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Step into the pulsating heart of contemporary fashion law as Volume 11 of the Series of the Center for Design, Fashion, and Advertisement Law (University of Silesia in Katowice) unfolds its pages. With a focus on France, the epitome of haute couture, immerse yourself in the rich tapestry of French copyright law as it interplays with the vibrant world of fashion. From renowned fashion houses to cutting-edge designers, explore captivating case studies that illuminate the intricate dance between creativity and legal protection. Delve deep into the nuances of copyright law, gaining invaluable insights into the legal landscape shaping the future of fashion. Join us on this enlightening expedition as we uncover the legal fabric that weaves together the threads of innovation, culture, and style at the forefront of the fashion universe.
A magisterial reconstruction and analysis of the heated debates around the 'woman question' during the French Third Republic.
Of all European landscapes and regions, the Rhine is one of the most heavily overlaid with cultural and political meaning. Cradle of Romanticism, tourism, and the picturesque, bone of contention between the German and French spheres of cultural and geopolitical influence, the Rhine has attracted armies, artists, activists and tourists for centuries and has featured prominently the key writings of Europe’s literary and intellectual history from Byron to Lucien Febvre. This volume brings together eminent literary and cultural historians to present materials and analyses from various of the central nexus of European culture. The volume also contains a unique and comprehensive anthology of key texts (historical, poetical and polemical) related to the Rhineland and its contested position. Contributors are: Reinhard Baumann, Manfred Beller, Hans-Werner Breunig, Giovanna Cermelli, Joep Leerssen, Elmar Scheuren, Helmut J. Schneider, and Waldemar Zacharasiewicz.
A comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain.
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications representing diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over forty nineteenth-century periodicals. The articles cataloged offer a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously, thus highlighting implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior.