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This groundbreaking work investigates how the various pictures of creation found in Scripture helped shape the ancient faith community's moral character. Bringing together the fields of biblical studies and ethics, William Brown demonstrates how certain creation traditions of the Old and New Testaments were developed from the community's moral imagination for the purpose of forming and preserving both Israel's and the early church's identity in the world.
The Omnidoxy is the founding treatise of the Astronist religion and was solely authored by the philosopher and religious founder, Cometan. Partitioned into twelve disquisitions, each of which are further divided into hundreds of discourses, which are themselves titled by those which are known as rubrals, The Omnidoxy has been codified according to a unique writing structure known as insentence. The Omnidoxy not only forms the foundations of Astronism, but it remains the primary modern contributor and the book that ignited the establishment of the Astronic tradition of religion which encompasses the philosophy of Astronism. Introducing brand new philosophical concepts such as cosmocentricity, reascensionism, transcensionism, and sentientism amongst many others, The Omnidoxy remains the principal signifier of a new era in philosophy. The Omnidoxy births hundreds of new belief orientations, schools of thought, neologisms, disciplines of study, theories, and concepts which, when combined and considered collectively, have formed the basis of Astronism. The authorship of The Omnidoxy rests with the single individual philosopher, Cometan who began writing The Omnidoxy at the age of seventeen driven by what he terms as personal inspiration. The historical origination of The Omnidoxy rests in its authorship by Brandon Taylorian during early 21st century England, specifically in the northern county of Lancashire. Like in all textual criticism, the timing and location of the codification of The Omnidoxy is integral to understanding why and how it was written, especially by considering the influential factors impacting Taylorian during his construction of the text, particularly the cultural, political, religious, and social contexts of Taylorian's personal life and of wider society at the time. This forms an important branch of study within omnidoxicology known as omnidoxical criticism, or omnidoxical exegesis in which scholars study and investigate The Omnidoxy in order to discern conclusive judgements inspired by how, where, why, by whom, for whom, and in what circumstances The Omnidoxy was written.
Sometimes it is helpful to take one step backward, in order to take two steps forward. In this insightful volume, H. Paul Santmire draws on his long-standing and widely recognized engagement with ecological theology to propose that the traditions of the Protestant Reformation, rightly read, offer rich resources today for those who are struggling to move forward to respond theologically to the crisis of a planet in peril and thereby to celebrate nature by faith.
Recovering the forgotten discipline of Natural Philosophy for the modern world This book argues for the retrieval of 'natural philosophy', a concept that faded into comparative obscurity as individual scientific disciplines became established and institutionalized. Natural philosophy was understood in the early modern period as a way of exploring the human relationship with the natural world, encompassing what would now be seen as the distinct disciplines of the natural sciences, mathematics, music, philosophy, and theology. The first part of the work represents a critical conversation with the tradition, identifying the essential characteristics of natural philosophy, particularly its emphasis on both learning about and learning from nature. After noting the factors which led to the disintegration of natural philosophy during the nineteenth century, the second part of the work sets out the reasons why natural philosophy should be retrieved, and a creative and innovative proposal for how this might be done. This draws on Karl Popper's 'Three Worlds' and Mary Midgley's notion of using multiple maps in bringing together the many aspects of the human encounter with the natural world. Such a retrieved or 're-imagined' natural philosophy is able to encourage both human attentiveness and respectfulness towards Nature, while enfolding both the desire to understand the natural world, and the need to preserve the affective, imaginative, and aesthetic aspects of the human response to nature.
Examines four key ways that writers of the Hebrew Bible conceptualize and critique acts of violence.
In this rhetorical-critical study of Ecclesiates, the author elucidates how Qoheleth teaches in his discourse, paying particular attention to the use of the cosmological texts (1:4-11 and 3:1-8) and the first-person speeches.
The modern world is passing through a time of critical change on many levels: cultural, political, ecological and spiritual. We are witnessing the decline and dissolution of the old order, the tumult and uncertainty of a new birth. Against this background, there is an urgent need for a coherent framework of meaning to lead us beyond the growing fragmentation of culture, belief and personal identity. Keiron Le Grice argues that the developing insights of a new cosmology could provide this framework, helping us to discover an underlying order shaping our life experiences. In a compelling synthesis of the ideas of seminal thinkers from depth psychology and the new paradigm sciences, Le Grice positions the new discipline of archetypal astrology at the centre of an emerging world view that reunifies psyche and cosmos, spirituality and science, mythology and metaphysi, and enables us to see mythic gods, heroes and themes in a fresh light. He draws especially on the work of C. G. Jung, Joseph Campbell, Richard Tarnas, Fritjof Capra, David Bohm and Brian Swimme. Heralding a 'rediscovery of the gods' and the passage into a new spiritual era, The Archetypal Cosmos presents a new understanding of the role of myth and archetypal principles in our lives, one that could give a cosmic perspective and deeper meaning to our personal experiences.
