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The Lamb Enters the Dreaming traces the life of Nathanael Pepper of the Wotjobaluk people, who was born as the first pastoralists were driving cattle and sheep into Victoria’s Wimmera region. In their wake came Christian missionaries, who were just as hostile to the settlers’ violence as they were to the traditional beliefs of Aboriginal people. Nevertheless, Pepper converted to Christianity in 1860. The extraordinary story of Pepper’s conversion, and his subsequent attempts to reconcile the apparently irreconcilable, reveals much about the deeper symbolic and moral forces at work in this collision of cultures. Robert Kenny challenges many orthodoxies in this profound reconsideration of how indigenous people and Europeans thought about each other. He traces Aboriginal attempts to accommodate the ‘people of the sheep’ and their pastoralist totem, Jesus, while arguing that it was European animals more than the settlers themselves that ruptured the Dreaming. On the European side, Kenny argues, increasingly powerful scientific and philosophical challenges undermined evangelical Christianity’s belief that all humanity was of ‘One Blood’. And behind it all lurked the spectre of slavery and the question of the moral order of imperialism. Brilliantly original in conception, and written with a rare lucidity and lightness of touch, The Lamb Enters the Dreaming is a detailed and sensitive exploration of a life, a meditation on the matter of culture and conversion, and a major reappraisal of the relations between Aboriginal and European societies in the first decades of contact in southern Australia.
Set in the untamed landscape of mid-nineteenth century Australia, The Dreaming is a rich and potent tale of hidden passion and broken taboo. Australia, 1871—Following her mother’s sudden death, Joanna Drury sets sail from India and arrives in Melbourne to claim the property left to her by her mother—and to trace the mysteries of her family’s past. From her first steps on shore, Joanna becomes entangled with a lost boy who leads her to the fascinating Hugh Westbrook. She agrees to look after the child in exchange for Hugh’s help in finding her inheritance. But she falls deeply in love with Hugh and with life at his sheep station, Merinda. When strange nightmares begin to plague her—the same that tormented her mother—Joanna starts to notice the Aborigines’ strange reaction to her. Delving into Australia’s past, she discovers the tragic events that have marked her family’s destiny and her own life, events that happened long ago in the time the Aborigines call “the Dreaming.” Full of intriguing historical detail, Wood’s compelling story brings the clash of immigrant and Aboriginal cultures to stunning life, capturing the danger, mystery, and romance of an emerging country.
In this whimsical fantasy adventure, a novelist’s search for an author takes him to a magical city, a villainous literary scholar, and perilous catacombs. Optimus Yarnspinner’s search for an author’s identity takes him to Bookholm―the so-called City of Dreaming Books. On entering its streets, our hero feels as if he has opened the door of a gigantic second-hand bookshop. His nostrils are assailed by clouds of book dust, the stimulating scent of ancient leather, and the tang of printer’s ink. Soon, though, Yarnspinner falls into the clutches of the city’s evil genius, Pfistomel Smyke, who treacherously maroons him in the labyrinthine catacombs underneath the city, where reading books can be genuinely dangerous . . . In The City of Dreaming Books, Walter Moers transports us to a magical world where reading is a remarkable adventure. Only those intrepid souls who are prepared to join Yarnspinner on his perilous journey should read this book. We wish the rest of you a long, safe, unutterably dull, and boring life! Praise for The City of Dreaming Books “German author and cartoonist Moers returns to the mythical lost continent of Zamonia in his uproarious third fantasy adventure to be translated into English, a delightfully imaginative mélange of Shel Silverstein zaniness and oddball anthropomorphism à la Terry Pratchett’s Discworld. . . . A wonderfully whimsical story that will appeal to readers of all ages.” —Publishers Weekly “A salmagundi of whimsy, imagination and book lore—remarkable fun.” —Cleveland Plain Dealer “Moers puts Tolkien through some sort of Willy Wonka sweetening process and comes up with characters such as Optimus Yarnspinner, who, names being fate and all, just has to be a storyteller.” —Kirkus Reviews
Tony Kovacs, seventeen, realizes that he is the only one who can stop a bloodthirsty succubus from increasing her powers
In these tales from The Dreaming #1-6 and THE Sandman Universe Special #1, Lord Daniel’s absence triggers crimes and calamities that consume the lives of those already tangled in his fate. Until he is found, his realm’s residents must protect its broken borders alone. But the most senior story-tellers are tormented by invasive secrets, Lucien is doubting his own mind, and beyond the gates, something horrific awaits with tooth and talon.
Drawing on a large number of case studies, practical applications of the Dreambody theory are described, instructing how to unfold symptoms and other somatic phenomena to reveal the dreamlike and mythical experiences that we usually discount in everyday life. These symptoms may not be merely sickness in need of treatment, but guides to meaning and fulfillment.
To the residents of Miguel Street, a derelict corner of Trinidad’s capital, their neighbourhood is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name;” Man-man, who goes from running for public office to staging his own crucifixion; Big Foot, the dreaded bully with glass tear ducts; and the lovely Mrs. Hereira, in thrall to her monstrous husband. Their lives (and the legends their neighbours construct around them) are rendered by V. S. Naipaul with Dickensian verve and Chekhovian compassion in this tender, funny novel.
The crew of the White Raven returns to save the galaxy, in this brilliant space opera sequel to The Wrong Stars Ancient aliens, the Axiom, will kill us all – when they wake up. In deep space, a swarm of nanoparticles threatens the colonies, transforming everything it meets into computronium – including the colonists. The crew of the White Raven investigate, and discover an Axiom facility filled with aliens hibernating while their minds roam a vast virtual reality. Sebastien wakes up, claiming his altered brain architecture can help the crew deactivate the swarm – from inside the Axiom simulation. To protect humanity, Callie must trust him, but if Sebastien still plans to dominate the universe using Axiom tech, they could be in a whole lot of trouble… File Under: Science Fiction [ Nanowar | Let Sleeping Gods Lie | Upgraded | For the Colony ]
From the mid-sixteenth through the end of the seventeenth century, Chinese intellectuals attended more to dreams and dreaming—and in a wider array of genres—than in any other period of Chinese history. Taking the approach of cultural history, this ambitious yet accessible work aims both to describe the most salient aspects of this “dream arc” and to explain its trajectory in time through the writings, arts, and practices of well-known thinkers, religionists, litterateurs, memoirists, painters, doctors, and political figures of late Ming and early Qing times. The volume’s encompassing thesis asserts that certain associations of dreaming, grounded in the neurophysiology of the human brain at sleep—such as subjectivity, irrationality, the unbidden, lack of control, emotionality, spontaneity, the imaginal, and memory—when especially heightened by historical and cultural developments, are likely to pique interest in dreaming and generate florescences of dream-expression among intellectuals. The work thus makes a contribution to the history of how people have understood human consciousness in various times and cultures. The Dreaming Mind and the End of the Ming World is the most substantial work in any language on the historicity of Chinese dream culture. Within Chinese studies, it will appeal to those with backgrounds in literature, religion, philosophy, political history, and the visual arts. It will also be welcomed by readers interested in comparative dream cultures, the history of consciousness, and neurohistory.