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This new volume brings together, for the first time, all the poems Carl Rakosi wrote as an "Objectivist, " together with his other poems of the 1920s and 1930s, printed in their original versions. The purpose of this current volume is to provide, as far as possible, a reliable account of what Rakosi wrote in the 1920s and 1930s. Working with Rakosi, Andrew Crozier has produced a carefully edited volume that will point up the innovativeness and talent of Rakosi's early writing.
The author of such classics as Sons and Lovers and The Rainbow critically examines classic American literature in this collection of essays. This anthology provides a deep look at D. H. Lawrence’s thoughts on American literature, including notable essays on Benjamin Franklin, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Walt Whitman. Originally published in 1923, this volume has corrected and uncensored the text, and presents earlier versions of many of the essays.
The Rats in the Walls, In the Vault, The Unnamable, Cool Air, The Festival, The Call of Cthulhu, The Shunned House, Pickman's Model, The Horror at Red Hook, The Strange High House in the Mist, He, The Silver Key, and Lovecraft's first novella, The Dream-Quest of Unknown Kadath
June and Dec. issues contain listings of periodicals.
This study provides the first substantial history and analysis of the To-Day and To-Morrow series of 110 books, published by Kegan Paul Trench and Trübner (and E. P. Dutton in the USA) from 1923 to 1931, in which writers chose a topic, described its present, and predicted its future. Contributors included J. B. S. Haldane, Bertrand Russell, Vernon Lee, Robert Graves, Vera Brittain, Sylvia Pankhurst, Hugh McDiarmid, James Jeans, J. D. Bernal, Winifred Holtby, André Maurois, and many others. The study combines a comprehensive account of its interest, history, and range with a discussion of its key concerns, tropes, and influence. The argument focuses on science and technology, not only as the subject of many of the volumes, but also as method—especially through the paradigm of the human sciences—applied to other disciplines; and as a source of metaphors for representing other domains. It also includes chapters on war, technology, cultural studies, and literature and the arts. This book aims to reinstate the series as a vital contribution to the writing of modernity, and to reappraise modernism's relation to the future, establishing a body of progressive writing which moves beyond the discourses of post-Darwinian degeneration and post-war disenchantment, projecting human futures rather than mythic or classical pasts. It also shows how, as a co-ordinated body of futurological writing, the series is also revealing about the nature and practices of modern futurology itself.