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All Miranda Warfield had ever wanted was to be awife to a man, not a title, but her marriage toAdrian, Duke of Windmere, had been merely a politeton alliance for years. Now, miraculously, the tender,loving Adrian of her youth had returned, making herfeel like a bride again. But dare she trust theirrekindled romance? For why was Adrian suddenlyarranging clandestine meetings with his solicitor?And asking her opinions on several marriageablegentlemen of the ton? Did her husband's eyes betraya secret his ardent lips denied…?
Captive of the clan To regain control of his fractured clan Robert Matheson must take Lilidh MacLerie hostage as a bargaining tool. But Lilidh is no ordinary captive. She's the woman he once loved--and rejected Rob's touch is etched permanently into her memory and, unaware that he was forced to repudiate their love, Lilidh has never forgotten the man who broke her heart all those years ago. Now, looking into the eyes of her captor, she no longer recognizes this fearsome leader. She should be afraid--there's no telling what he will do. But something about him excites and unnerves her in equal measure....
Terrified by the rumors and stories about her betrothed’s wicked ways, Joanna runs away before their marriage. Willing to face death rather than the Warlock of Wynwydd, she finds a safe haven in Silloth Keep where she seeks sanctuary and plans her escape. Humiliated by Joanna’s refusal to take their vows, Braden follows her across England and discovers her hiding place. When faced with her fiery resistance, he’s not sure if he wants to woo her or take her by force. While trying to decide, he falls in love with her and begins to hope that she is the bride who can help lift the curse that threatens his family. In spite of her fears, Joanna is drawn to the man she senses beneath the bluster and is confused when Braden begins to treat her more as a valued bride than a recalcitrant runaway. But can Joanna trust the man who was the cause of her misery and give his promises, and love, a chance? The Claiming of Lady Joanna was previously published by Harlequin in The Betrothal anthology and is now rereleased by the author and Luckebooth Press.
In this sexy medieval romance, a wealthy Scottish clansman whose family expects him to marry for duty falls for the mistress under his protection. Claiming what’s forbidden. . . . Fearsome warrior Aidan MacLerie may be brave and unquestionably loyal to his family and clan, but his heart remains restless. Until he meets stunning Catriona MacKenzie. She’s a married woman, so he can never truly possess her, yet he seeks her surrender—one kiss at a time. . . . When the husband from her loveless marriage falls on the battlefield, Cat is left destitute, with her reputation in tatters. Aidan is the only man with the power to protect her now. All Cat has to do is yield to this powerful highlander. “Richly emotional and splendidly sexy.” —Booklist on Possessed by the Highlander
"Ciara Robertson has loved formidable Highlander Tavis MacLerie all her life. She watched, brokenhearted, while he married and lost another. Now, finally of marriageable age, Ciara throws her heart at his feet. Tavis knows that innocent Ciara thinks she's in love with him-- but she deserves far better. Painful experience has proved that he's a far better warrior than husband, and he's determined never to marry again. Her dreams shattered, Ciara accepts another man's hand. Ordered to take Ciara to her husband-to-be, Tavis is tormented-and tempted-every step of the way"--P. [4] of cover.
SHE IS SIN PERSONIFIED… Cursed by past tragedies, notorious Highlander Laird Athdar MacCallum has devoted himself to leading his people—and has vowed never to marry again. Until he is utterly disarmed by the innocent beauty in the eyes of Isobel Ruriksdottir… Isobel is drawn to the vulnerability she senses behind the fearsome facade of the clan chief. But with his formidable reputation, he is strictly forbidden. Being together can only lead them into danger, yet the temptation to risk all for their perilous passion is impossible to ignore.
Will the duke lose the bet or his heart? The duke is sure he'll win the bet, until he meets Margot... Fitz, the Duke of Harrodshire, views marriage as a business arrangement, not a question of the heart. Especially once he bets his friends that he won’t marry the next woman he fancies. He knows it will be an easy win - until they take refuge from a snowstorm at Bleneccle Manor and he meets Lady Margot Wickham. A widow in mourning At her parents’ home in Northern England to recover from her husband’s sudden death, Lady Margot Wickham isn’t sure she’ll ever be ready to face the duties of being a Dowager Countess. When unexpected travelers show up in a snowstorm, Margot is grateful for the distraction. Until she realizes she might be too distracted by a certain duke. Duty calls When Margot gets notice of unrest at her husband’s cotton mill, she realizes she can put off duty no longer. Alarmed, Fitz volunteers to accompany her south. He plans to help her resolve the issue - but the road trip is a convenient excuse to stay close, too. “Five Stars - A charming and quick Regency romance abut a woman not only finding love, but confidence in herself.” - Reedsy Discovery Team Read this book if you love: duke romances, romance with a countess, beta heroes, cinnamon roll heroes, strong heroines, strong female main characters, romances set in England, feminist romances, feminist historical romances, historical romances, winter romance, road trip romance, desk scene romance, widow romance, single mother romance, children in romance novels, stepfather romance, snowstorm romance, romances with a bet, romances with a wager
A woman's life can really be a succession of lives, each revolving around some emotionally compelling situation or challenge, and each marked off by some intense experience. It was the love story of the century--the king and the commoner. In December 1936, King Edward VII abdicated the throne to marry "the woman I love," Wallis Warfield Simpson, a twice-divorced American who quickly became one of the twentieth century's most famous personalities, a figure of intrigue and mystery, both admired and reviled. "Never explain, never complain." Wrongly blamed for the abdication crisis, Wallis suffered hostility from the Royal Family and much of the world. Yet interest in her story has remained constant, resulting in a small library of biographies that convey a thinly veiled animosity toward their subject. The truth, however, is infinitely more fascinating than the shallow, pathetic portrait that has often been painted. "For a gallant spirit, there can never be defeat." Using previously untapped sources, acclaimed biographer Greg King presents a complete and, for the first time, sympathetic portrait of the Duchess that sifts the decades of rumor and accusation to reveal the woman behind the legend. From her birth in Pennsylvania during the Gilded Age to her death in Paris in 1986, King takes the reader through a world of privilege, palaces, high society, and love with the accompaniment of hatreds, feuds, conspiracies, and lies. The cast of characters is vast: politicians and presidents, dictators and socialites. Twenty-four pages of photographs reveal the life of the Duchess in all its incomparable glamour and romance. Greg King's biographies "The Last Empress, The Man Who Killed Rasputin, " and "The Mad King" have been universally acclaimed and internationally published. He lives in Everett, Washington.
The great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition. “Neill’s edit of the play is very well done. … If there’s a more knowledgeable or erudite unraveling of the play, I haven’t seen it.” —Steve Sohmer, Comitatus This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster’s likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis’s classic essay, “The Alienated Intellectuals of Early Stuart England,” tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. “Criticism” is thematically organized to provide readers with a clear sense of The Duchess of Malfi’s central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.