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This well-illustrated volume provides the best collection of Etruscan inscriptions and texts currently in print. A substantial archeological introduction sets language and inscriptions in their historical, geographical, and cultural context. The overview of Etruscan grammar, the glossary, and chapters on mythological figures all incorporate the latest innovative discoveries.
This well-illustrated volume provides the best collection of Etruscan inscriptions and texts currently in print. A substantial archeological introduction sets language and inscriptions in their historical, geographical, and cultural context. The overview of Etruscan grammar, the glossary, and chapters on mythological figures all incorporate the latest innovative discoveries.
Zikh Rasna is a comprehensive description of Etruscan grammar and inscriptions designed for classicists, linguists, archaeologists, and interested readers in other disciplines. Besides presenting all the grammatical elements of the language, the text also covers important methodological approaches, the alphabet, regional variations in both language and orthography, historical changes, and the evidence for connecting Etruscan to Lemnian and Raetic. It treats nearly 200 inscriptional texts in a wide variety of genres, with word-by-word analyses of great value to students. With its clear exposition and balanced discussions, Zikh Rasna is an essential foundation for the advanced study of one of the most important languages and peoples of pre-Roman Italy. (New edition in preparation.)
Before the rise of Rome, the Etruscans dominated central Italy commercially and culturally. Significantly, it was the Etruscans who passed the alphabet on to the Romans. But in the first century B.C., when they had become Roman citizens and begun to speak Latin, their own language died out. Being of non-Indo-European origin, Etruscan is extremely difficult to interpret, and the difficulty is increased by the fact that no Etruscan literature survives. A certain amount has, however, been reconstructed from inscriptions. Here Dr. Bonfante sets out the rudiments of pronunciation and grammar as they are understood so far. Analyzing inscriptions on a wide variety of objects, including mirrors and gems, vases, sarcophagi and coins, she shows what these fragmentary writings contribute to our knowledge of this still largely mysterious people. The book also contains a list of Etruscan personal names and a glossary of Etruscan vocabulary. A final chapter discusses the Agnone Tablet, an important inscription in Oscan, which was spoken in central Italy at the same time as Etruscan.
The Etruscans can be shown to have made significant, and in some cases perhaps the first, technical advances in the central and northern Mediterranean. To the Etruscan people we can attribute such developments as the tie-beam truss in large wooden structures, surveying and engineering drainage and water tunnels, the development of the foresail for fast long-distance sailing vessels, fine techniques of metal production and other pyrotechnology, post-mortem C-sections in medicine, and more. In art, many technical and iconographic developments, although they certainly happened first in Greece or the Near East, are first seen in extant Etruscan works, preserved in the lavish tombs and goods of Etruscan aristocrats. These include early portraiture, the first full-length painted portrait, the first perspective view of a human figure in monumental art, specialized techniques of bronze-casting, and reduction-fired pottery (the bucchero phenomenon). Etruscan contacts, through trade, treaty and intermarriage, linked their culture with Sardinia, Corsica and Sicily, with the Italic tribes of the peninsula, and with the Near Eastern kingdoms, Greece and the Greek colonial world, Iberia, Gaul and the Punic network of North Africa, and influenced the cultures of northern Europe. In the past fifteen years striking advances have been made in scholarship and research techniques for Etruscan Studies. Archaeological and scientific discoveries have changed our picture of the Etruscans and furnished us with new, specialized information. Thanks to the work of dozens of international scholars, it is now possible to discuss topics of interest that could never before be researched, such as Etruscan mining and metallurgy, textile production, foods and agriculture. In this volume, over 60 experts provide insights into all these aspects of Etruscan culture, and more, with many contributions available in English for the first time to allow the reader access to research that may not otherwise be available to them. Lavishly illustrated, The Etruscan World brings to life the culture and material past of the Etruscans and highlights key points of development in research, making it essential reading for researchers, academics and students of this fascinating civilization.
