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DIVDIVJak Jinnaka is off to save a princess yet again—except . . ./divDIV Ostensibly a diplomat, really a spy in training, Jak Jinnaka has such a gift for getting into trouble that his fellow students have voted him “most likely to have a war named after him.” His latest offense against cultural sensitivity would have ended his career at his junior year—except that the Academy is thoroughly corrupt, Jak has powerful and wealthy friends, and there’s an easier way for the dean of students to get rid of him: Jak’s ex-girlfriend, Princess Shyf of Greenworld (one of hundreds of nations in a space station the size of the moon), sends a cry for help that will conveniently take Jak one hundred eighty-five million miles out of the dean’s hair./divDIV /divDIVJust like that, Jak is off to save Shyf in the name of true love, the Aerie for the sake of liberty, and his own potential for a lucrative and undemanding government job./divDIV /divDIVBut Shyf has found a very unpleasant use for Jak, and now that she’s got him, she might not let him go./divDIV/div/div
Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike. Traci Brynne Voyles argues that the presence of uranium mining on Diné (Navajo) land constitutes a clear case of environmental racism. Looking at discursive constructions of landscapes, she explores how environmental racism develops over time. For Voyles, the “wasteland,” where toxic materials are excavated, exploited, and dumped, is both a racial and a spatial signifier that renders an environment and the bodies that inhabit it pollutable. Because environmental inequality is inherent in the way industrialism operates, the wasteland is the “other” through which modern industrialism is established. In examining the history of wastelanding in Navajo country, Voyles provides “an environmental justice history” of uranium mining, revealing how just as “civilization” has been defined on and through “savagery,” environmental privilege is produced by portraying other landscapes as marginal, worthless, and pollutable.