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Textile enthusiasts, the ultimate reference you've been waiting for is here--Ikat! Ikat: The Essential Handbook to Weaving with Resists is your introduction to the fundamentals of a resurging trend in woven cloth. Award-winning weaver and instructor Mary Zicafoose has spent more than 30 years exploring the possibilities of ikat and now shares her wealth of knowledge with you. Dig into the pages of this handbook to discover: • Historical background on ikat with gorgeous visual refernces. • Instruction in warp, weft, and double ikat techniques, written and illustrated in clear sequential steps. • Instructions to build ikat wrapping boards. • An addendum on painted "faux" ikat using dye pastes and brushes. • Acid and indigo dye system recipes and procedures. • Compelling projects with detailed instruction taking you from undyed yarn to woven ikat cloth. • A gallery of contemporary ikat created by a range of diversely talented dyers and weavers. All this and more is waiting for you in Ikat: The Essential Handbook to Weaving with Resists.
Rediscover Woven Shibori In this update of the classic Woven Shibori, master weaver Catharine Ellis teaches weavers of all skill levels how to create beautiful dyed woven cloth, using environmentally friendly natural dyes. Shibori is a traditional Japanese technique, in which a piece of cloth is shaped by folding, stitching, tying, or wrapping then dyed to create stunning color patterns. Ellis developed a method of weaving resist warp and weft threads directly into the cloth and shared her findings in her breakthrough book. Featuring all-new information on working with natural dyes and dozens of new photographs, this revised edition is an invaluable resource for weavers. It features: • Techniques for incorporating shibori into two-shaft weaves, monk's belt, overshot, twills, laces, and other patterns • Guidance and inspiration for creating your own woven shibori designs • Instructions for preparing the fabric for dyeing and finishing the dyed cloth • Recipes for creating natural dyes from plants and insects to dye both plant and animal fibers • Special effects for enhancing woven shibori, including layering colors, cross dyeing, felting, creating permanent pleats, and burning out Woven Shibori opens up a world of creative surface design possibilities for weavers and textile artists.
A sequel to the best-selling Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists. A sequel to the best-selling 'Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists.'
Beginning with studio practices and safety rules, this information-packed handbook is appropriate for both newcomers and experienced dyers but assumes that readers have a serious interest in textile design. An overview of dyeing starts with fibers and fabrics and discusses all aspects of the dyes favored by textile studios--fiber reactive, acid, vat, and disperse--before explaining discharging, screen printing, monoprinting, stamping, stenciling, resist dyeing, devore, and painting. Would-be fabric artists are advised along the way to identify a personal approach to dyeing--free spirit? rule-follower?--and color photographs of work by today's top fiber artists elucidate prevailing styles. Recipes and techniques are accompanied by step-by-step instructions with photographs, and a concealed spiral binding allows the book to lie flat. Ten appendices include a worksheet for recording chemicals, procedures, and costs for all projects; a guide to washing fabric; descriptions of stock solutions, thickeners, and steaming; a metric conversion table; and a guide to water temperatures.
Batik: Fabled Cloth of Java is richly illustrated with color plates of the finest antique and contemporary batik from thirty museums and private collections around the world. From the royal courts of Yogyakarta and Cirebon to the coastal towns of Pekalongan, Surabaya and Lasem, Inger McCabe Elliot takes the reader on a spellbinding tour of Java's north coast examining the customs, cultures and craftsmanship that distinguishes its magic cloth. Batik--Fabled Cloth of Java is a sumptuous book and now a classic, richly illustrated with color plates of the finest antique and contemporary batik batik from collections all over the world. It includes historical photographs, etchings, engravings, maps and photographs of modern Java. This new edition will be welcomed by designers, scholars and art lovers alike. it is the product of many years of collecting and on-the-scene exploration by a leading photojournalist, whose life was changed forever when she first laid eyes on the wondrous batik of Java's north coast.
With beautiful full-color Batik cloths and extensive historical and cultural commentary, Batik: From the Courts of Java and Sumatra is a fundamental work in the field of Indonesian art and culture. Batik occupies a special position in Indonesia. The extraordinary photographs of cloths and prints in this book demonstrate why batik is the stuff of textile legend. These 71 batik designs, taken from the collection of famed dealer Rudolf G. Smend, date from 1880-1930, a time still considered batik's golden age. Emanating from the provicial and stately courts of Yogyakarta and Surakarta in Central Java are hip, chest, shoulder, and head cloths in controlled, orderly, geometric patterns in natural soga brown, indigo blue, black, and cream. Brighter colors and freer designs on the sarongs made in Cirebon, Pekalongan, Lasem, and other towns along Java's commercial north coast eloquently attest to the blending of indigenous forms, motifs, and colors with outside influences. Southern Sumatra, with its Muslim heritage, contributed large shoulder cloths and headscarves often bearing Koranic invocations. Complementing these extraordinary cloths are 16 vintage photo prints from the Leo Haks collection, which demonstrate how batik was worn at court and in other settings.
The book explores the use and meaning of the kimono in America and traces the transformation of the garment from its ethnic origins, through its many appearances in fine art, costume, and high fashion, to its role in the contemporary Art-to-Wear Movement. It explores the American use of the kimono as a garment, as a symbol, and as an art form.
Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.