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Oumar Farouk Sesay was resident playwright of Bai Bureh Theatre in the hay days during the 1980s. Several of his plays were performed in the then City Hall which won him accolades amongst his peers. He wrote for local and international newspapers and has been published in anthologies of Sierra Leonean poets. His poems have been translated into German and Spanish.
Oumar Farouk Sesay was resident playwright of Bai Burch Theatre, Freetown in the hay days during the 1980s. Several of his plays were performed in the then City Hall which won him accolades amongst his peers. He wrote for local and international newspapers and has been published in anthologies of Sierra Leonean poets. His poems have been translated into German and Spanish. This is his second collection.
What could cause a mother to believe that giving away her newborn baby is her only option? Cathy Glass is about to find out. From author of Sunday Times and New York Times bestseller Damaged comes a harrowing and moving memoir about tiny Harrison, left in Cathy’s care, and the potentially fatal family secret of his beginnings.
The Cry of the Hangkaka is the story of young Karin and her mother Irene. Shamed by a divorce, Irene seeks to flee with her daughter from post WWII South Africa. Jack, a Scotsman who works at the tin mines in Nigeria, seems to be the answer to Irene's prayers. In the torrid heat of the Nigerian plateau, Karin is exposed to the lives of the colonisers, the colonised, and most of all to the dictatorship of Jack.
The acclaimed novel of Spain's economic crisis - a timely masterpiece. Under a weak winter sun in small-town Spain, a man discovers a rotting corpse in a marsh. It’s a despairing town filled with half-finished housing developments and unemployment, a place defeated by the burst of the economic bubble. Stuck in the same town is Esteban, his small factory bankrupt, his investments gone, the sole carer to his mute, invalid father. As Esteban’s disappointment and fury lead him to form a dramatic plan to reverse financial ruin, other voices float up from the wreckage. Stories of loss twist together to form a kaleidoscopic image of Spain’s crisis. And the corpse in the marsh is just one. Chirbes’s rhythmic, torrential style creates a Spanish masterpiece for our age.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
NEW YORK TIMES BESTSELLER • She finds lost children—all the while trying to outrun the brutal emotions stemming from a tragedy in her past. Milla Edge is fueled by an obsession to fill the void in other people’s lives. Traveling to a small village in Mexico on a reliable tip, she begins to uncover the dire fate of countless children who have disappeared in the labyrinth of a sinister baby-smuggling ring. The key to nailing down the organization may rest with an elusive one-eyed man. As Milla’s search for him intensifies, the mission becomes more treacherous. For the ring is part of something far larger and more dangerous, reaching the highest echelons of power. Racing into peril, Milla suddenly finds herself the hunted—in the crosshairs of an invisible, lethal assassin who aims to silence her permanently. Praise for Cry No More “Linda Howard is a superbly original storyteller.”—Iris Johansen “Intense and darkly mesmerizing from beginning to end, this gut-wrenching roller coaster of a book is incredible! The bestselling Howard delivers first-class terror and suspense.”—Romantic Times “Linda Howard meshes hot sex, emotional impact, and gripping tension.”—Publishers Weekly (starred review)
After the death of George Washington, a fledgling America is thrown into turmoil by the growth of a two-party political system, the machinations of an ambitious Aaron Burr, and a growing French presence in the West.
In the summer of 1998, Daniel Gordis and his family moved to Israel from Los Angeles. They planned to be there for a year, during which time Daniel would be a Fellow at the Mandel Institute in Jerusalem. This was a euphoric time in Israel. The economy was booming, and peace seemed virtually guaranteed. A few months into their stay, Gordis and his wife decided to remain in Israel permanently, confident that their children would be among the first generation of Israelis to grow up in peace. Immediately after arriving in Israel, Daniel had started sending out e-mails about his and his family’s life to friends and family abroad. These missives—passionate, thoughtful, beautifully written, and informative—began reaching a much broader readership than he’d ever envisioned, eventually being excerpted in The New York Times Magazine to much acclaim. An edited and finely crafted collection of his original e-mails, If a Place Can Make You Cry is a first-person, immediate account of Israel’s post-Oslo meltdown that cuts through the rhetoric and stridency of most dispatches from that country or from the international media. Above all, Gordis tells the story of a family that must cope with the sudden realization that they took their children from a serene and secure neighborhood in Los Angeles to an Israel not at peace but mired in war. This is the chronicle of a loss of innocence—the innocence of Daniel and his wife, and of their children. Ultimately, through Gordis’s eyes, Israel, with all its beauty, madness, violence, and history, comes to life in a way we’ve never quite seen before. Daniel Gordis captures as no one has the years leading up to what every Israeli dreaded: on April 1, 2002, Prime Minister Ariel Sharon declared that Israel was at war. After an almost endless cycle of suicide bombings and harsh retaliation, any remaining chance for peace had seemingly died. If a Place Can Make You Cry is the story of a time in which peace gave way to war, when childhood innocence evaporated in the heat of hatred, when it became difficult even to hope. Like countless other Israeli parents, Gordis and his wife struggled to make their children’s lives manageable and meaningful, despite it all. This is a book about what their children gained, what they lost, and how, in the midst of everything, a whole family learned time and again what really matters.