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In conferring upon Mississippi native Elizabeth Spencer (1921–2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she “has thrived at the height of her powers to a degree that is unparalleled in modern letters.” Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, “maybe an unresolved part of my psyche.” In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, “The Runaways” (1994), “Master of Shongalo” (1996), and “Return Trip” (2009). The collection allows readers to observe Spencer’s evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene’s critical introduction helpfully places these narratives within the context of Spencer’s entire body of writing. The Edward Tales confirms Spencer’s place as one of our most beloved and accomplished writers.
Edward Tulane, a cold-hearted and proud toy rabbit, loves only himself until he is separated from the little girl who adores him and travels across the country, acquiring new owners and listening to their hopes, dreams, and histories. Jr Lib Guild. Teacher's Guide available. Reprint.
This volume brings back into print a remarkable record of black life in the 1920s, chronicled by Edward C.L. Adams, a white physician from the area around the Congaree River in central South Carolina. It reproduces Adams's major works, Congaree Sketches (1927) and Nigger to Nigger (1928), two collections of tales, poems, and dialogues from blacks who worked his land, presented in the black vernacular language. They are supplemented here by a play, Potee's Gal, and some brief sketches of poor whites. What sets Adams's tales apart from other such collections is the willingness of his black informants to share with him not only their stories of rabbits and "hants" but also their feelings on such taboo subjects as lynchings, Jim Crow courts, and chain gangs. Adams retells these tales as if the blacks in them were talking only among themselves. Whites do not appear in these works, except as rare background figures and topics of conversation by Tad, Scip, and other black storytellers. As Tad says, "We talkin' to we." That Adams was permitted to hear such tales at all is part of the mystery that Robert O'Meally explains in his introduction. The key to the mystery is Adams's ability -- in his life, as in his works -- to wear both black and white masks. He remained a well-placed member of white society at the same time that he was something of a maverick within it. His black informants therefore saw him not only as someone more likeable and trustworthy than most whites but also as someone who was in a position to help them in some way if he understood more about their lives. As a writer, O'Meally suggests, Adams was not simply an objective recorder of folklore. By donning a black mask, Adams was able to project attitudes and values that most whites of his place and time would have disavowed. As a result, his tales have a complexity and richness that make them an authentic witness to the black experience as well as a lasting contribution to American letters.
Four children find a magic way to go back into the time of Ivanhoe and Robin Hood.
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“In Mr. Wilson ants have found not only their Darwin but also their Homer.” —Economist In Tales from the Ant World, two-time Pulitzer Prize winner Edward O. Wilson takes us on a thrilling myrmecological tour across continents and through time, inviting us into his decades-long scientific obsession with ants. Animating his observations with personal stories, Wilson hones in on twenty-five ant species to explain how these creatures talk, smell, taste, and crucially, how they fight to determine dominance. Richly illustrated throughout with depictions of ant species and photos from Wilson’s own expeditions, Tales from the Ant World is a fascinating personal account from one of our greatest scientists—and a necessary volume for any lover of the natural world.
In and around Rough Edge (The western side of the village of St. Stephens, Alabama) several crusty old gentlemen lived. In his young days Edward was often enthralled by the tales these old men told. Over the years many tales accumulated in his repertory. Edward often regaled gatherings of the good people of St. Stephens with those stories. He was told by many, “you should write a book containing these stories.” In considering writing a book of anecdotes Edward chose, “Tales of the Elder Statesman,” as the title. One of the old men who spun many of the stories considered himself to be an authority on Washington County politics. In reality just the opposite was true. If you wanted to vote for a winning candidate, vote against the person Rufus was backing. In jest Edward began calling him the Elder Statesman. In the book the stories of several crabby old men are recorded and the term, “The Elder Statesman” is used to refer to each of these old men. Thus, The Elder Statesman,” applies to a number of different men. It became a compilation of all those different personalities. Most of the stories are humorous, some are heartwarming morality revelations, while a few are pure fiction. The real beauty of, “Tales of the Elder Statesman”, lies in the fact that the reader does not have to keep up with a complicated plot. He can read a few tales, put the book down for a week then read some more tales without missing a beat. This book is dedicated to preserving the memory of those wonderful old men
While spending the summer in a house by the sea, four cousins, Roger, Ann, Eliza, and Jack, discover a bank of wild thyme whose magic propels them on a series of adventures back and forth through time.
Along the Mekong, from northern Tibet to Lijiang, from Luang Prabang to Phnom Penh to Can Lo, I moved from one world to another, among cultural islands often ignorant of each other’s presence. Yet each island, as if built on shifting sands and eroded and reshaped by a universal sea, was re-forming itself, or was being remolded, was expanding its horizons or sinking under the rising waters of a cultural global warming. It was a journey between worlds, worlds fragiley conjoined by a river both ominous and luminescent, muscular and bosomy, harsh and sensuous. From windswept plateaus to the South China Sea, the Mekong flows for three thousand miles, snaking its way through Southeast Asia. Long fascinated with this part of the world, former New York Times correspondent Edward Gargan embarked on an ambitious exploration of the Mekong and those living within its watershed. The River’s Tale is a rare and profound book that delivers more than a correspondent’s account of a place. It is a seminal examination of the Mekong and its people, a testament to the their struggles, their defeats and their victories.