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He thought I owned him. He thought he loved me, that I was enough. But this animal, this sex god who could drive me crazy and steal my heart in the same breath, he would never fully be mine. It was impossible. No one ever owned a God... One year. I have one year to find out more about this man I am marrying. More about his family. More about our sex, and all of the dirty, delicious places it will take me. I thought I'd spend this year making a decision. I never thought the decision would be taken from me, snatched right from my naive little hands. The final book in the Innocence Trilogy. PRAISE: "Julia Campbell, a college intern in a law office, becomes sexually involved with Brad, one of the senior partners, while working for another. Evidently nonorgasmic before she met Brad, Julia is enjoying her sexual awakening with him in threesomes, sex parties, and anything and everything (except S and M)—until her boss is murdered, and she finds out that she’s on a hit list for having overheard a conversation involving his representation of Mob families. Brad, the son of one of those mobsters, though not involved in the family “business,” has to figure out how to protect her. Torre gives readers erotica with a plot, despite the bromide of the alpha male introducing the naïve young woman to sex and a variant of the marriage of convenience. Julia is a classic “spunky Suzy,” and unlike Fifty Shades of Grey, the story is plausible." —Mary K. Chelton, Booklist, on Masked Innocence (Book 2 in The Innocence Trilogy) "Torre’s erotic sequel to the indie digital hit Blindfolded Innocence returns to the dangerous, decadent world of divorce lawyer Brad De Luca and law student Julia Campbell. In the bedroom, Brad is slowly pushing Julia to the very edges of her sexual limits, including threesomes and sex parties. At the office, Julia accidentally overhears her boss, Brad’s business partner, engaging in a shady Mafia-related deal, and her new knowledge could get her killed. When she tells Brad about the conversation, it becomes clear that he’s hiding a big secret that could drive him and Julia apart forever. Will losing her inhibitions also mean losing her life? Despite a dead end or two and a cliffhanger conclusion, Torre keeps readers engaged with this fast-moving tale of deceit, treachery, and love." —Publishers Weekly on Masked Innocence (Book 2 in The Innocence Trilogy)
From April 1964 to October 1965, some 52 million people from around the world flocked to the New York World’s Fair, an experience that lives on in the memory of many individuals and in America’s collective consciousness. Taking a perceptive look back at “the last of the great world’s fairs,” Samuel offers a vivid portrait of this seminal event and of the cultural climate that surrounded it. He also counters critics’ assessments of the fair as the “ugly duckling” of global expositions. Opening five months after President Kennedy’s assassination, the fair allowed millions to celebrate international fellowship while the conflict in Vietnam came to a boil. This event was perhaps the last time so many from so far could gather to praise harmony while ignoring cruel realities on such a gargantuan scale. This world’s fair glorified the postwar American dream of limitless optimism even as a counterculture of sex, drugs, and rock `n` roll came into being. It could rightly be called the last gasp of that dream: The End of the Innocence. Samuel’s work charts the fair from inception in 1959 to demolition in 1966 and provides a broad overview of the social and cultural dynamics that led to the birth of the event. It also traces thematic aspects of the fair, with its focus on science, technology, and the world of the future. Accessible, entertaining, and informative, the book is richly illustrated with contemporary photographs.
From April 1964 to October 1965, some 52 million people from around the world flocked to the New York World’s Fair, an experience that lives on in the memory of many individuals and in America’s collective consciousness. Taking a perceptive look back at “the last of the great world’s fairs,” Samuel offers a vivid portrait of this seminal event and of the cultural climate that surrounded it. He also counters critics’ assessments of the fair as the “ugly duckling” of global expositions. Opening five months after President Kennedy’s assassination, the fair allowed millions to celebrate international fellowship while the conflict in Vietnam came to a boil. This event was perhaps the last time so many from so far could gather to praise harmony while ignoring cruel realities on such a gargantuan scale. This world’s fair glorified the postwar American dream of limitless optimism even as a counterculture of sex, drugs, and rock `n` roll came into being. It could rightly be called the last gasp of that dream: The End of the Innocence. Samuel’s work charts the fair from inception in 1959 to demolition in 1966 and provides a broad overview of the social and cultural dynamics that led to the birth of the event. It also traces thematic aspects of the fair, with its focus on science, technology, and the world of the future. Accessible, entertaining, and informative, the book is richly illustrated with contemporary photographs.
