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Fred Dickinson's diary opens a window on youth and the world of Ontario lakeland cottages at the beginning of the 20th century. "The stories we hand down, the diaries we preserve become the fabric of our social history. Young Fred Dickinson's 1904 account of tenting and cottaging is a spirited first-hand sketch of a long-neglected part of our heritage. Larry Turner places the diary within social, historic and geographic contexts giving it wide appeal to history buffs of all ages ...." - Julie Johnston, award-winning author
It was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway's writing, Pauline became the source of "unbelievable happiness" for Hemingway and, by 1927, his second wife. Pauline was her husband's best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway's most productive, and the couple had two children. But the "unbelievable happiness" met with "final sorrow," as Hemingway wrote, and Pauline would be the second of Hemingway's four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway's becoming one of our greatest literary figures.
Elizabeth Simcoe’s diary, describing Canada from 1791 to 1796, is history written as it was being made. Created largely while she was seated in canoes and bateaux, the diary documents great events in a familiar way and opens our eyes to a side of Canadian history that is too little shown. During her time in Upper Canada (now Ontario), Mrs. Simcoe encountered fascinating figures, such a explorer, Alexander Mackenzie, and Mohawk Chief, Joseph Brant. She took particular interest in the First Nations people, the social customs of the early settlers, and the flora and fauna of a land that contained a mere 10, 000 non-Natives in 1791. The realm she observed so vividly was quite alien to a woman used to a world of ball gowns, servants, and luxury in England, but the lieutenant-governor’s wife was made of stern stuff and embraced her new environment with relish, leaving us with an account instilled with excitement and delight at everything she witnessed.
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In Making Ontario David Wood shows that the most effective agent of change in the first century of Ontario's development was not the locomotive but settlers' attempts to change the forest into agricultural land.
During the 1930s, no event was more absorbing or galvanizing to Ernest Hemingway than the Spanish Civil War. Hemingway was passionately devoted to the cause of the democratically elected Spanish Republic and he spent much of the war reporting from its front lines, producing a deeply political body of work that illuminated the conflict and presaged the world war to come. In the end, his immersive journey into the turbulent world of the Spanish Civil War resulted in For Whom the Bell Tolls, a landmark in American political fiction. This book offers a fresh account of Hemingway’s adventures in Spain during the Civil War, stressing his embrace of radical political action and discourse in defense of the Republic against the forces of Fascism. On the eightieth anniversary of For Whom the Bell Tolls, Gilbert H. Muller reconsiders Hemingway as an engaged artist, political actor, and visionary.