In the first book of the Bible, every patriarch and many of the matriarchs become angry in significant ways. However, scholars have largely ignored how Genesis treats this emotion, particularly how Genesis functions as Torah by providing ethical instruction about handling this emotion’s perplexities. In this important work, Schlimm fills this gap in scholarship, describing (1) the language surrounding anger in the Hebrew Bible, (2) the moral guidance that Genesis offers for engaging anger, and (3) the function of anger as a literary motif in Genesis. Genesis evidences two bookends, which expose readers to the opposite extremes of anger and its effects. In Gen 4:1–16, anger takes center stage when Cain kills his brother, Abel, although he has done nothing wrong. Fratricide is at one extreme of the spectrum of anger’s results. In the final chapter of Genesis, readers encounter the opposite extreme, forgiveness. Here, Joseph and his brothers forgive one another after a long history of jealousy, anger, deception, and abuse. It is a moment of reconciliation offered just before the book closes, allowing readers to see Joseph as an anti-Cain—someone who has all the power and all the reasons to harm his brothers but instead turns away from anger and, despite the inherent difficulties, offers forgiveness. Although Genesis frames its post-Edenic narratives with two contrasting outcomes of anger—fratricide and forgiveness—it avoids simplistic moral platitudes, such as demanding that its readers respond to being angry with someone by forgiving the person. Genesis instead returns to the theme of anger on many occasions, presenting a multifaceted message about its ethical significance. The text is quite realistic about the difficulties that individuals face and the paradoxes presented by anger. Genesis presents this emotion as a force that naturally arises from one’s moral sensitivities in response to the perception of wrongdoing. At the same time, the text presents anger as a great threat to the moral life. Genesis thus warns readers about the dangers of anger, but it never suggests that one can lead a life free from this emotion. Instead, it portrays many characters who are forced to deal with anger, presenting them with dilemmas that defy easy resolution. Genesis invites readers to imagine ways of alleviating anger, but it is painfully realistic about how difficult, threatening, and short-lived attempts at reconciliation may be.
In this volume, Costache endeavours to map the world as it was understood and experienced by the early Christians. Progressing from initial fears, they came to adopt a more positive view of the world through successive shifts of perception. This did not happen overnight. Tracing these shifts, Costache considers the world of the early Christians through an interdisciplinary lens, revealing its meaningful complexity. He demonstrates that the early Christian worldview developed at the nexus of several perspectives. What facilitated this process was above all the experience of contemplating nature. When accompanied by genuine personal transformation, natural contemplation fostered the theological interpretation of the world as it had been known to the ancients.
In March 2005, the United Nations released its Millennium Ecosystem Assessment. Among the findings: 2/3 of the world's ecosystems are seriously degraded; 90 percent of the world's fish stocks are depleted; and climate change is not just something that might happen, it is already upon us. Many people, including many Christians, will hear this and delude themselves into thinking that technology can and will save the day. A wiser and more helpful response, especially for Christians, is to find a way to step back into the flow of nature from which we have extricated ourselves. In "Darwin, Divinity, and the Dance of the Cosmos", Bruce Sanguin shows us the way. Sanguin draws on the latest scientific understandings of the nature of the universe and weaves them together with biblical meta-narratives and frequently overlooked strands of the Judeo-Christian tradition to create an ecological and truly evolutionary Christian theology -- a feat few theologians have even attempted. This book -- and more importantly the work of integration it suggests -- represents a fundamental challenge to our theological and liturgical models. But for those who are ready and willing to embark on an exciting theological journey of discovery, it also represents a rich opportunity to become reacquainted with the Spirit of God moving in and through the very dynamics of an unfolding universe. In "Darwin, Divinity, and the Dance of the Cosmos", Sanguin draws on the latest scientific understandings of the nature of the universe and weaves them together with biblical meta-narratives and frequently overlooked strands of the Judeo-Christian tradition to create an ecological and truly evolutionary Christian theology.