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A woman of many gifts, Margaret Fuller (1810–50) is most aptly remembered as America's first true feminist. Her 1845 work, Woman in the Nineteenth Century, is regarded as the United States' first feminist publication, a groundbreaking book that helped reshape gender roles for women as well as men. Fuller was one of the few female members of the Transcendentalist movement, and in her brief yet fruitful life, she was an author, editor, literary and social critic, journalist, poet, and revolutionary. This collection reflects the broad scope of Fuller's interests. Ranging from her early poetry to her reviews and essays, selections include the travelogue Summer on the Lakes, her contributions to the literary journal The Dial, and her unpublished journals.
The award-winning author of The Peabody Sisters takes a fresh look at the trailblazing life of a great American heroine Thoreau s first editor, Emerson s close friend, the first female war correspondent, and a passionate advocate of personal liberation and political freedom. "Megan Marshall's brilliant Margaret Fuller brings us as close as we are ever likely to get to this astonishing creature. She rushes out at us from her nineteenth century, always several steps ahead, inspiring, heartbreaking, magnificent." Rebecca Newberger Goldstein, author of Betraying Spinoza: The Renegade Jew Who Gave Us Modernity "Megan Marshall gives new meaning to close reading from words on a page she conjures a fantastically rich inner life, a meld of body, mind, and soul. Drawing on the letters and diaries of Margaret Fuller and her circle, she has brought us a brave, visionary, sensual, tough-minded intellectual, a first woman who was unique yet stood for all women. A masterful achievement by a great American writer and scholar. Evan Thomas, author of Ike s Bluff: President Eisenhower s Secret Battle to Save the World "Megan Marshall s Margaret Fuller: A New American Life is the best single volume ever written on Fuller. Carefully researched and beautifully composed, the book brings Fuller back to life in all her intellectual vivacity and emotional intensity. Marshall s Fuller overwhelms the reader, just as Fuller herself overwhelmed everyone she met. A masterpiece of empathetic biography, this is the book Fuller herself would have wanted. You will not be able to put it down." Robert D. Richardson, author of Emerson: The Mind on Fire Praise for The Peabody Sisters: Three Women Who Ignited American Romanticism A stunning work of biography and intellectual history. Deftly weaving material from the letters and journals of all three sisters, Ms. Marshall . . . performs the intellectual equivalent of a triple axel. William Grimes, New York Times This beautifully written book is at once an intimate portrait of three remarkable sisters and a study of women s place in the vibrant intellectual and literary culture of nineteenth-century New England. The product of twenty years of research, Megan Marshall s tour de force is impossible to put down. Drew Gilpin Faust, author of The Republic of Suffering "
"Indispensable to students of antebellum culture."—Philip F. Gura, Univ. of North Carolina. "A highly valuable resource for students of American Studies and Women's Studies alike."—Donald Pease, UC-Riverside.
Biography of feminist journalist, Margaret Fuller.
A portrait of five Concord, Massachusetts, writers whose works were at the center of mid-nineteenth-century American thought and literature evaluates their interconnected relationships, influence on each other's works, and complex beliefs.
Writings by the pioneering feminist include the travelogue Summer on the Lakes, contributions to the literary journal The Dial, dispatches from revolutionary Italy, essays, and unpublished journals.
Sarah Margaret Fuller Ossoli (1810-1850), better known as Margaret Fuller, was a writer, editor, translator, early feminist thinker, critic, and social reformer who was associated with the Transcendentalist movement in New England. This is her introspective account of a trip to the Great Lakes region in 1843. Organized as a series of travel episodes interspersed with literary and social commentary, the work displays a style common to the portfolios, sketch books, and commonplace books kept by educated nineteenth-century women. In addition to her own thoughts about natural landscapes and human encounters, Fuller includes stories, legends, allegorical dialogues, poems, and excerpts from the works of other authors. When she traveled to the Midwest, Fuller was exhausted by her work as editor of the Dial, the Transcendentalist journal she edited with Ralph Waldo Emerson. Accompanied during part of the journey by her friends James Clarke and Sarah Clarke, who created the book's etchings, Fuller traveled by train, steamboat, carriage, and on foot in a circle from Niagara Falls north to Mackinac Island and Sault Ste. Marie, west to Milwaukee, south to Pawpaw, Illinois, and back to Buffalo. Fuller discusses Chicago in some detail, and laments the unjust treatment of Native Americans. She comments on the difficulties of pioneer life for women and on the degradation of the region's beautiful and exhilarating natural environment. She speaks favorably about the British-American agrarian visionary, Morris Birbeck, and includes a short story about an old school friend, Mariana, who dies because her active mind cannot adapt to the restrictive codes of behavior prescribed for the era's elite women.
Volume Two. -- "The New York Times Book Review"