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Alexander Dallas Bache was the key leader of antebellum American scientists. Presuming his profession to be a herald of an integrated U.S. nation-state, Bache guided organizations such as the United States Coast Survey, then the country's largest scientific enterprise. In this analytical biography, Axel Jansen explains Bache's efforts to build and shape public institutions as a national foundation for a universalistic culture—efforts that culminated during the Civil War when Bache helped found the National Academy of Sciences as a symbol for the continued viability of an American nation. Die Open-Access-Version dieser Publikation wird gefördert mit freundlicher Unterstützung des Deutschen Historischen Instituts Washington. https://creativecommons.org/licenses/by-nc-nd/4.0/
After a childhood divided between America and Europe, Henry James settled with his family in New England, first in what he regarded as an outpost of Europe, Newport, and later in Cambridge. The family letters (the initial inspiration for this autobiographical enterprise), many of which recount the early career of William James at Harvard and in Germany, also reveal Henry James Sr.’s views on the intellectual, philosophical, and social issues of the time. Henry Jr., aspiring to be "just literary," acknowledges his indebtedness to the widely cultured artist John La Farge, whose friendship he enjoyed during adolescence. The Civil War is recorded through the letters of his younger brother, Wilky, while Henry recalls a Whitmanesque longing for the Union soldiers he met and talked to. The death of a beloved cousin, Mary Temple, who would become the inspiration for some of his greatest fictional heroines, is documented through the passionate, questioning letters she wrote in her final year of life. In The Middle Years James, newly resident in London, gives his impressions of some of the literary "lions" of the time, most notably George Eliot and Tennyson. This first fully annotated critical edition of Notes of a Son and Brother and The Middle Years both offers the reader extensive support in appreciating the demands of James’s late prose and illuminates the context in which one of literature’s most influential figures developed a characteristic voice.
An “engrossing narrative history” (Joanna Scutts, The Lily) of the enslaved girl whose photograph transformed the abolition movement. When a decades-long court battle resulted in her family’s freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. Due to generations of sexual violence, Mary’s skin was so light she “passed” as white—a fact abolitionist Senator Charles Sumner knew would be the key to his white audience’s sympathy. Girl in Black and White restores Mary to her rightful place in history, “probing issues of colorism and racial politics” (New York Times Book Review) that still affect us profoundly today.
In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine