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The Exagoge is a drama on the theme of the Jewish Exodus written during the second century BC by Ezekiel, who emerges as a tragedian of significance.
The Exagoge is a drama on the theme of the Jewish Exodus written during the second century BC by Ezekiel, who emerges as a tragedian of significance.
This volume includes an introduction, a translation and an in-depth commentary of the fragments of the Exagoge, a Greek tragedy written by a Jewish poet named Ezekiel the Tragedian, who lived between mid- 2nd and mid-1st century BCE. The author offers an interpretation of the play which links its 17 fragments and clarifies their position in the overall structure, in order to bring to light the ideas of Ezekiel and his social and cultural context.
Longlisted for the 2006 Man Booker Prize and hailed by "The Times" (London) as Ra work of genius, S Jacobson's exquisitely written, audaciously funny novel explores the countless questions of postwar Jewish identity.
The oracle against the King of Tyre, found in Ezekiel 28.12-19, is a difficult text that inspired diverse interpretations in Late Antiquity. This book examines those interpretations and seeks to understand their origins and development.
The “Second Sophistic” traditionally refers to a period at the height of the Roman Empire’s power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.
This book addresses the historical-critical agenda of Ezekiel and includes newer approaches and questions, such as psychological issues and the notion that Ezekiel should be regarded as a "character" within the book.
All husbands, Felix maintains, secretly want their wives to be unfaithful to them. Felix hasn't always thought this way. From the moment of his first boyhood rejection, surviving the shattering effects of love and jealousy had been the study of his life. But while he is honeymooning with Marisa in Florida, an event occurs that changes everything. In a moment, he goes from dreading the thought of someone else's hands on the woman he loves to thinking about nothing else. Enter Marius into Marisa's affections. Now Felix must wonder if he really is a happy man.
The idea of a heavenly double—an angelic twin of an earthbound human—can be found in Christian, Manichaean, Islamic, and Kabbalistic traditions. Scholars have long traced the lineage of these ideas to Greco-Roman and Iranian sources. In The Greatest Mirror, Andrei A. Orlov shows that heavenly twin imagery drew in large part from early Jewish writings. The Jewish pseudepigrapha—books from the Second Temple period that were attributed to biblical figures but excluded from the Hebrew Bible—contain accounts of heavenly twins in the form of spirits, images, faces, children, mirrors, and angels of the Presence. Orlov provides a comprehensive analysis of these traditions in their full historical and interpretive complexity. He focuses on heavenly alter egos of Enoch, Moses, Jacob, Joseph, and Aseneth in often neglected books, including Animal Apocalypse, Book of the Watchers, 2 Enoch, Ladder of Jacob, and Joseph and Aseneth, some of which are preserved solely in the Slavonic language.
Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging. Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos-masks, the theatre building and the closed stage on the logeion. Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre.