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Amazing Ware Made in the East Liverpool Pottery District By: William and Donna Gray
Over 800 color photos display Harker Pottery's tablewares from the 1840s to the 1970s, including early Rockingham, Yellowware, Ironstone, and Pate Sur Pate. Dinnerware, kitchenware, rolling pins, shaving sets, tea and punch sets, and ABC plates are shown in many shapes. Decorations include Flow Blue and decals. Values are found in the captions.
Of great importance to scholars, collectors, dealers, and others interested in the history of ceramics, the decorative arts, and industrial culture, Syracuse China examines the birth, growth, and remarkable resilience over more than a century of one of America's major manufacturers of ceramic tableware. Drawing on the company's archives and historical collection of ware, the authors explore not only the history of its products but also the people who designed, made, decorated, sold, and used them. Syracuse China was the pioneer manufacturer of a distinctively American type of vitrified fine china, as well as the first American "rolled edge" shapes which revolutionized hotel and restaurant dining. The company was also a great leader in labor relations and marketing within its industry. Cleota Reed and Stan Skoczen's lively account of this fascinating chapter in the history of American material culture spans the Victorian age to the present. Collectors and enthusiasts will find the following features invaluable: — 30 color plates — 128 black-and-white photographs — A comprehensive visual listing of Syracuse China's back stamps — An appendix that enables the reader to identify Syracuse China shapes and patterns.
The Land Act of 1796 opened the gates for a flood of settlers into the lands of the Upper Ohio River Valley. The natural clay soils of the valley, coupled with an abundance of salt for glazing and the Ohio River as a nearby source for transportation, laid the foundation for what would become the pottery capital of the United States. Naming their new towns for those they left behind-Liverpool, Chester, Newell-English and Irish entrepreneurs established factories for making crockery. The industry boomed and, by the turn of the twentieth century, Ohio Valley pottery was being exported throughout the world. The story of pottery production is more than a list of manufacturers; the towns that grew around these factories and the lifestyles of the people who worked in them provide the social fabric of the Ohio Valley. From the early pioneer villages of the "hand-thrown" period to the towns with bustling shops and regular trolley service, residents built homes, schools, and churches, creating thriving communities.
Once known as the "Pottery Capital of the World," East Liverpool boasted some 300 potteries in its heyday, along with many ancillary industries. When British immigrant Thomas Bennett found promising clay deposits along the riverfront, he opened the city's first one-kiln pottery in 1839. From that humble beginning, the industry burgeoned, eventually spreading up the hills and across the river. Besides sturdy kitchenware, hotel china, toilet ware, and ceramic doorknobs and insulators, the potteries produced such elegant designs as Lotus Ware, Lu-Ray, and Fiesta Ware. The men, women, and children who worked in the potteries also built a town with a busy and complex social life. Churches, schools, cultural and service organizations, theaters, and restaurants filled the downtown area. East Liverpool struggled after the collapse of the pottery industry in the second half of the 20th century but has persevered into the 21st century with hope for the future.
A groundbreaking case study that links social and cultural interpretation with descriptive classification and historical context.
Erica Gibson’s comprehensive guide provides a much-needed catalogue of ceramic makers' marks of British, French, German, and American origin found in North American archaeological sites. Consisting of nearly 350 marks from 112 different manufacturers from the mid-19th through early 20th century, this catalog provides full information on both the history of the mark and its variants, as well as details about the manufacturer. A set of indexes allow for searches by manufacturer, location, mark elements, and common words used. This guide will be of interest not only to historical archaeologists, but material culture specialists, collectors, museum professionals, students, art historians, and others interested in ceramics.