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Profusely illustrated with rare and unpublished imagesAn extraordinary insight into the Capell familyA tale of plots, intrigue, battles, court cases and family quarrelsA thoroughly researched and very readable account of this astounding family This is the dramatic, often erratic, and at times unbelievable story of the fortunes and misfortunes over 900 years to the present day of one of England’s premier aristocratic families, who in 1661 were given the Earldom of Essex by Charles II. This previously untold story begins just after the Norman Conquest and ends at the present day. Over a period of 400 years, the Capell family built a fortune, and over the next 500 years, lost it due to an incredible number of mistakes, bad judgement calls, and misfortunes. The Earls of Essex examines the rise and fall of this family, providing in-depth analysis and judgement on the reasons behind their decline.
A thought-provoking examination of beauty using three works of art by Manet, Gauguin, and Cézanne. As the discipline of art history has moved away from connoisseurship, the notion of beauty has become increasingly problematic. Both culturally and personally subjective, the term is difficult to define and nearly universally avoided. In this insightful book, Richard R. Brettell, one of the leading authorities on Impressionism and French art of the nineteenth and early twentieth centuries, dares to confront the concept of modern beauty head-on. This is not a study of aesthetic philosophy, but rather a richly contextualized look at the ambitions of specific artists and artworks at a particular time and place. Brettell shapes his manifesto around three masterworks from the collection of the J. Paul Getty Museum: Édouard Manet’s Jeanne (Spring), Paul Gauguin’s Arii Matamoe (The Royal End), and Paul Cézanne’s Young Italian Woman at a Table. The provocative and wide-ranging discussion reveals how each of these exceptional paintings, though depicting very different subjects—a fashionable actress, a preserved head, and a weary working woman—enacts a revolutionary, yet enduring, icon of beauty.
The time and place is the early 1930’s in rural Alabama. The sheriff has been murdered by unknown assailants. James Earl was the third sheriff in succession from the same family. It will be the first time in sixty years, one of the Earl men will not be in charge of law and order. The man’s only son is a teenager and after the funeral is told his family history through the eyes of an old mulatto, Ben Davis, who had been born into slavery and been involved with the family since he was six years old. It is a story of murder, moonshine, family feuds, romance, the Ku Klux Klan and rural prejudice. It is about one family in a difficult time and a hard place.
The greatest event in Irish history, the unexpected and sudden departure of Earl Tyrone, Earl Tyrconnell, Cuchonnacht Maguire and Cathabarr O'Donnell with ninety nine followers has mystified historians for centuries, giving rise to much speculation about the reasons for the northern nobles departure from Ireland on 14th September 1607. The event has been well chronicled yet the records give the facts of the flight from Ireland but say little about the emotional impact of such an event. Accompanying the Irish Earls and their retinue, were their wives and female relations as well as some of their young children. Most notable among them were Catherine, wife of Earl Tyrone, Nuala O'Donnell, Earl Tyrone's aunt and Rose, wife of Cathabarr O'Donnell. This is their story.
Graphic but mystical, vibrant yet enigmatic, the work of American artist Eyvind Earle is a treasure trove of subtle and shimmering contradictions. From fanciful backgrounds for Disney classics such as Sleeping Beauty to bold experiments in multimedia art, from ambitious commercial animations to lush and otherworldly oil landscapes, Earle's oeuvre never fails to please the eye and engage the imagination. And here, collected in Awaking Beauty—the official catalog for the 2017 Walt Disney Family Museum exhibition of the same name—is a definitive exploration of his life's full work. Born in New York City in 1916, Earle showed early talent, hosting his first solo exhibition at the age of fourteen. After traveling in Mexico and Europe as a teenager, he bicycled across the United States, painting watercolors to pay his way. In the late 1930s, he began designing Christmas cards—which have sold more than 300 million copies over the years—while continuing to exhibit his fine art. Earle's transformative moment, however, came in 1951, when he was hired at The Walt Disney Studios as a background painter. Again, he proved a quick study, lending his talents to the Academy Award-winning short Toot, Whistle, Plunk and Boom, beloved full-length feature Sleeping Beauty, and many other time-honored Disney animated films. After his tenure at Disney ended in 1958, Earle turned his attention to commercial animation and advertising, then returned ot fine art full-time in 1966. Here, in the last three decades of his life, Earle created an immense and impressively varied body of work. He became an expert at the silkscreen-printing process known as serigraphy, a painstaking art form that could require up to 200 individual screens. He also created dozens of graphic and arresting scratchboards—engravings carved into boards primed with white clay and black ink—for his autobiography, Horizon Bound on a Bicycle. In addition to his multimedia experiments, Earle painted dazzling oil works of the natural world, capturing the rolling hills, lacy and voluminous trees, and crashing blue waves of California in a nearly transcendental light. A moving and lyrical writer, he often accompanied his mesmerizing landscapes with equally meditative and intriguing poems. After a long and esteemed career, Earle passed away in 2000 in Carmel-y-the-Sea, California, leaving behind a formidable legacy in animation and fine art. Today, his work is in the permanent collections of several prominent museums (including the Metropolitan Museum of Art in New York), while his memory continues to inspire new generations of aspiring creatives around the globe.