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Dale Chihuly is the most famous and influential artist working in glass today. A career-spanning biographical essay by curator Timothy Anglin Burgard and stunning colour photography of the works will captivate Chihuly's myriad fans - both old and new.
Here's a series of quick, savvy, entertaining books on artists and pop culture at a popular price. It's for readers who want easy access to information and who are turned off by art-world jargon.With cutting-edge tone and text, these innovative, richly illustrated, compact books (6 x 6 gift size) are targeted at busy people who've heard of these much-discussed artists -- and who know that many people, for some reason, think these artists are important -- but honestly don't get what the big fuss is all about.
The Taos Pueblo Exhibition is the beginning of an exploration of the wonders of glass art. We began this trail of beauty with a guide, Dale Chihuly, who made this art his life, say the leaders of the Taos Pueblo. Dale Chihuly made his first trip to the Southwest in 1974. A year later, he was deeply affected by a museum collection of Navajo Blankets and began to experiment with simple, cylindrical forms, which became the Navajo Blanket Cylinders. Boasting ingeniously applied patterns of colourful glass threads, the series became an important milestone from which his art evolved. The most obvious influence of this early series is visible in the Soft Cylinders, more irregularly shaped and elaborately decorated than their predecessors. In another opportune encounter, Chihuly happened upon a pile of old Northwest Coast Indian hand-woven baskets that inspired him toward one of his most recognisable and innovative glass series, the Baskets. Thin-walled and nested inside each other, the Basket series exemplifies Chihuly's signature organic, free-form style.This vellum-covered book tells the visual story of Chihuly's Native American influences, coming full circle with the Taos Pueblo Exhibition. Includes the inspiring essay, 'Dale Chihuly and the Indian Connection' by Lloyd Kiva New, President of the Institute of American Indian Arts.
Every time I visited the Citadel, I would imagine what I could do to enhance its glory and bring attention to its soul, says artist Dale Chihuly of his recent project in Jerusalem. In July 1999, Chihuly's grandest and most ambitious undertaking opened at the Citadel, and will remain there for a year. Chihuly in the Light of Jerusalem 2000 serves as a focal point for the city's millennium celebration. This volume highlights 14 major installations commissioned by the Tower of David Museum of the History of Jerusalem. The exhibition is made up of more than 10,000 pieces of glass, blown in France, Japan, the Czech Republic, Finland, Israel, and the United States. Within the walls of the Citadel, Chihuly unexpectedly married ancient and modern forms, animating the stone architecture with glass. Mediterranean sunlight illuminates the Blue Tower, the red and yellow Spears, the Moon, and the Crystal Mountain. Chihuly has transformed the Citadel, once a defensive fortress, into a garden of colour and celebration. Commentary by William Warmus.
Focuses on the glass artist's spectacular large-scale installations.
The first children's book about Dale Chihuly, the world-renowned glass sculptor His crew calls him Maestro. Thousands of fans call him a magician. Over the past five decades, Dale Chihuly (b. 1941) has created some of the most innovative and popular works of art in museums and gardens around the world. Authors Jan Greenberg and Sandra Jordan met with Chihuly in his studio for exclusive interviews discussing his early life, his passion for glassblowing, and his dazzling works. Lavishly illustrated with Chihuly's art and family photographs, this book discusses Chihuly's workshop and his glassblowing technique. The book includes a step-by-step look at how blown glass is created, a list of places to see Chihuly's artwork, endnotes, a bibliography, and an index.
Chihuly Garden and Glass Exhibition Catalog
Bound like an artist's sketchbook this book documents the culmination of this amazing artistic odyssey that took the artist from his Seattle Boathouse hot shop to Nuutajarvi, Finland; Waterford, Ireland; Monterrey, Mexico; and finally Venice to blow glass. In the factories in those locations, Chihuly and his team of American glass blowers worked with native artisans more accustomed to making functional objects than art. Together they created the 14 chandeliers that graced the campos and canals of Venice for a remarkable time in September 1996. In her essay Dana Self, curator of the Kemper Museum of Contemporary Art and Design, muses on the relationship of Chihuly's glass and 'The Spectacle of Beauty'. She concludes that Chihuly's fantastical explorations demonstrate that beauty does produce a meaningful experience of the world. Writer William Warmus chronicles the culmination of this two-year project with his diary entries. Full-colour photographs record for readers the installations as they were assembled. An extensive chronology traces the artist's career.
Team Chihuly describes the relationship and developement between master glassblower Dale Chihuly as well as other renowned artists including Dante Marioni, Benjamin Moore, William Morris, and Richard Royal as well as Italian Glass Masters, Pino Signoretto and Lino Tagliapietra.
Dale Chihuly's Ulysses Cylinders-with drawings by Seaver Leslie adapted to glass-follow the course of James Joyce's Ulysses. They capture the spirit of the novel and its place in Irish culture, bringing new light to one of the masterpieces of the 20th Century.Striking, enigmatic, and provocative, the Cylinders stand as some of Chihuly's most intellectually compelling and unique works. In this new book, stunning images of the Cylinders are accompanied by essays from art and literary critics which frame the history and significance of both Chihuly's work and the work of Joyce.