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Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.
DIVThe Elizabethan sage offers wise, witty observations on truth, adversity, love, ambition, fame, and many other topics. Short but thought-provoking, these essays constitute an excellent combination of style and substance. /div
This collection contains fifty-eight essays, published at various times between 1597 and 1625, on subjects ranging among state policy, personal conduct, and the appreciation of nature. Bacon has been referred to as the founder of modern inductivism and prophet of the industrial revolution, and all forms of knowledge are subjected to the interpretation of Bacon's views on life.
The Essays (1625) is a collection of writings by Francis Bacon, one of England’s most prominent philosophers and scientists whose work was central to shaping the ideals of the Renaissance and scientific revolution. Although Bacon is remembered today as the father of modern science, this collection contains his thoughts on mostly moral and civil matters, highlighting his immense skill as a philosopher and statesman. Filled with references to and quotes from such biblical and classical sources as Seneca, Epicurus, Solomon, David, and Caesar—to name only a few—Bacon grounds his work in the rich continuum of human history, religion, and philosophy. In “Of Death,” he compares the human fear of death to a child’s fear of the dark to argue that it is an essential and natural aspect of human life. In “Of Revenge,” Bacon weighs the consequences of vindictiveness against the merciful necessity of forgiveness. In “Of Goodness and Goodness of Nature,” Bacon differentiates between the innate goodness of humanity and the glaring need for the cultivation of goodness as a habit in human society. These are only some of the subjects Bacon approaches with his hallmark rational and concise style. Others include the relationship between parents and children, the nature of superstition, and the need to privilege utility over style in homebuilding. Overall, The Essays is both a wide-ranging meditation on daily and eternal matters of human existence and a fascinating look at the particulars of life in Renaissance England. Completed only a year before his death, The Essays is one of Francis Bacon’s most accessible works, as well as a fitting culmination of a life and career dedicated to the pursuit of knowledge. This text illuminates for us the thoughts and feelings of one of history’s finest intellectuals, a man whose ideas continue to shape our world and the way we see it over four centuries later. With a beautifully designed cover and professionally typeset manuscript, this edition of The Essays by Francis Bacon is a classic of English literature and philosophy reimagined for modern readers.
Francis Bacon’s landmark writings on subjects ranging from anger and ambition, marriage and money, to envy and empire established him as the founding father of modern scientific thinking, with his rejection of superstition and his emphasis on proof and experiment, rational enquiry and reasoned argument. Writings include: • Of Revenge • Of Parents and Children • Of Envy • Of Love • Of Goodness and Goodness of Nature • Of Cunning • Of Beauty • Of Negotiating • Of Anger • And many more
Bacon published this interesting little work in 1609. It contains thirty-one fables abounding with a union of deep thought and poetic beauty. In most fables he explains the common but erroneous supposition that knowledge and the conformity of the will, knowing and acting, are convertible terms.
The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative years than ever before and revolutionize existing perceptions of Bacon’s character and psychology. Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artist’s life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artist’s methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.