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Montgomery, Alabama, is beautifully situated on the Alabama river, near the centre of the State. Its situation at the head of navigation, on the Alabama river, its connection by rail with important points, and the rich agricultural country with which it is surrounded, make it a great commercial centre, and the second city in the State as regards wealth and population. It is the capital, and consequently learned men and great politicians flock to it, giving it a society of the highest rank, and making it the social centre of the State. From 1858 to 1860, the time of which I treat in the present work, the South was in a most prosperous condition. "Cotton was king," and millions of dollars were poured into the country for its purchase, and a fair share of this money found its way to Montgomery. When the Alabama planters had gathered their crops of cotton, tobacco, rice, etc., they sent them to Montgomery to be sold, and placed the proceeds on deposit in its banks. During their busy season, while overseeing the labor of their slaves, they were almost entirely debarred from the society of any but their own families; but when the crops were gathered they went with their families to Montgomery, where they gave themselves up to enjoyment, spending their money in a most lavish manner. There were several good hotels in the city and they were always filled to overflowing with the wealth and beauty of the South. The Adams Express Company had a monopoly of the express business of the South, and had established its agencies at all points with which there was communication by rail, steam or stage. They handled all the money sent to the South for the purchase of produce, or remitted to the North in payment of merchandise. Moreover, as they did all the express business for the banks, besides moving an immense amount of freight, it is evident that their business was enormous. At all points of importance, where there were diverging routes of communication, the company had established principal agencies, at which all through freight and the money pouches were delivered by the messengers. The agents at these points were selected with the greatest care, and were always considered men above reproach. Montgomery being a great centre of trade was made the western terminus of one of the express routes, Atlanta being the eastern. The messengers who had charge of the express matter between these two points were each provided with a safe and with a pouch. The latter was to contain only such packages as were to go over the whole route, consisting of money or other valuables. The messenger was not furnished with a key to the pouch, but it was handed to him locked by the agent at one end of the route to be delivered in the same condition to the agent at the other end.
Private detectives and detective agencies played a major role in American history from 1870 to 1940. Pinkerton, Burns, Thiels, and the smaller independents were a multi-million dollar industry, hired out by many if not most American corporations, who needed services of surveillance, strike breaking, and labor espionage. Not only is John Walton's account the first sustained history of this industry, it is also the first book to trace the ways in which the private detective came to occupy a cherished place in popular imagination. Walton paints lively portraits of these mythical figures from Sherlock Holmes, the brilliant eccentric, to Sam Spade, the hard-boiled hero of Dashiell Hammett's best-selling tales. There's a great question lurking in here: how did pulp magazine editors shape the image of the hard-boiled private eye, and what sorts of interplay obtained between the actual records (agency files, memoirs) of these motley individuals in real life and the legend of the private detective in mass-market fiction? This history of the private eyes and this account of how the detective industry and the culture industry played off of each other is a first. Walton show us, in clean clear outline, the figure of the classical private eye, and he shows us further how the memory of this iconic figure was sustained in fiction, radio, film, literary societies, product promotions, adolescent entertainments, and a subculture of detective enthusiasts.
The ALLAN PINKERTON Ultimate Collection: True Crime Stories & Detective Stories is a fascinating compilation that delves into the world of detection and crime-solving. With a meticulously crafted literary style, Pinkerton's narratives captivate readers with gripping plots and intriguing characters. Set against the backdrop of the 19th century, this collection offers a glimpse into the early development of detective fiction and true crime accounts. Pinkerton's attention to detail and ability to weave suspenseful tales make this collection a must-read for fans of the genre. Allan Pinkerton, a renowned detective and founder of the Pinkerton National Detective Agency, drew upon his real-life experiences to inform his writing. His background in law enforcement and detective work lends an authenticity and credibility to the stories featured in this collection. Pinkerton's keen insight into criminal psychology and investigative techniques shines through in his writing, offering readers a unique perspective on the art of detection. I highly recommend the ALLAN PINKERTON Ultimate Collection to readers interested in the history of detective fiction, true crime narratives, and the work of one of the most influential figures in the field of criminal investigation. Pinkerton's stories are sure to entertain, educate, and inspire readers of all backgrounds.