a caring man. Now, even though her business mistakes have wiped out the assets of a thirty-year marriage, Marti Eicholz discovers that her husband is another man capable of extending a hand to someone in need. The Extended Hand is the first-person story of how I came to that point of having to tell the man I loved that I had lost all our worldly goods, without giving him a warning. Only in retrospect did I understand why I, the daughter of a charismatic fundamentalist preacher with a need to control his family, was driven to excel and perform perfectly. As an adult, I found it hard to love myself--when my first marriage ended, after ten years, I was still a virgin--and went into a web-based business venture when the Internet was still a novelty, unable to acknowledge that I was in an emotional black hole. My story is also that of one preacher's daughter who learns to accept the extended hand of the living Jesus cleansed of the rules and exclusions imposed on it by a narrow, fundamentalist view of the bible's truths. My marriage is alive and thriving today because I have finally learned to accept the gifts that are yours when someone extends their hand in love, and you accept it, in humility and gratitude.
Nov. issue includes Proceedings of the annual meeting.
What can we know about ourselves and the world through the sense of touch and what are the epistemic limits of touch? Scepticism claims that there is always something that slips through the epistemologist’s grasp. A Touch of Doubt explores the significance of touch for the history of philosophical scepticism as well as for scepticism as an embodied form of subversive political, religious, and artistic practice. Drawing on the tradition of scepticism within nineteenth- and twentieth-century continental philosophy and psychoanalysis, this volume discusses how the sense of touch uncovers contradictions within our knowledge of ourselves and the world. It questions 1) what we can know through touch, 2) what we can know about touch itself, and 3) how our experience of touching the other and ourselves throws us into a state of doubt. This volume is intended for students and scholars who wish to reconsider the experience of touching in intersections of philosophy, religion, art, and social and political practice.
HENS takes a humorous, historical look at why women are different
1. THE SEMIOTIC CHARACTER OF ABORIGINAL SIGN LANGUAGES In our culture, language, especially in its spoken manifestation, is the much vaunted hallmark of humanity, the diagnostic trait of man that has made possible the creation of a civilization unknown to any other terrestrial organism. Through our inheritance of a /aculte du langage, culture is in a sense bred inta man. And yet, language is viewed as a force wh ich can destroy us through its potential for objectification and classification. According to popular mythology, the naming of the animals of Eden, while giving Adam and Eve a certain power over nature, also destroyed the prelinguistic harmony between them and the rest of the natural world and contributed to their eventual expulsion from paradise. Later, the post-Babel development of diverse language families isolated man from man as weIl as from nature (Steiner 1975). Language, in other words, as the central force animating human culture, is both our salvation and damnation. Our constant war with words (Shands 1971) is waged on both internal and external battlegrounds. This culturally determined ambivalence toward language is particularly appar ent when we encounter humans or hominoid animals who, for one reason or another, must rely upon gestural forms of communication.
A treasure trove of forgotten stories about jewels throughout history by internationally renowned jewellery expert, Carol Woolton. If Jewels Could Talk: Links Through Time delves into the history, cultural significance and eclectic trivia of jewellery. As a jewellery historian, jewellery editor at British Vogue and now podcast host, Carol Woolton is uniquely qualified to take us on a whistlestop tour through history via seven items of jewellery: hoops, rings, beads, charms, brooches, cuffs and head ornaments. Weaving in examples from cultures around the world, Carol will uncover fascinating stories about Viking silver torques, Imperial jade in China, sixteenth-century Posy rings, organic gems, snake motifs, Roman cameo carving, Hindu wedding jewellery, Etruscan gold, Ancient Greek coins, piercings, Wedding pigs in China, tiaras and anklets - to name but a few. A beautiful and illuminating gift for any jewellery lover, If Jewels Could Talk shines a light on all that glitters and more.
This collection of essays continues Adam Gillon's comparatist approach to Joseph Conrad, which he exhibited in three previous books: The Eternal Solitary: A Study of Joseph Conrad (1960 and 1964), Conrad and Shakespeare and Other Essays (1976), and Joseph Conrad (Tawyne English Authors Series), 1982. In the present collection, Gillon extends his perspectives by examining the affinities between Conrad's descriptive art and painting and film. Gillon presents a variety of new views and insights as he traces the connections between Conrad and such writers as Henry James and Vladimir Nabokov and compares Conradian characters Prince Roman and Peer Ivanovitch. Gillon's Polish background looms large in this collection. His mastery of the Polish language is apparent in the discussion of two Polish novels about Conrad's early life and in his translation of excerpts from these novels. The first and last chapters offer moving glimpses of Gillon's own Polish footprints, his initiation into Conrad lore, and the visit to his native land after a long absence. The intimacy and wry humor of these recollections are evident also in his essay about adapting Conrad to film, which is illustrated with excerpts from his scripts Under Western Eyes and Dark Country, his screenplay inspired by Heart of Darkness and Conradian themes. A native of Poland, Adam Gillon is professor emeritus of English and comparative literature at the State University of New York, New Paltz. He has lectured at universities in Canada, Israel, and Europe. His numerous publications include critical studies of Conrad, fiction, poetry, translations, articles, and reviews. He has written award-winning plays for screen, stage, and radio. He wrote, directed, and produced a feature film, The Bet. Gillon is president of the Joseph Conrad Society of America and founder and senior editor of its newsletter, Joseph Conrad Today.Raymond Brebach is an associate professor of humanities at Drexel University. He is a contributing editor for the Cambridge Edition of the Works of Joseph Conrad and he edits Joseph Conrad Today, the newsletter of the Joseph Conrad Society of America. He has written on the collaboration of Joseph Conrad and Ford Madox Ford.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Long before they can make any sounds approaching language, infants can share in communication, though what this means is the subject of much scrutiny. This 1979 volume deliberately draws on people whose different backgrounds have brought them to explore questions that have a bearing on communication in this earliest phase of human infancy. This is, then, as Dr Bullowa says in her introduction, primarily a book about 'how scientists go about finding out how infants and adults communicate with one another'. It is nowhere dogmatic; contributors have all been encouraged to say why they came to do the research reported, how they set about it and what they discovered. Dr Bullowa herself provides a useful introduction which makes its own substantial contribution, while surveying the broad context of the particular research, discussing some of the themes that recur in the book and relating them to the wider literature.