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Many modern artists and architects continue to imagine and build the world technologically. Their beliefs remain firmly rooted in their assumption that the liberating forces of technology freed them from previous artistic traditions while making available vast means of production and a plethora of materials. All artistic traditions were seemingly put aside by the paintings of Cézanne, the poetry of Baudelaire, and the architecture of Le Corbusier. Behind this apparent freedom French critic Jacques Ellul, author of the classic The Technological Society, found an absolute slavery. The artist was the handmaiden of technology, a relation the artist no longer understood, like other citizens of technological culture. Artists acclaimed their unbridled individualism while being intensely determined by the forces of technological culture. Ellul examines this process in modern art from the beginning of the 20th century where the sense of art - its meaning and embodiments - is reduced to non-sense. Ellul's study is in the tradition of Guy Debord's The Society of Spectacle and Theodor Adorno's Aesthetic Theory but moves significantly beyond their Marxist perspectives that were, from Ellul's view, co-opted by technique.
A San Francisco Chronicle Best Book of the Year The Empire of the Senses is an enthralling tale of love and war, duty and self-discovery. It begins in 1914 when Lev Perlmutter, an assimilated German Jew fighting in World War I, finds unexpected companionship on the Eastern Front; back at home, his wife Josephine embarks on a clandestine affair of her own. A decade later, during the heady, politically charged interwar years in Berlin, their children—one, a nascent Fascist struggling with his sexuality, the other a young woman entranced by the glitz and glamour of the Jazz Age—experience their own romantic awakenings. With a painter’s sensibility for the layered images that comprise our lives, this exquisite novel by Alexis Landau marks the emergence of a writer uniquely talented in bringing the past to the present.
This guide integrates concisely the conventional narratives of history with the stories of the continents and communities of Asia, Africa and Latin America.
This volume rethinks the work of Jacques Ellul (1912-1994) on the centenary of his birth, by presenting an overview of the current debates based on Ellul's insights. As one of the most significant twentieth-century thinkers about technology, Ellul was among the first thinkers to realize the importance of topics such as globalization, terrorism, communication technologies and ecology, and study them from a technological perspective. The book is divided into three sections. The first discusses Ellul’s diagnosis of modern society, and addresses the reception of his work on the technological society, the notion of efficiency, the process of symbolization/de-symbolization, and ecology. The second analyzes communicational and cultural problems, as well as threats and trends in early twenty-first century societies. Many of the issues Ellul saw as crucial – such as energy, propaganda, applied life sciences and communication – continue to be so. In fact they have grown exponentially, on a global scale, producing new forms of risk. Essays in the final section examine the duality of reason and revelation. They pursue an understanding of Ellul in terms of the depth of experience and the traditions of human knowledge, which is to say, on the one hand, the experience of the human being as contained in the rationalist, sociological and philosophical traditions. On the other hand there are the transcendent roots of human existence, as well as “revealed knowledge,” in the mystical and religious traditions. The meeting of these two traditions enables us to look at Ellul’s work as a whole, but above all it opens up a space for examining religious life in the technological society.
The Bible is not the word of God. Biblical Nonsense is a broad look at the tremendous problem of associating divinity with the world's most popular book. This part-philosophical, part-scientific overview explores the Bible's divine treachery, scientific mistakes, historical errors, false prophecies, and comical absurdities. Biblical Nonsense also expands beyond these standard reasons for skepticism by tackling the rationale behind the emergence and perpetuation of Christianity, psychological and sociocultural reasons that drive Christians to cling to their beliefs, and illogical methods of argumentation invoked in the defense of the Bible. Author Dr. Jason Long is a former Christian who condenses the most significant biblical problems into this single volume. Unlike other books in the field that delve into only one topic, this manuscript, comprehensible even to those who have never opened a Bible, is a full-fledged attempt to demonstrate that God's supposed word is a product of human minds, not divine inspiration. Dr. Long's fresh experiences in the church and advanced levels of educational enlightenment make him the perfect individual to present this vehemently unpopular, yet undeniably appealing topic.
A world tour of fast food, health food, junk food, school food, slow food and even more food. It shows how real food' has become increasingly hard to find, dominated in the West by agri-business and supermarkets. With a history of world food production and consumption, this Guide explains current debate and controversies and introduces the principle of 'food security', fast becoming a global movement to make food provision fair, safe and nutritious for all the world's population at all times.'
Sense and Nonsense in Australian History represents a lifetime's original reflection by Australia's most innovative and penetrating historian. Included here are classic essays on the pioneer legend, Australian egalitarianism and colonial culture. There are celebrated critiques of The Tyranny of Distance, multiculturalism and nationalistic history, as well as a substantial essay on Aboriginal dispossession and the history wars. In Sense and Nonsense in Australian History, John Hirst overturns familiar conceptions and deepens our sense of Australia's development from convict society to distinctive democracy.
Demystifies all the colors of the sexual rainbow, tracking the campaigns for rights and equality worldwide.
The No-Nonsense Guide to Equality discusses the positive effects that equality can have, using examples and case studies from across the globe, including many from the United States. It examines the lessons of history and covers race, gender and ethnicity, age, and wealth. Danny Dorling considers, realistically, just how equal it is possible to be, the challenges we face, and the factors that will lead to greater equality for all. Danny Dorling is professor of human geography at the University of Sheffield, United Kingdom, and one of the leading international experts on inequality. He has written extensively about the widening gap between rich and poor and his work regularly appears in the Guardian. He is author of several books, including Injustice: Why Social Inequality Persists and The Atlas of the Real World.
Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs elbows with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping current debates on failure as an aesthetic category, eldritch Priest shows failure to be a duplicitous concept that traffics in paradox and sustains the conditions for magical thinking and hyperstition. Framing recent experimental composition as a deviant kind of sound art, Priest explores how the affective and formal elements of post-Cagean music couples with contemporary culture's themes of depression, distraction, and disinformation to create an esoteric reality composed of counterfactuals and pseudonymous beings. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.