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The texts in this reader include prose, metrical prose, and poetry, and represent a variety of genres (saints’ lives and metrical charms as well as heroic verse). Frequently taught canonical texts are balanced with interesting, lesser-known works. The glossary is at the back of the book, and the companion website includes texts with clickable glossing, as well as additional texts for study.
This reader remains the only major new reader of Old English prose and verse in the past forty years. The second edition is extensively revised throughout, with the addition of a new 'Beginning Old English' section for newcomers to the Old English language, along with a new extract from Beowulf. The fifty-seven individual texts include established favourites such as The Battle of Maldon and Wulfstan's Sermon of the Wolf, as well as others not otherwise readily available, such as an extract from Apollonius of Tyre. Modern English glosses for every prose-passage and poem are provided on the same page as the text, along with extensive notes. A succinct reference grammar is appended, along with guides to pronunciation and to grammatical terminology. A comprehensive glossary lists and analyses all the Old English words that occur in the book. Headnotes to each of the six text sections, and to every individual text, establish their literary and historical contexts, and illustrate the rich cultural variety of Anglo-Saxon England. This second edition is an accessible and scholarly introduction to Old English.
In this sequel to the best-selling The American Reader, mother-and-son team Diane and Michael Ravitch have gathered together the best and most memorable poems, essays, songs, and orations in English history, capturing in one compact volume writings that have shaped not only England, but democratic culture around the globe. Here are words that changed the world, words that inspired revolutions as well as lovers, dreamers, and singers, words that every educated person once knew--and should know today. Framed by two inspiring speeches--Queen Elizabeth before the invasion of the Spanish Armada and Winston Churchill during the dark days of World War II--the book features work by William Wordsworth and W.H. Auden, Thomas Hobbes and John Stuart Mill, Mary Wollstonecraft and Virginia Woolf, Lewis Carroll and Edward Lear, and many other extraordinary writers. Readers will find ardent love poems such as Marlowe's "The Passionate Shepherd To His Love" and Shakespeare's "Shall I Compare Thee to a Summer's Day?" We also find more philosophical works such as Yeat's "The Second Coming" and Matthew Arnold's "Dover Beach." There are excerpts from Isaac Newton and Charles Darwin, Walter Pater and John Ruskin, Edmund Burke and Thomas Carlyle, and other influential thinkers. In addition, the book includes song lyrics ranging from "Greensleeves" to "Rule, Britannia," and works that, though not considered classics, were immensely popular in their day and capture the spirit of an era, such as W.E. Henley's "Invictus" ("I am the master of my fate: / I am the captain of my soul"). The editors also provide brief, fascinating biographies of each writer. An exquisite gift, The English Reader offers the best of the best--the soaring language and seminal ideas that fired the imagination of the English-speaking world.
"With an expanded glossary and new readings"--P. [1] of cover.
INTERNATIONAL BESTSELLER • Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. "A formally beautiful, disturbing and finally morally devastating novel." —Los Angeles Times When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.