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The First World War is widely conceived as a pointless conflict that destroyed a generation. Petty squabbles between emperors pushed naïve young men into a nightmare of mud and blood that killed millions and left scarred and embittered survivors. However, the ongoing reinterpretation of the First World War reveals that matters were rather more nuanced and complex. Hardship and death were all too common, but there were positive experiences, too. Vast numbers of people, for example, travelled to new parts of the world and encountered new cultures, inspiring a sense of wonder and respect. Military tactics were improved, and great military commanders of the inter-war and Second World War periods came to prominence during the First World War. The conflict also had a formative influence on politicians, writers, artists, union leaders, businessmen and some ethnic minorities, who used their participation to press for equal rights and full citizenship. This book's 16 chapters, written by a range of leading New Zealand and international historians, explains how.
This book offers an in-depth exploration of the burgeoning field of meaning in life in the psychological sciences, covering conceptual and methodological issues, core psychological mechanisms, environmental, cognitive and personality variables and more.
Mia never thought she'd be the child of a broken home. Yet when she's 15 years old, one day her father just up and moves out. As her family life crumbles, her love life is finally coming together. Julian, her brother Allen's best friend and her longtime crush, has finally noticed her—and being with Julian makes her happier than she can put into words. Meanwhile, her mother has disappeared into work, her brother is skipping school and acting weird, and her father is cohabitating with a frighteningly sexy Peruvian woman named Paloma. Mia wishes the divorce would just go away so she could focus on Julian . . . but she can't ignore her problems forever. In this honest, witty, utterly accessible winner of the Delacorte Press Contest, first-time author Olivia Birdsall creates an authentic and lovable teenager in Mia Day.
Here is the first fully annotated edition of a landmark in early African American literature--Eliza Potter's 1859 autobiography, A Hairdresser's Experience in High Life. Potter was a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women--and she recorded it all in a revelatory book that delighted Cincinnati's gossip columnists at the time. But more important is Potter's portrait of herself as a wage-earning woman, proud of her work, who earned high pay and accumulated quite a bit of money as one of the nation's earliest "beauticians" at a time when most black women worked at the bottom of the socioeconomic ladder. Because her work offered insights into the private lives of elite white women, Potter carved out a literary space that featured a black working woman at the center, rather than at the margins, of the era's transformations in gender, race, and class structure. Xiomara Santamarina provides an insightful introduction to this edition that includes newly discovered information about Potter, discusses the author's strong satirical voice and proud working-class status, and places the narrative in the context of nineteenth-century literature and history.
IN THE BEGINNING: CREATION MYTHS FROM AROUND THE WORLD is a beautifully illustrated and informative collection of creation stories from 15 cultures, using indigenous sources. These stories demonstrate that creation is ongoing, everywhere and always, and that all of us are creators all of the time. This engaging book of images and stories is ultimately about creativity in all its forms. Originally an exhibition, IN THE BEGINNING has appeared in museums, galleries, churches, and schools in several U.S. cities. An audio version of the book, in which the myths are read by Amy Walker, is available from Findhorn Press.
In this refreshingly unique book, noted author James Emery White shows how we can find and fulfill our life's purpose. He explains that the challenges of life-survival or success-simply cannot be met without first finding purpose. You Can Experience . . . Purposeful Life dares to ask the hard questions revealing how most people go through a life deviod of any meaning or focus. Discern what really matters-and you're on your way to a life of purpose.
"What is it like to die? Despite the poet's plaint that no one has returned from that dark land to tell us, there is a growing body of information about the nature of death. Its common, basic features have been confirmed and are presented in this extraordinary book, the first scientific investigation of the near-death experience. From interviews with more than a hundred men and women who have come very close to death or have experienced "clinical" death -- a state in which vital signs such as heartbeat and respiration are entirely absent -- and have survived, Dr. Ring shows that certain elements are common. He confirms that findings reported by Raymond Moody concerning the near-death experience -- a sense of floating out of one's body, of entering a dark tunnel, of experiencing a panoramic life review and of encountering a brilliant golden light. In this book Dr. Ring elaborates on what happens at the threshold of death. He tells of the frequency of these experiences, discusses whether the manner in which one almost died --illness, accident, suicide -- changes the nature of the experience, and probes what role religion has in shaping the approach to death. He shows that the near-death experience is not affected by an individual's ages, sex education, race or religion. He found, however, that the typical near-death experience -- which he calls the "core experience" -- tends to unfold in a series of five stages. the "deeper" the stages, the fewer the people who reach it. The experience tends to end with an encounter with what is described as a "voice" or "presence" that asks whether the person wants to return to life. The aftereffects of the core experience are dramatic and profound. The fear of death tends to vanish, and the total impact is akin to a spiritual rebirth."-Publisher.
Drawing on several hundred printed and recorded autobiographical recollections and life story interviews with three generations of families, this book by Britain's preeminent oral historian provides a unique view of later life. Little has ever been written by historians about growing older in earlier generations, and because sociologists and gerontologists, policy experts, and health researchers have concentrated on problems--reinforcing common images of old age as a time of dependence, incapability, and withdrawal--the typical experience of aging today has never been revealed. The men and women in this study--ranging in age from their sixties to their eighties--reject these derogatory images. They have met later life as a an active challenge, and tell of meaningful, fulfilling lives.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.