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When disaster strikes, all they can do is dance. The elementals are superior beings who help take care of every aspect of our environment. When a major natural disaster strikes, they find themselves short on workforce, as some of their own make matters worse.
Shula Azzarh is Fae......in a world where it's illegal to be.Working at Piriguini's Circus keeps her hidden in plain sight, but when a vicious accident exposes the truth of what she is, her safe game of hiding comes to an end. Taken by the emperor's soldiers, Shula is forced into the hands of a mysterious Brotherhood, a group of humans hell-bent on eradicating her race completely.The Fae Resistance needs her. Their healer hates her. And the Emperor of Illyk will stop at nothing to possess her. The secrets of the empire run deeper than she knows, and Shula will have to rely on the magic she's suppressed for years to save herself from the emperor's malicious plans.Because Shula is an Elemental.And her fire might be the only thing that can make or break their world. Fans of Sarah J. Maas and Holly Black will love the first installment in this new, action packed, adult fantasy series!
Elementals, superheroes, geeks, and vampires - everything is fair game in the science fiction and fantasy anthology by Maria K.
"The Dance" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Cocky Kamito has his work cut out for him! In a world of no-nonsense warriors and powerful spirits, it'll take plenty of guts to elegantly wield a blade and forge friendships at an elite all-girls academy! Blade Dance of the Spirit Master -- also known as Bladedance of Elementalers and Dance Blade of the Spirit Master, Seirei Tsukai no Blade Dance -- is a dazzling waltz filled with sorcery and surprising alliances! Can a cool interloper align with ancient forces without burning down the house...or forest...or school?
Ancient alchemy : the elements through the ages - Inner alchemy : elemental symbols and the psyche - Somatic alchemy - Elemental movement - Embodying the elements.
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others.
From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation