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Charts the confluence through marriage of three families in a small Ohio town.
Set against the landscape of a turn-of-the-century small midwestern town, this is a classic story, a love story, a story of a family that readers will ache to follow into the next generation.
Can you trust your father, when they say he killed your mother? . . . THE RICHARD & JUDY BESTSELLING AUTHOR OF THAT NIGHT 'Suspenseful and heartfelt, with a superb ending' CLAIRE DOUGLAS 'An intricately plotted, twisty page-turner. Wow' 5**** READER REVIEW 'Absolutely unputdownable' ERIN KELLY 'Gripping and full of surprises with heartbreaking twist' 5**** READER REVIEW ________ 17 years after being convicted of murder, Izzy's father is finally released from prison. She wants nothing to do with him - but he claims to be innocent. She's always believed he killed her mother, but now doubts are creeping in. Because if he's telling the truth, then someone else has been lying all this time . . . ________ 'Both grips and thrills. Her best yet!' Lucy Clarke 'This sharp, super-readable thriller stands out thanks to its taut plot and characters you really care about' Sun 'Haunting, compelling, and all too possibly true' Jane Corry 'Heart-pounding, emotionally enriching, thrilling' Holly Seddon 'Flawless plotting and gripping from the first page to the last' Jill Mansell
John Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.
After the murder of a teenage girl, a mysterious man in a black leather jacket was seen lurking near the crime scene. Investigative reporter Tessa Novak has him in her sights as the culprit… That man was Julian Darcangelo, an undercover FBI agent working with the Denver police. He’s closing in on the trail of a human trafficker and killer. Tessa’s accusations could blow his cover, and he wants her off the investigation. But just as Tessa has made Julian a target of interest, she is now a target of the killer. And as they are forced to trust each other, their physical attraction escalates as intensely as the threat from a ruthless murderer who wants to see both of them dead…
"In an ambitious blend of fact and fiction, including family secrets, documents from the era, and a thin, fragmentary case file unsealed by the court, novelist Sheila O'Connor tells the riveting story of V, a talented fifteen-year-old singer in 1930s Minneapolis who aspires to be a star. Drawing on the little-known American practice of incarcerating adolescent girls for "immorality" in the first half of the twentieth century, O'Connor follows young V from her early work as a nightclub entertainer to her subsequent six-year state school sentence for an unplanned pregnancy. As V struggles to survive within a system only nominally committed to rescue and reform, she endures injustices that will change the course of her life and the lives of her descendants. Inspired by O'Connor's research on her unknown maternal grandmother and the long-term effects of intergenerational trauma, Evidence of V: A Novel in Fragments, Facts, and Fictions is a poignant excavation of familial and national history that remains disturbingly relevant-a harrowing story of exploitation and erasure, and the infinite ways in which girls, past and present, are punished for crimes they didn't commit. O'Connor's collage novel offers an engaging balance between illuminating a shameful and hidden chapter of American history and captivating the reader with the vivid and unforgettable character of V."--
This poetic novel, by the acclaimed author of John Dollar and Properties of Thirst, describes America at the brink of the Atomic Age. In the years between the two world wars, the future held more promise than peril, but there was evidence of things unseen that would transfigure our unquestioned trust in a safe future. Fos has returned to Tennessee from the trenches of France. Intrigued with electricity, bioluminescence, and especially x-rays, he believes in science and the future of technology. On a trip to the Outer Banks to study the Perseid meteor shower, he falls in love with Opal, whose father is a glassblower who can spin color out of light. Fos brings his new wife back to Knoxville where he runs a photography studio with his former Army buddy Flash. A witty rogue and a staunch disbeliever in Prohibition, Flash brings tragedy to the couple when his appetite for pleasure runs up against both the law and the Ku Klux Klan. Fos and Opal are forced to move to Opal’s mother’s farm on the Clinch River, and soon they have a son, Lightfoot. But when the New Deal claims their farm for the TVA, Fos seeks work at the Oak Ridge Laboratory—Site X in the government’s race to build the bomb. And it is there, when Opal falls ill with radiation poisoning, that Fos’s great faith in science deserts him. Their lives have traveled with touching inevitability from their innocence and fascination with "things that glow" to the new world of manmade suns. Hypnotic and powerful, Evidence of Things Unseen constructs a heartbreaking arc through twentieth-century American life and belief.
A fascinating police story filled with unrelenting drama, from the author of A Faint Cold Fear. When a murder suspect guns down five cops in a police raid, New York City's long-simmering racial unrest explodes in turmoil. Caught in the middle, Assistant DA Karen Henning falls for her star witness, and the results are shattering.
“A smart and stylish fast-paced case of intrigue and corruption” in the Venetian-set, New York Times–bestselling mystery series (Los Angeles Times). After a wealthy elderly woman is found brutally murdered in her Venetian apartment, the police suspect her maid, who has disappeared and is heading for her native Romania. But when it becomes clear the maid could not have had time to kill the old woman before catching her train, Guido Brunetti decides—unofficially—to take on the case himself. As his wife reads about the seven deadly sins, Brunetti realizes that this is probably not a crime motivated by greed—rather, the motive may have more to do with the temptations of lust. But perhaps Brunetti is following a false trail and thinking of the wrong sin altogether . . . “The detective’s humane police work is disarming, and his ambles through the city are a delight; but it is this peculiar insistence on turning every case into a morality tale that gives Leon’s fiction its subtlety and substance and makes us follow Brunetti wherever we must—even into the sea.” —The New York Times Book Review “Holds together as an elegant puzzle, as a character study and as a story of an officer’s need to reclaim truth in all its complexities from those who want to find easy answers to life’s, and death’s, perplexing mysteries.” —The Washington Post Book World “A compelling and intricate series of events as convoluted and intricate as the canals of Venice itself . . . Another expert mystery.” —The Baltimore Sun
Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.