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This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.
This innovative text draws on theories and methodologies from the fields of multimodality, ethnography, and literacy studies to explore the sociocultural significance of book ownership and book inscriptions in Edwardian Britain. The Sociocultural Functions of Edwardian Book Inscriptions examines evidence gathered from historical records, archival documents, and the inscriptive practices of individuals from the Edwardian era to foreground the social, communicative, and performative functions of inscriptive practices and illustrate how material, lexical, and semiotic means were used to perform identity, contest social status, and forge relationships with others. The text adopts a unique ethnohistorical approach to multimodality, supporting the development of a typography of book inscriptions which will serve as a unique interpretive framework for analysis of literary artifacts in the context of broader sociopolitical forces. This text will benefit doctoral students, researchers, and academics in the fields of literacy studies, English language arts, and research methods in education more broadly. Those interested in British book history, anthropology, and 20th-century literature will also enjoy this volume.
The Edwardian Country House gives an insight into the romance and reality of Edwardian society and evokes the golden years before World War I. In this illustrated book, Juliet gardiner explores the key events in the social calendar of a wealthy Edwardian family - a fancy dress ball, a society dinner party, a village fete, a musical evening, a shooting party - from not only the points of view of the family, but also from that of the servants. Detailed descriptions of the day-to-day activities involved in running a country house are told through diary extracts, letters, advice manuals and recipes, while special craft features enable readers to create a range of authentic Edwardian delights for themselves.
This source book for recreating the style and decor of the Georgian period, covers all aspects of internal and external plan and design, including gardens. It also provides information on how to restore, replace and care for period features.
IN 1905 AND 1906 EDITH HOLDEN WROTE THE BOOKS THAT WERE LATER PUBLISHED AS THE COUNTRY DIARY OF AN EDWARDIAN LADY AND THE NATURE NOTES OF AN EDWARDIAN LADY. HER WORK HAS CAPTURED THE IMAGINATION OF THE READING PUBLIC ALL OVER THE WORLD. INA TAYLOR HAS WRITTEN A FUTHER CHAPTER FOR THIS NEW EDITION, ON EDITH'S NEWLY DISCOVERED NATURE NOTES OF AN EDWARDIAN LADY. 247X191MM, 228PP INTEGRATED COLOUR THROUGHOUT.7000X80PX$15.95.ROYALTY 15%(KM/JS 6.7.89). CANT QUOTE UNTIL JULIA PROVIDES SAMPLE BOOKS FOR OVERSEAS COS.
Illustrations without text depict everyday life in an English village during the Edwardian era.
With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. Rebel Women is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism. "Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." —David Trotter, The London Review of Books
From the author of The Sandcastle Empire comes a sci-fi thriller that’s equal parts Illuminae and One of Us Is Lying. Lindley Hamilton has been the leader of the space station Lusca since every first generation crew member on board, including her mother, the commander, was killed by a deadly virus. Lindley always assumed she’d captain the Lusca one day, but she never thought that day would come so soon. And she never thought it would be like this—struggling to survive every day, learning how to keep the Lusca running, figuring out how to communicate with Earth, making sure they don’t run out of food. When a member of the surviving second generation dies from symptoms that look just like the deadly virus, though, Lindley feels her world shrinking even smaller. And as more people die, Lindley must face the terrifying reality—that either the virus has mutated, or one of their own is a killer.
At a formal dinner you must never take a second helping or you will find yourself dining alone. The Edwardian age (1901-1910), the last period of the English country house, was defined by its etiquette for those both upstairs and down. This 'golden era' of gentility had answers to everything. Discover the correct way to address tradesmen, how to produce a pomade against baldness, how to deal with gossip and ways to get a perfect shine to glass among many other indispensable gems in this Edwardian guide to life.
!--StartFragment-- Follow-up to the hit BBC series Victorian Farm Victorian Farm sold over 40,000 copies (Nielsen Bookscan figures) Includes projects and recipes to try at home Following on from the hit BBC series Victorian Farm, this book accompanies a new 12-part BBC series. This time, Ruth Goodman, Alex Langlands and Peter Ginn take a leap forward in time to immerse themselves in an Edwardian community in the West Country. In the nineteenth and early twentieth centuries, Morwellham Quay was situated in a bustling and commercially prosperous region – a stunning rural landscape encompassing rolling farmland, wild moorland, tidal river, coast and forest, which supported a vibrant and diverse economy. Ruth, Peter and Alex will spend a year exploring all aspects of this working landscape - restoring boats, buildings and equipment, cultivating crops, fishing, rearing animals and rediscovering the lost heritage of this fascinating era as well as facing the challenges of increasingly commercial farming practices, fishing and community events. !--StartFragment--!--EndFragment--!--EndFragment--