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For hunters who love the north woods, the past glory of the wilderness is recorded here. Paulina Brandreth, who wrote under the pseudonym Paul Brandreth, was a woman who hunted and photographed deer in the Adirondacks with noted deer hunters Roy Chapman Andrews, General 'Black Jack' Pershing, and Reuben Cary. She began writing for the acclaimed sportsmen's journal Forest and Stream in 1894 at the age of nine. Her material in the magazine was credited to Camp Good Enough, Brandreth Lake, a major deer camp on land purchased by her grandfather specifically for hunting and fishing. One of only a few women writing about hunting at that time, Brandreth chose to continue to write under a pseudonym, publishing Trails of Enchantment in 1930. She was passionate about still-hunting whitetail bucks, evident in a hunt with her guide and friend Reuben Cary: Side by side, we knelt in the snow, waiting for the buck to appear from behind the intervening trunk of a big birch. The suspense was harrowing. And then at last he loomed suddenly before us....
Welcome to the enchanting realm of "Ink and Embers," a spellbinding narrative that unfurls within a world where mystical tattoos grant their bearers extraordinary abilities. In the heart of a bustling city lies "The Inkwell," a concealed sanctuary overseen by the gifted tattoo artisan, Armani. Amidst the vibrant streets, the mesmerizing fire-dancer Ember enthralls onlookers with her graceful displays. Yet, unbeknownst to them, their destined meeting will initiate an extraordinary journey of magic, artistry, and rejuvenation. As Armani and Ember collaboratively craft breathtaking designs, they uncover more than just artistic harmony. Their mutual ardor for art and enchantment forges an unshakable connection that transcends their haunting pasts. Laden with emotional wounds, they find solace within each other's presence, embarking on a mission to mend not only their own scars but those of others around them. Delve into the enigma of magical tattoos as age-old legends and guardian spirits spring to life, steering our protagonists on a path of self-discovery. However, as they plunge deeper into the realm of tattooed enchantment, they must confront malevolent forces that exploit these gifts for sinister purposes. Do they possess the fortitude to confront their deepest fears and safeguard the world from this encroaching malevolence? Journey alongside Armani and Ember, a trek woven with vivid dreams, captivating performances, and cryptic visions that unveil an ancestral link between their families. Observe their trials, make note of their sacrifices, and celebrate their victories as they labor to preserve the sanctity of magical tattoos and unveil the truths concealed within their very souls. "Ink and Embers" is a saga of profound sentiment, where art metamorphoses into a channel for restoration and redemption. A tale that will kindle your imagination and leave you entranced by the enchantment residing within the hearts of two extraordinary individuals. So, come forth, and set out on an unforgettable expedition where ink entwines with embers, and unbreakable bonds are molded through the potency of art and love.
The pressures of a starship life began to build up, and soon MacRoy finds himself between two worlds, that which is his own and a world of enchantment. He soon finds himself embarking on a journey that’s full of imperil and even death to save the women he loves and the world she lives within. Morgan and Billings must race against time to unravel the mystery of their friends and chief medical officer or risk losing him to a world of magic and mystery and its dangers which threatens his very life.
Adrian warned Caer against accepting the transfer from the university on the Ahiran colony to Sion University on Earth. She refused to listen. When her journey sends her entire existence dangerously sideways, she begins to suspect her friend knows far more about circumstances than hes telling her. Caught in the middle of a war between ancient witches whose souls are capable of transmigration and aliens possessing magic who pursue her with deadly intent, Caer must unravel deeply buried secrets from her childhood to save herself, her friends, and perhaps, most of humanity.
To be Enchanted, at one time, meant to be ‘carried away,’ from one’s hum-drum existence, to something or somewhere magical, perhaps even spiritual, at least, always more than merely physically pleasant! Of course, this depended on one’s beliefs in human souls. Take that away, and enchantment would be as mundane as everything else in modern daily life. No Soul means no possibility of Enchantment. Ken Evans.
It is a commonplace that the modern world cannot be experienced as enchanted--that the very concept of enchantment belongs to past ages of superstition. Jane Bennett challenges that view. She seeks to rehabilitate enchantment, showing not only how it is still possible to experience genuine wonder, but how such experience is crucial to motivating ethical behavior. A creative blend of political theory, philosophy, and literary studies, this book is a powerful and innovative contribution to an emerging interdisciplinary conversation about the deep connections between ethics, aesthetics, and politics. As Bennett describes it, enchantment is a sense of openness to the unusual, the captivating, and the disturbing in everyday life. She guides us through a wide and often surprising range of sources of enchantment, showing that we can still find enchantment in nature, for example, but also in such unexpected places as modern technology, advertising, and even bureaucracy. She then explains how everyday moments of enchantment can be cultivated to build an ethics of generosity, stimulating the emotional energy and honing the perceptual refinement necessary to follow moral codes. Throughout, Bennett draws on thinkers and writers as diverse as Kant, Schiller, Thoreau, Kafka, Marx, Weber, Adorno, and Deleuze. With its range and daring, The Enchantment of Modern Life is a provocative challenge to the centuries-old ''narrative of disenchantment,'' one that presents a new ''alter-tale'' that discloses our profound attachment to the human and nonhuman world.
Deconstruction: Trendy brand name for falling away from belief in God? Or a process essential to authentic faith? Liberation or trauma? Prison break or exile? It’s complicated. Just like you. Christian history records a Great Reformation and a Great Awakening. But today’s “Great Deconstruction” will surely leave an equally profound impact. In Out of the Embers, Bradley Jersak explores the necessity, perils, and possibilities of the Great Deconstruction—how it has the potential to either sabotage our communion with God or infuse it with the breath of life, the light and life of Christ himself. In this collection of vulnerable memoirs, philosophical memos, and candid provocations, Jersak resists both the hand-wringing urge to corral stray sheep and the exultant desire to play the happy-clappy Ex-vangelical cheerleader. He employs the wisdom and expertise of the great deconstructionists—Christianity’s ancient influences (Moses, Plato, Paul, and the Patristics), “beloved frenemies” (from Voltaire to Nietzsche), and the masters of deconstruction (Dostoevsky, Kierkegaard, and Weil)—to double down and deconstruct deconstruction itself. Where is faith after deconstruction? The author’s heart is to engage and empathize with the bereft and disoriented, stoking the brittle ashes for live embers. In this quest for the resilient gospel of the martyrs, the marginal, and those outside the threshold...inexplicably, in this liminal space, life stirs. A Light shines through the ashes. We find, often for the first time, that living connection Jersak calls “presence in communion.” There is a sea change occurring across the Western church and civilization. Whether we’re watching a radical course correction or a complete collapse remains to be seen, and how it pans out will likely depend on how we see what’s happening, who we are becoming, how we live in response—and, most important, where we find Christ situated in this storm.
“Carson joins the ranks of writers like Kristin Cashore, Megan Whalen Turner, and Tamora Pierce as one of YA’s best writers of high fantasy.”—Locus Magazine The second book in Rae Carson’s award-winning and New York Times–bestselling trilogy! Betrayal, love, and untold power fuel the heroic adventure of a seventeen-year-old princess turned warrior-queen. Fans of Tomi Adeyemi, Kendare Blake and Sarah J. Maas will be riveted. She does not know what awaits her at the enemy’s gate. Elisa led her people to victory over a terrifying, sorcerous army. Her place as queen should be secure. But it isn’t. Her enemies come at her like ghosts in a dream, from foreign realms and even from within her own court. And her destiny as the chosen one remains uncertain. To conquer the power she bears, Elisa must journey from the hidden catacombs beneath her own city to treacherous seas and a long-forgotten island. With her go a one-eyed spy, a traitor, and the man with whom—despite everything—she is falling in love. If she’s lucky, she’ll return. But there will be a cost. Don’t miss The Empire of Dreams, Rae Carson’s action-packed return to the world of The Girl of Fire and Thorns!
Dwellings of Enchantment: Writing and Reenchanting the Earth offers ecocritical and ecopoetic readings that focus on multispecies dwellings of enchantment and reenchant our rapport with the more-than-human world. It sheds light on the marvelous entanglements between humans and other life forms coexisting with us–entanglements that, when fully perceived, call onto humans to shift perspectives on both the causes and solutions to current ecological crises. Working against the disenchantment of humans’ relationships with and perceptions of the world entailed by a modern ontology, this book illustrates the power of ecopoetics to attune humans to the vibrant matter both within and outside of us. Braiding indigenous with non-indigenous worldviews, this book tackles ecopoetics emerging from varying locations in the world. It underscores the postmodernist, remythologizing processes going on in many ecopoetic texts, via magical realist modes and mythopoeia.