Devotion to religion was the distinguishing characteristic of the Etruscan people, the most powerful civilization of Italy in the Archaic period. From a very early date, Etruscan religion spread its influence into Roman society, especially with the practice of divination. The Etruscan priest Spurinna, to give a well-known example, warned Caesar to beware the Ides of March. Yet despite the importance of religion in Etruscan life, there are relatively few modern comprehensive studies of Etruscan religion, and none in English. This volume seeks to fill that deficiency by bringing together essays by leading scholars that collectively provide a state-of-the-art overview of religion in ancient Etruria. The eight essays in this book cover all of the most important topics in Etruscan religion, including the Etruscan pantheon and the roles of the gods, the roles of priests and divinatory practices, votive rituals, liturgical literature, sacred spaces and temples, and burial and the afterlife. In addition to the essays, the book contains valuable supporting materials, including the first English translation of an Etruscan Brontoscopic Calendar (which guided priests in making divinations), Greek and Latin sources about Etruscan religion (in the original language and English translation), and a glossary. Nearly 150 black and white photographs and drawings illustrate surviving Etruscan artifacts and inscriptions, as well as temple floor plans and reconstructions.
Contains six previously published titles brought together in a single volume.
Now in paperback, a brief introduction to the mysteries of the enigmatic, ancient civilization in the area of modern Italy. The Etruscans were a powerful people, marked by an influential civilization in ancient Italy. But despite their prominence, the Etruscans are often portrayed as mysterious—a strange and unknowable people whose language and culture have largely vanished. Lucy Shipley’s The Etruscans presents a different picture. Shipley writes of a people who traded with Greece and shaped the development of Rome, who inspired Renaissance artists and Romantic firebrands, and whose influence is still felt strongly in the modern world. Covering colonialism and conquest, misogyny and mystique, she weaves Etruscan history with new archaeological evidence to give us a revived picture of the Etruscan people. The book traces trade routes and trains of thought, describing the journey of Etruscan objects from creation to use, loss, rediscovery, and reinvention. From the wrappings of an Egyptian mummy displayed in a fashionable salon to the extra-curricular activities of Bonaparte, from a mass looting craze to a bombed museum in a town marked by massacre, the book is an extraordinary voyage through Etruscan archaeology, which ultimately leads to surprising and intriguing places. In this sharp and groundbreaking book, Shipley gives readers a unique perspective on an enigmatic people, revealing just how much we know about the Etruscans—and just how much still remains undiscovered.
The lively ferment in Etruscan studies, generated in part by recent archaeological discoveries and fostered by new trends in interpretation, has produced a wealth of information about the people historians traditionally considered as inaccessible. Now, scholars are reconstructing a portrait of the wealthy, sophisticated Etruscans whose territory once extended from the Po River to the Bay of Naples. Unfortunately, the wider English-speaking public has had no single resource which synthesizes these new findings and interpretations about the Etruscans. In fact, some sources continue to propagate the traditional myth of the "enigmatic and isolated Etruscans." In response, the eminent Etruscan scholar Larissa Bonfante asked seven other internationally known classicists to join her in providing this "handbook" for the non-specialist as an authoritative and readable guide to the burgeoning Etruscan scholarship. As Bonfante explains in the introductory chapter, "The Etruscans provide an excellent opportunity of turning archaeology into history: this we tried to do, in our chapters, according to our individual directions. Nancy Thomson de Grummond traces the interest in and knowledge of the Etruscans from the earliest days. Mario Torelli provides an independent account of Etruscan history, based on monuments and sources. Jean MacIntosh Turfa belies the cliche of the Etruscans' traditional 'isolation' by surveying the material evidence for their trade with the Phoenicians, Greeks, and other neighbors in the Mediterranean. Marie-Fran'oise Briguet, Friedhelm Prayon, David Tripp, and I survey Etruscan art, architecture, coinage, and daily lives, respectively, Emeline Richardson contributes what she calls a 'primer' in the Etruscan language, a basic archaeological introduction to the Etruscan language, meant to help newcomers read the inscriptions on many of the monuments illustrated and to see these with the interdisciplinary approach so characteristic of, and necessary in, Etruscan studies." The book is profusely illustrated with over 300 photos and maps. Notes and bibliographic references lead to standard texts on the Etruscans and to the more specialized literature in the field. The result is a reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.
For the first time, Etruscan Decipherment presents the beauty and complexity of Etruscan literature. The resulting texts embrace a range of topics that evince linguistic mastery. Translation was made possible by the discovery of a hundred bilingual inscriptions in an older script called Old European. The language is Finnish, once spoken throughout Europe. The script is a syllabary with over seventy different combinations of consonants and vowels. Because it is a syllabary, each letter spells a word, which means that even a short inscription expands into a long sentence.