It is the twilight of innocence: America 1914. As Europe goes to war, Helen, a Boston bluestocking, begins her studies at Harvard-Radcliffe. Riley, a carefree British playboy more interested in chasing women than studying, sets his sights on her. He is surprised to find that his adversary in love is not Helen's protective brother, but Riley's own cousin, Wils Brandl, a brooding poet and German noble. As distant conflict begins to penetrate the quiet walls of Harvard, Wils must return to Europe and face a war for which he is not prepared. Set in Boston and Flanders Fields, Harvard 1914 explores love, war, and a new social imagination.
A heart-stopping supernatural thriller from the master of suspense. Addison Goodheart is not like other people ... Addison Goodheart lives in solitude beneath the city, an exile from a society which will destroy him if he is ever seen. Books are his refuge and his escape: he embraces the riches they have to offer. By night he leaves his hidden chambers and, through a network of storm drains and service tunnels, makes his way into the central library. And that is where he meets Gwyneth, who, like Addison, also hides her true appearance and struggles to trust anyone.But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance − and nothing less than destiny − has brought them together in a world whose hour of reckoning is fast approaching. 'A thriller that's both chilling and fulfilling' PEOPLE 'Laced with fantastical mysticism, it's an allegory of nonviolence, acceptance and love in the face of adversity ... the narrative is intense, with an old-fashioned ominousness and artistically crafted ... with an optimistic and unexpected conclusion ... Something different this way comes from Mr. Koontz's imagination. Enjoy.' KIRKUS REVIEWS 'Fascinating thriller' WOMAN'S DAY 'Monstrously thrilling' COURIER MAIL 'A supernatural tragedy ... a fantastical tale of loneliness and love, a story about our endless capacity to do good and succumb to evil' Rob Minshull, ABC
Nawal El Saadawi's books are known for their powerful denunciation of patriarchy in its many forms: social, political, and religious. Set in an insane asylum, The Innocence of the Devil is a complex and chilling novel that recasts the relationships of God and Satan, of good and evil. Intertwining the lives of two young women as they discover their sexual and emotional powers, Saadawi weaves a dreamlike narrative that reveals how the patriarchal structures of Christianity and Islam are strikingly similar: physical violation of women is not simply a social or political phenomenon, it is a religious one as well. While more measured in tone than Salman Rushdie's Satanic Verses, Saadawi's novel is similar in its linguistic, literary, and philosophical richness. Evoking a world of pain and survival that may be unfamiliar to many readers, it speaks in a universal voice that reaches across cultures and is the author's most potent weapon.
�Perched on the edge of a car seat, Rani and Laila hurtled towards a love story �� Western Pakistan, the winter of 1971, and nine-year-old Laila has a secret. Ignored by the adults around her yet desperate to know their world, Laila takes comfort in being the confidant of teenager Rani � privy to details of the older girl�s forbidden love affair. But when that affair bears unwelcome fruit, a floundering Rani leans on Laila for solace and support. Yet Laila � still a child � neither comprehends the danger nor is able to help; and thus unwittingly leads Rani towards catastrophe �
A member of a British-American surveillance team in Cold War Berlin finds himself in too deep in this "wholly entertaining" work (The Wall Street Journal) from the Booker Prize winner and bestselling author of Atonement. Twenty-five-year-old Leonard Marnham’s intelligence work—tunneling under a Russian communications center to tap the phone lines to Moscow—offers him a welcome opportunity to begin shedding his own unwanted innocence, even if he is only a bit player in a grim international comedy of errors. His relationship with Maria Eckdorf, an enigmatic and beautiful West Berliner, likewise promises to loosen the bonds of his ordinary life. But the promise turns to horror in the course of one terrible evening—a night when Marnham learns just how much of his innocence he's willing to shed. Don’t miss Ian McEwan’s new novel, Lessons.
How are children—and their parents—affected by the world's most influential corporation? Henry A. Giroux explores the surprisingly diverse ways in which Disney, while hiding behind a cloak of innocence and entertainment, strives to dominate global media and shape the desires, needs, and futures of today's children.