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The storyline of the novel The Emancipated, written by George Gissing, is set in Italy. It depicts a group of British middle class intellectuals going on a tour through the countryside and doing things they might later either bless or regret. This book shows their adventures and search of identity.
Fans of Pretty Little Liars and L.A. Candy will devour this fast-paced series from a writer New York Times bestselling author Michael Grant raves is "an amazing new talent!" Six gorgeous teens, all legally emancipated from parental control, move into their dream house on LA's infamous Venice Beach only to discover their perfect setup may be too good to be true. The roommates—a diva, a jock, a former child star, a hustler, a musician, and a hacker—all harbor dark secrets but manage to form a kind of dysfunctional family . . . until one of them is caught in a lie and everyone's freedom is put on the line. How far are they each willing to go to hide the past? And who will they betray to protect their future? Told from alternating points of view, Emancipated is the first book in a blistering guessing game of a series packed with intrigue, romance, and scandal.
"Grady's novel reads with the velvety tempo of the jazz music of its day. . . . Grady fearlessly explores heated race relations and the masks we all assume." —Chatelaine With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian's family's wishes—there's something about Jack that they just don't like—and as the war draws to a close, the couple travels to Windsor to meet Jack's family. But when Vivian meets Jack's mother and brother, everything she thought she knew about her husband gets called into question. They don't live in the dream home Jack depicted, they all look different from one another—different from anyone Vivian has ever seen--and after weeks of waiting to meet Jack's father, he never materializes. Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.
A self-taught young slave astonishes his fellow prisoners by reading aloud the newspaper account of Lincoln s new emancipation proclamation. Based on actual events.
For almost 500 years, the Jews of Europe were kept apart, confined to ghettos or tiny villages in the countryside. Then, in one extraordinary moment in the French Revolution, the Jews of France were emancipated. Soon the ghetto gates were opened all over Europe. The era of Emancipation had begun. What happened next would change the course of history. Emancipation tells the story of how this isolated minority emerged from the ghetto and against terrible odds very quickly established themselves as shapers of history, as writers, revolutionaries, social thinkers, and artists. Their struggle to create a place for themselves in Western European life led to revolutions and nothing less than a second renaissance in Western culture. The book spans the era from the French Revolution to the beginning of the twentieth century. The story is told through the lives of the people who lived through this momentous change. Some are well-known: Marx, Freud, Mahler, Proust, and Einstein; many more have been forgotten. Michael Goldfarb brings them all to life. This is an epic story, and Goldfarb tells it with the skill and eye for detail of a novelist. He brings the empathy and understanding that has marked his two decades as a reporter in public radio to making the characters come alive. It is a tale full of hope, struggle, triumph, and, waiting at the end, a great tragedy. This is a book that will have meaning for anyone interested in the struggle of immigrants and minorities to succeed. We live in a world where vast numbers are on the move, where religions and races are grinding against each other in new combinations; Emancipation is a book of history for our time.
Powerful True Story of a Twentieth-Century Plantation Slave Over fifty years after the Emancipation Proclamation, Robert Sadler was sold into slavery at the age of five--by his own father. This is the no-holds-barred tale of those dark days, his quest for freedom, and the determination to serve others born out of his experience. It is a story of good triumphing over evil, of God's grace, and of an extraordinary life of ministry. An updated edition of a classic title.
