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This book features a compendium of texts and artworks that serve to expand the themes of translation, transformation, temporality, dreams and the unconscious.The title of the book takes its inspiration from a painting by Giorgio de Chirico from 1911.Featuring works by Linder, Daniel Silver and Paloma Varga Weisz, Jean Auguste Dominique Ingres, Duncan Grant, Barbara Ker-Seymer with John Banting and Rodrigo Moynihan, along with items from the collection of the Freud Museum and the archive of The International Journal of Psychoanalysis.Accompanies the exhibition 'The Enigma of the Hour: 100 Years of Psychoanalytic Thought', 6 Jun - 4 Aug 2019, Freud Museum, London.Co-published with Simon Moretti.
The Art of Objects explores the experimental encounter of arts and industry in Italy at the turn of the 20th century, tracing the origins of the Italian culture of design in the social and aesthetic construction of the age's most iconic industrial objects.
Translation is at the heart of psychoanalysis: from unconscious to conscious, experience to verbal expression, internal to enacted, dream thought to dream image, language to interpretation, unrepresented to represented and transference of past to present. The book’s first part discusses the question of translation, literal and metaphoric. Both linguistic and cultural translations are closely tied to specific and significant personalities who were involved in the early history of psychoanalysis and thus in the development of the IJP. There was a close relationship between the IJP and the visual arts via the Bloomsbury Group. The link between the visual arts and the IJP is indeed to be found in its logo, which is taken from a painting by Ingres. The second part of the book approaches transformations between psychoanalysis and the arts from conscious, unconscious and non-represented elements into non-verbal modes, specifically visual, poetic and musical; it also looks at the developments and transformations in psychoanalytic ideas about artistic expression as expressed within the pages of the IJP. This book will be of great interest to psychoanalysts and psychotherapists, and to those interested in the history of psychoanalysis and the IJP.
C. Heck and K. Lippincott, Symbols of Time in the History of Art: Introduction; A. Acres, Small Physical History: Trickling Past of Early Netherlandish Painting; B. Winston Blackmun, 'From Time Immemorial': Historicism in the Court art of Benin, Nigeria; S. Blumenroder, Andrea Mantegna's Grisaille Paintings: Colour Metamorphosis as a Metaphor for History; K. Enz Finken, An Early Christian Construction of Time: Salvation History in the Catacomb of Callistus in Rome; M. Wellington Gahtan, Notions of Past and Future in Italian Renaissance Art and Letters; P. Gerrish Nunn, Time and Tide wait for no man: a Victorian apocalypse; J. M. Greenstein, Faces in Time: Temporalities of the Sitter in Renaissance Portraits; J. Berger Hochstrasser, Goede Dingen Willen Tijt Hebben: Time as a Meditation on Painting in Dutch Still Life of the Seventeenth Century; P. Junod, Figures du Temps au siecle de l'histoire; W. Pullan, Death and Praxis in the Funerary Architecture of Mamluk Cairo; S. Sun, The Symbols of Seasonal Changes from Winter to Spring in East Asian Paintings; D. Motycka Weston, 'The Hour of the Enigma': The Phenomenal Temporality in the Metaphysical Painting of Giorgio de Chirico.
The emotive nature of myth lays the foundation of the research proposed for this trilingual volume. The book provides a thorough and multifaceted study that offers guidelines and models capable of interpreting mythical-emotional phenomena. It represents a major contribution to a more informed understanding of an important part of the writing and art of modernity and post-modernity, as well as cultures and thought of contemporary society.
Discusses species of dinosaurs found on the continent of North America 70 million years ago.
A Nominee for the 2022 Dragon Award for Best Military Science Fiction or Fantasy Admiral John “Black Jack” Geary must battle dangers both within and without the Alliance, in this exciting continuation of the New York Times bestselling series. Geary knows that some political factions in the Alliance were just trying to get rid of him when he was assigned to escort a diplomatic and scientific mission to the far reaches of humanity’s expansion into the galaxy . . . and beyond. But he views his mission as both a duty and an opportunity to make things better wherever he can. And when a crippled Rift Federation ship tumbles out of jump space, Geary leaps into action. But the survivors’ story isn’t completely adding up. As Geary investigates, he soon finds himself fending off spies and assassins while leading the fleet as it fights its way across space controlled by the mysterious and hostile aliens whom humans call enigmas. Challenges arrive at every turn, including an unknown alien species that invites the fleet to visit one of their star systems. With little information to go on, Geary must weigh the benefits of potential new allies against the possibility of a trap. The fate of the fleet—and perhaps even the future of humanity—will depend on him making the right decision. If he can stay alive long enough to do that.
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
THE ENIGMA is based on true life murder and its resultant court-marshal whose outcome challenges credibility. When a soldier is found murdered in Texas, two lesbian lovers who were with her on the night of her death are arrested. The one who actually did the crime accepts a plea deal to testify against her lover, an Army Specialist who sees herself as a man trapped in a womans body. She now must prove her innocence. While centering of a crime of passion with secrets, betrayals, and the legal battle, the book tells the story of a unique and complicated individual whose life situation ties into controversial, contemporary social issues. The ENIGMA is a riddle wrapped in a mystery inside the enigma reference. Its a murder (riddle) for a curious reason (the mystery) allegedly by an extraordinary complex individual (the enigma). Based on a true story, the real-life participants are painted as vividly as those who inhibit a fictional page-turner. The depth of character exploration, sociological observations, and military ways and means is stellar. Optonline.com
October: The Second Decade collects examples of the innovative critical and theoretical work for which the journal October is known.