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"Tamati and his little sister, Aria, are playing on the beach when Aria hurts herself and can't stop crying. Te Wheke, an octopus, hears her and says he can help. But he tricks Tamati by throwing him a gold coin and a shiny pearl, and while both Tamati's hands are full, he snatches Aria. To save his sister, Tamati devises a plan to give the octopus eight gifts - one for each of its arms - so that he is forced to let go of Aria to hold them all. With the last gift, though, he tricks the octopus, throwing a snare that wraps around its body, and Tamati, Aria and Mum capture Te Wheke"--Publisher information
When Whetu’s mother takes a job organising a magician’s house and farm, Whetū becomes the animal keeper, looking after a golden ram, three lazy pigs, talking horses, a cowardly bull and the magician's stage assistant – an arrogant white rabbit called Errant. Errant’s been playing around with magic and created a carnivorous lamb, which he can’t change back. Rather than face the magician, Errant disappears and Whetū becomes the magician’s new assistant, just in time for the Royal Performance. It all seems to be going well until Errant reappears to seek his revenge, and Whetū must save the day – and the king.
A busload of high school students crashes in bush in a remote part of Aotearoa New Zealand. Only a few of the teenagers survive; they find their phones don’t work, there’s no food, and they’ve only got their wits to keep them alive. There’s also something strange happening here. Why are the teenagers having nosebleeds and behaving erratically, and why is the rescue effort slow to arrive? To make it out, they have to discover what’s really going on and who or what is behind it all.
"It seems like an ordinary day when Tui and Kae, sixteen-year-old twins, get home from school - until they find their mother, Maia, has disappeared and a swirling vortex has opened up in her room. They are sucked into this portal and dragged down to Rarohenga, the Māori Underworld, a place of infinite levels, changing landscapes and some untrustworthy characters. Maia has been kidnapped by their estranged father, Tema, enchanted to forget who she really is and hidden somewhere here. Tui and Kae have to find a way through this maze, outwit the characters they meet, break the spell on their mother, and escape to the World of Light before the Goddess of Shadows or Tema holds them in the underworld forever"--Publisher information.
"Whetū is about to start school, and no one is happy. Not the chicken. Not the bull. Especially not Ramses the golden ram, who goes missing. Tori the cat and Whetū go on a rescue mission. They catch star beams to strange worlds and find Ramses on another planet. But there's a problem: an evil magician controls the planet"--Publisher information.
'A landmark in the process of decolonizing imperial Western knowledge.' Walter Mignolo, Duke University To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being. Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date.