"A unique twist on the murder of the only person to die by crushing in the Salem Witch Trials. Dead-on accurate in its depiction of rituals both harming and healing, and respectful of spiritual tradition and historical fact, this book stands alongside Kathleen Kent's The "Heretic's Daughter" as a must-read for anyone fascinated by Salem's past."-Maura D. Shaw, coauthor of "Celebrating the Great Mother" and "Tarot Games"Thriller, spiritual mystery, historical fiction ... or truth revealed?Twenty-first-century Salem still guarded the secrets of lies and violence, torture and blackmail-even premeditated murder-that took place during the Witch Trials of 1692. Behind the gaudy museums and shops, the crowded bus tours of local haunts, the seemingly upright Colonial families dating back to the settling of the Massachusetts Bay Colony, festered a conspiracy of longstanding guilt and purely human greed. Only one woman knew of the Family Confederacy-Sophie St. Cloud, whose connection to the Salem Witch Trials is part magickal, part personal. Sophie's dreams and hauntings have told her that the time has come to end the threat of the Confederacy and free the murdered souls of Salem after 315 years. With the aid of three friends, also mysteriously connected to Salem's past tragedies, she sets out on a perilous, exacting pilgrimage of Emancipation.The name of Giles Corey is familiar to anyone who knows the terrible story of the persecution and trials of those unfortunates who were accused of witchcraft in Essex County in 1692. Refusing to admit guilt, the elderly farmer was pressed under heavy stones and then beaten to death. His wife Martha hung soon thereafter, in the last group of executions before the trials were stopped. Every September, a secret ritual was performed by members of the conspiracy to keep Giles restrained in this world, unable to move to the next. Sophie St. Cloud must use all her spiritual and shamanic powers to defeat the evil and bring the good to Light in Salem's most historical graveyards.Michael Sortomme, writer and artist, embarked on a spiritual career that spanned more than three decades and encompassed metaphysics, the occult arts, and active indigenous Shamanic practice. Educated in archeology and modern literature, she has journeyed in pursuit of Truth that she translates into vivid paintings and equally compelling stories. Currently on hiatus from private practice and community service, Michael is focusing on her life as an author and multi-media artist. She lives and creates under a 150-year-old Larch tree in Oregon's Pinot noir country. Her passions include herstory, genetic genealogy, international travel, and fine dark chocolate. Contact her through her website, www.michaelsortomme.com
The extraordinary life of Priscilla Joyner and her quest—along with other formerly enslaved people—to define freedom after the Civil War. Priscilla Joyner was born into the world of slavery in 1858 North Carolina and came of age at the dawn of emancipation. Raised by a white slaveholding woman, Joyner never knew the truth about her parentage. She grew up isolated and unsure of who she was and where she belonged—feelings that no emancipation proclamation could assuage. Her life story—candidly recounted in an oral history for the Federal Writers’ Project—captures the intimate nature of freedom. Using Joyner’s interview and the interviews of other formerly enslaved people, historian Carole Emberton uncovers the deeply personal, emotional journeys of freedom’s charter generation—the people born into slavery who walked into a new world of freedom during the Civil War. From the seemingly mundane to the most vital, emancipation opened up a myriad of new possibilities: what to wear and where to live, what jobs to take and who to love. Although Joyner was educated at a Freedmen’s Bureau school and married a man she loved, slavery cast a long shadow. Uncertainty about her parentage haunted her life, and as Jim Crow took hold throughout the South, segregation, disfranchisement, and racial violence threatened the loving home she made for her family. But through it all, she found beauty in the world and added to it where she could. Weaving together illuminating voices from the charter generation, To Walk About in Freedom gives us a kaleidoscopic look at the lived experiences of emancipation and challenges us to think anew about the consequences of failing to reckon with the afterlife of slavery.
"1821: After the landlord of Lugdale Estate in Kerry is assassinated, young Art O'Neill's innocent father is hanged and Art is deported to the cane fields of Jamaica as an indentured servant. On Mangrove Plantation he gradually acclimates to the exotic country and unfamiliar customs of the African slaves, and achieves a kind of contentment. Then the new plantation heirs arrive. His new owner is Colonel Stratford-Rice from Lugdale Estate, the man who hanged his father. Art must overcome his hatred to survive the harsh life of a slave and live to see the eventual emancipation which liberates his coloured children. Eventually he is promised seven gold coins when he finishes his service, but doubts his master will part with the coins."--back cover.
In this intriguing book, Hendrik Hartog uses a forgotten 1840 case to explore the regime of gradual emancipation that took place in New Jersey over the first half of the nineteenth century. In Minna's case, white people fought over who would pay for the costs of caring for a dependent, apparently enslaved, woman. Hartog marks how the peculiar language mobilized by the debate—about care as a "mere voluntary courtesy"—became routine in a wide range of subsequent cases about "good Samaritans." Using Minna's case as a springboard, Hartog explores the statutes, situations, and conflicts that helped produce a regime where slavery was usually but not always legal and where a supposedly enslaved person may or may not have been legally free. In exploring this liminal and unsettled legal space, Hartog sheds light on the relationships between moral and legal reasoning and a legal landscape that challenges simplistic notions of what it meant to live in freedom. What emerges is a provocative portrait of a distant legal order that, in its contradictions and moral dilemmas, bears an ironic resemblance to our own legal world.