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As suggested by the title, THE ETHNIC UNIVERSALITY QUARTET is comprised of four books of numbered aphorisms that loosely cycle in metaphysical spirals towards an ideological summit, the titles being 'Ethnic Universality', 'No Man-oeuvre', 'The High-way of Truth', and 'The End of Evolution', all of which are germane to the ideological philosophy of Social Transcendentalism, with its eschatological promise.
This quartet of aphoristic philosophy continues the author's quest for Social Transcendentalist perfection through texts as diverse as the aforementioned 'The Virtuous Circles', which opens the volume, 'The Struggle for Ultimate Freedom', 'Apotheosis of the Gnosis' and 'Eschatology or Scatology', the latter of which would suggest a choice between Heaven and, in effect, Hell, though Mr O'Loughlin has definite ideological alternatives in mind.
This quartet of books of aphoristic philosophy with a Social Theocratic dimension is comprised of 'Yang and Anti-Yin', 'Lamb and Anti-Lion', 'Celestial City and Anti-Vanity Fair' and, last but by no means least, 'Jesus - A Summing Up!', the title of which is a kind of oblique tribute to Arthur Koestler's estimable 'Janus - A Summing Up', which, however, would not have much bearing on the aforementioned works in terms of thematic structure, as germane, by and large, to the noumenal distinction between metaphysics and antimetachemistry, as explained in the texts.
THE MAXIMUM TRUTH QUARTET combines four books of aphoristic philosophy under one heading, beginning with 'Maximum Truth' and progressing, via 'Truthful Maxims' and 'Informal Maxims', to 'Maximum Informality'. Thus this quartet of books begins with a 'maximum' and ends with one, all of which were written in 1993, and thus demonstrate a stylistic and thematic continuity.
Besides the book entitled 'Apocalypso - The New Revelation', this project also includes 'At the Crossroads of Axial Divergence', 'Opti-mystic Projections' and 'Unflattering Conclusions', all of which do further justice to the ideological philosophy of Social Transcendentalism and its Social Theocratic antipathy to Social Democracy.
The four e-books in this quartet are 'The Free Testament (Of a Bound Genius)', 'Revelationary Afterthoughts', 'Revolutionary Afterthoughts', and 'Judgemental Afterthoughts (Of a Free Genius)', all of which take the author's ideological philosophy closer to completion in what is a kind of ultimate testament to Social Theocratic truth.
This book describes a major literary culture caught in the act of becoming minor. In 1939, Virginia Woolf wrote in her diary, "Civilisation has shrunk." Her words captured not only the onset of World War II, but also a longer-term reversal of national fortune. The first comprehensive account of modernism and imperialism in England, A Shrinking Island tracks the joint eclipse of modernist aesthetics and British power from the literary experiments of the 1930s through the rise of cultural studies in the 1950s. Jed Esty explores the effects of declining empire on modernist form--and on the very meaning of Englishness. He ranges from canonical figures (T. S. Eliot and Virginia Woolf) to influential midcentury intellectuals (J. M. Keynes and J.R.R. Tolkien), from cultural studies pioneers (Raymond Williams and E. P. Thompson) to postwar migrant writers (George Lamming and Doris Lessing). Focusing on writing that converts the potential energy of the contracting British state into the language of insular integrity, he argues that an anthropological ethos of cultural holism came home to roost in late-imperial England. Esty's interpretation challenges popular myths about the death of English literature. It portrays the survivors of the modernist generation not as aesthetic dinosaurs, but as participants in the transition from empire to welfare state, from metropolitan art to national culture. Mixing literary criticism with postcolonial theory, his account of London modernism's end-stages and after-lives provides a fresh take on major works while redrawing the lines between modernism and postmodernism.
APOTHEOSIS OF THE GNOSIS fairly lives up to its name or, rather, title in terms of the extent to which it both draws the various strands of the ideological philosophy of Social Transcendentalism together and achieves fresh insights into key positions that take this philosophy to new heights of metaphysical understanding and certitude.
With its powerful combination of music and theatre, opera is one of the most complex and yet immediate of all art forms. Once opera was studied only as 'a stepchild of musicology', but in the past two decades opera studies have experienced an explosion of energy with the introduction of new approaches drawn from disciplines such as social anthropology and performance studies to media theory, genre theory, gender studies and reception history. Written by leading scholars in opera studies today, this Companion offers a wide-ranging guide to a rapidly expanding field of study and new ways of thinking about a rich and intriguing art form, placing opera back at the centre of our understanding of Western culture over the past 400 years. This book gives lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.