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"In 1952 Mrs. Mary Gill, widow of Eric Gill, generously gave to the Victoria and Albert Museum her husband's file copies of his engravings; this valuable gift comprised virtually the whole of his work as an engraver on wood and metal. The present Picture Book contains a representative selection of his varied achievement in this field, depicting both religious and secular subjects, and ranging in date from 1908 until the artist's death in 1940. It is published in conjunction with a Catalogue of the engravings compiled by Mr. John Physick, Keeper, Department of Museum Services"--Page v.
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
"This original collection gathers the finest woodcuts of one of the most creative and prolific English artists of the early 20th century. Ranging from the religious to the erotic, featured designs include images inspired by The Song of Songs, The Canterbury Tales, and The Four Gospels. A feast for the eyes and an important and accessible reference. "--
Eric Gill is perhaps the greatest English artist-craftsman of the twentieth century. His most celebrated achievements were sculptures in stone and wood ("Prospero and Ariel" on Broadcasting House; the "Stations of the Cross" in Westminster Cathedral). Malcolm Yorke reassesses this cranky, eccentric but vulnerable and modest man and illustrates his life and work with over 100 examples of Gill's engravings, sculptures and erotic drawings.