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This arresting and beautiful picture book from Margaret Wild and Ron Brooks is a shimmering encounter with the Tasmanian tiger, a lament for a lost species, and a compelling evocation of the place of animals in Nature.
This arresting and beautiful picture book from Margaret Wild and Ron Brooks is a shimmering encounter with the Tasmanian tiger, a lament for a lost species, and a compelling evocation of the place of animals in Nature.
Packing an off-kilter sense of humor and keen scientific minds, authors Margaret Mittelbach and Michael Crewdson take off with renowned artist Alexis Rockman on a postmodern safari. Their mission? Tracking down the elusive Tasmanian tiger. This mysterious, striped predator was once the world’s largest carnivorous marsupial. It had a pouch like a kangaroo and a jaw that opened impossibly wide to reveal terrifying choppers. Tragically, this rare and powerful animal was hunted into extinction in the early part of the twentieth century. Or was it? Journeying first to the Australian mainland and then south to the wild island of Tasmania, these young naturalists brave a series of bizarre misadventures and uproarious wildlife encounters in their obsessive search for the long-lost beast. From an ancient cave featuring an aboriginal painting of the tiger to a lab in Sydney where maverick scientists are trying to resurrect the animal through cloning, this intrepid trio comes face-to-face with blood-sucking land leeches and venomous bull ants, a misbehaving wallaby who invades their motel room, and a crew of flesh-eating, bone-crunching Tasmanian devils gorging on roadkill. They bond with trappers, bushwackers, and wildlife experts who refuse to abandon the tiger hunt, despite the paucity of evidence. Sifting through local myths, bar-room banter, and historical accounts, these environmental detectives sweep readers into a world where platypus’ swim, kangaroos roam, and a large predator with a pouch was–or perhaps still is–queen of the jungle. Filled with Alexis Rockman’s stunning drawings of flora and fauna–-made from soil, wombat scat, and the artist’s own blood–Carnivorous Nights is a hip and hilarious account of an unhinged safari, as well as a fascinating portrayal of a wildly unique part of the world.
The thylacine is the largest known carnivorous marsupial of modern times. It's commonly known as the Tasmanian tiger because of its striped back and is believed by most experts to have become extinct in the 20th century. Yet in 1967, Col Bailey sighted a Tasmanian tiger along the shores of the Coorong, in South Australia. Then in 1993, a chance encounter with an elderly bushman unlocked a wealth of previously untold information that led Col into the vast and untrodden wilderness of Tasmania's Weld Valley. In Shadow Of The Thylacine, Col tells of his search for the Tasmanian tiger, revealing why he believes that this shy animal still exists in remote areas of Australia.
Barnaby is a pavement artist. This morning he started drawing me. I have a head that can think, eyes that can see, ears that can hear and legs that can run. Best of all, I have a heart that can feel. Thank you, Barnaby. Award-winning writer Margaret Wild compresses epic themes into a poetic, poignant story, vividly brought to life by Mandy Ord's distinctive, dynamic art.
Dog and Magpie are friends, but when Fox comes into the bush, everything changes. This breathtaking story has won acclaim around the world: CBCA Picture Book of the Year; two Premiers' literary awards; honours in Germany, Brazil, Japan; a shortlisting for the prestigious Kate Greenaway Medal in the UK, and more. 'A publishing landmark.' Magpies 'Magnificent.' Reading Time 'a stunning book' Australian Bookseller and Publisher 'The images from this unsettling, provocative story will resonate long after the book has been closed.' Publishers Weekly (Starred Review) 'A strongly atmospheric psycho-fable--visually striking--an open-ended discussion starter.' Kirkus Reviews 'Fox is an archetypal drama about friendship, loyalty, risk and betrayal - a story that is as rich for adults as for older children.' Los Angeles Times
The hunter arrives in an isolated community in the Tasmanian wilderness with a single purpose in mind: to find the last thylacine, the tiger of fable, fear and legend. The man is in the employ of the mysterious 'Company', but his sinister purpose is never revealed and as his relationship with a grieving mother and her two children becomes more ambiguous, the hunt becomes his own. Leigh's Tasmania is a place where the wilderness can still claim lives; where the connection between people and the land is at best uneasy and cannot be trusted. In prose of exceptional clarity and elegance, Julia Leigh creates an unforgettable picture of a man obsessed by an almost mythical animal in a damp dangerous landscape. The Hunter is the work of a compelling storyteller and a truly remarkable literary stylist.
Does the Tasmanian Tiger still roam the island state, parts of the Australian mainland, and the northern land mass of Irian Jaya-Papua New Guinea? Despite being hunted to extinction in the early part of the 20th century, the Tasmanian Tiger continues to stalk the imaginations of people the world over. What's more, hundreds of reports of the striped dog-like marsupial with the fearsome gaping jaw are made each year in Australia. In The Tasmanian Tiger: Extinct or Extant?, biologists, geneticists, naturalists, and academics explore the evidence for and against the continuing existence of Thylacinus cynocephalus.
A young boy will not accept that his beloved dog has died.
A publication to accompany an exhibition of the same name that is yo be held at the Queen Victoria Museum and Art Gallery, starting May 2014.