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When is the pen mightier than the sword? The pen became my weapon of choice to battle against life. I have gone from one traumatic event to the next and I will admit I have reached the tower on more than one occasion. I am still here and throughout this book I would like to share my experiences, my thoughts and my actions also how contradictory it is that I have become the person that I am to this very day. Poetry is not a dying art, it just needs to be revived back into general society. People either as confident as they seem or they think they are, will at some point in their lives need reassurance, understanding, empathy, sympathy and most importantly, the love of another human being. We all need to know that no matter how bad things seem, keep hold because not all hope is not lost in life, but instead a mere hurdle in the way that will eventually be removed upon finding resolve. The introduction is actual factors of my life and the poetry I have wrote was my way of surviving
Human beings have the unique ability to consciously reflect on the nature of the self. But reflection has its costs. We can ask what the self is, but as David Hume pointed out, the self, once reflected upon, may be nowhere to be found. The favored view is that we are material beings living in the material world. But if so, a host of destabilizing questions surface. If persons are just a sophisticated sort of animal, then what sense is there to the idea that we are free agents who control our own destinies? What makes the life of any animal, even one as sophisticated as Homo sapiens, worth anything? What place is there in a material world for God? And if there is no place for a God, then what hold can morality possibly have on us--why isn't everything allowed? Flanagan's collection of essays takes on these questions and more. He continues the old philosophical project of reconciling a scientific view of ourselves with a view of ourselves as agents of free will and meaning-makers. But to this project he brings the latest insights of neuroscience, cognitive science, and psychiatry, exploring topics such as whether the conscious mind can be explained scientifically, whether dreams are self-expressive or just noise, the moral socialization of children, and the nature of psychological phenomena such as multiple personality disorder and false memory syndrome. What emerges from these explorations is a liberating vision which can make sense of the self, agency, character transformation, and the value and worth of human life. Flanagan concludes that nothing about a scientific view of persons must lead to nihilism.
Perhaps no philosopher has so fully explored the nature and conditions of historical understanding as Wilhelm Dilthey. His work, conceived overall as a Critique of Historical Reason and developed through his well-known theory of the human studies, provides concepts and methods still fruitful for those concerned with analyzing the human condition. Despite the increasing recognition of Dilthey's contributions, relati vely few of his writings have as yet appeared in English translation. It is therefore both timely and useful to have available here two works drawn from different phases in the development of his philosophy. The "Ideas Concerning a Descriptive and Analytic Psychology" (1894), now translated into English for the first time, sets forth Dilthey's programma tic and methodological viewpoints through a descriptive psychology, while "The Understanding of Other Persons and Their Expressions of Life" (ca. 1910) is representative of his later hermeneutic approach to historical understanding. DESCRIPTIVE PSYCHOLOGY AND THE HUMAN STUDIES Dilthey presented the first mature statement of his theory of the human studies in volume one of his Einleitung in die Geisteswissenschaften (Introduction to the Human Studies), published in 1883. He argued there that for the proper study of man and history we must eschew the metaphysical speculation of the absolute idealists while at the same time avoiding the scientistic reduction of positivism.
All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there’s more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.
With more than 7,000 up-to-date phrases, this dictionary covers situations from talking to a doctor to ordering a meal, and helps learners communicate personal feelings, and make small talk.
The aim of Odgaard Møller's book is threefold: The first main section seeks to clarify how and why Jesus is presented in the pre-1968 writings of the Danish theologian and philosopher K.E. Løgstrup (1905–1981). Throughout his work, Løgstrup's main focus has been a rehabilitation of the insight that life is something definite, because it is created. Here, Jesus primarily plays a methodological/strategic role as the one confirming and giving witness to Løgstrup's interpretation of created life in a given time of his authorship. When faith in creation is formulated polemically against another interpretation of life, Jesus serves as Løgstrup's ally in this discussion. In the second main section, this examination is extrapolated to include a discussion with Bultmann and two of his students in order to clarify the character of his Christology, not least whether – or in what way – this can be characterised as "implicit Christology". Finally, in the light of Ricoeur's hermeneutic philosophy of religion, the third main section considers the systematic-theological validity of this picture of Jesus. The overall conclusion can be summed up in this way: The main line in Løgstrup's work goes from created life to the human being Jesus of Nazareth. Jesus incarnates created life; therefore he is the true human being. This close connection between (created) Life and (true) Human Being is the kernel in Løgstrup's thought. This makes his perception of Jesus and his Christology distinctive, original and specifically Løgstrupian.
From the New York Times bestselling author of Lost in Translation and Eating the Sun, a charming illustrated collection of more than fifty expressions from around the globe that explores the nuances of language From the hilarious and romantic to the philosophical and literal, the idioms, proverbs, and adages in this illustrated collection address the nuances of language in the form of sayings from around the world. From the French idiom “to pedal in the sauerkraut” (meaning, “to spin your wheels”), to the Japanese idiom “even monkeys fall from trees” (meaning, “even experts can be wrong”), The Illustrated Book of Sayings reveals the remarkable diversity, humor, and poignancy of the world’s languages and cultures.
Donald Davidson (1917-2003) was one of the most prominent philosophers of the second half of the twentieth century. His thinking about language, mind, and epistemology has shaped the views of several generations of philosophers. This book brings together articles by a host of prominent philosophers to provide new interpretations of Davidson’s key ideas about meaning, language and thought. The book opens with short commemorative pieces by a wide range of people who knew Davidson well, giving us glimpses into the life of a great philosopher, a beloved husband and father, a colleague, teacher and friend. The chapter by Lepore and Ludwig and the ensuing heated debate with Frederick Stoutland on how to interpret Davidson demonstrate why Davidson’s legacy has become a disputed intellectual territory. The chapters by Kathrin Glüer, Peter Pagin, Barry Smith, James Higginbotham and William Child, all eminent philosophers of language, are prime examples of just one strand of this legacy, while the piece by Sophie Gibb gives us an opening to Davidson’s enormous contribution to philosophy of mind. Donald Davidson: Life and Words closes with a piece by Davidson himself, first published in 1995 in the International Journal of Philosophical Studies, where he brings together the various strands of his work in a Unified Theory of speech and action. This book comprises key articles first published in the International Journal of Philosophical Studies and previously unpublished commemorative pieces, and serves as a fitting dedication to the work and memory of a great philosopher.
Based on the popular blog (French-word-a-day.com) and newsletter comes a heart-winning collection from an American woman raising two "very" French children with her French husband in Provence, and carrying on a lifelong love affair with the language.