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Above all don’t use the word good as though it meant something in evolutionary science. The Hard Problem is a tour de force, exploring fundamental questions of how we experience the world, as well as telling the moving story of a young woman whose struggle for understanding her own life and the lives of others leads her to question the deeply held beliefs of those around her. Hilary, a young psychology researcher at the Krohl Institute for Brain Science, is nursing a private sorrow and a troubling question. She and other researchers at the institute are grappling with what science calls the “hard problem”—if there is nothing but matter, what is consciousness? What Hilary discovers puts her fundamentally at odds with her colleagues, who include her first mentor and one-time lover, Spike; her boss, Leo; and the billionaire founder of the institute, Jerry. Hilary needs a miracle, and she is prepared to pray for one.
Advice on how to identify and understand the communication behavior that results in victim consciousness and what to do to break that destructive communication cycle.
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
Through analysis of metaphors of consciousness in the philosophy and fiction of William James, Henry James and Edith Wharton, this work traces the significance of representations of knowledge, gender and social class, revealing how writers conceived of the self in modern literature.
Learn 14 guiding principles to help liberater the mind from victim consciousness, by doing so let go of any resistance to life and stop fighting the future and agonizing over the past.
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.
Acting from the Ultimate Consciousness is Eric Morris's fourth popular book on the art of acting. His previous works have established him among the foremost innovators in the world of drama. His system, based on the Stanislavsky method but going far beyond it, begins with an exploration of consciousness and the instrumental needs of the actor and expands to dozens of practical techniques that enable the actor to utilize the full range of his talent. With complete sections on characterization, rehearsing and ensemble, this is a book that all stage or screen actors--beginning to advanced--should read, absorb and practice.
Donald (psychology, Queen's University, Canada) challenges the prevailing view that seeks to explain away human consciousness and presents a theory on the origins of the modern mind. He describes the cultural and neuronal forces that power human modes of awareness, and proposes that the human mind is a hybrid product of the interweaving of the brain with an invisible symbolic web of culture to form a "distributed" cognitive network. Using evidence from brain and behavioral studies of humans and animals, he explains how an expansion of consciousness transcends the limitations of the mammalian mind, and elaborates the foundations of self-evaluation and self-reflection. c. Book News Inc.
Discover Your Hidden Talents will show you how to: Use drama to support multisensory learning accross a wide range of subjects Toolkit of multipurpose drama strategies to encourage learning Masses of photocopiable resource sheets and templates Includes 5 drama units of work with VAK thinking frames - instantly useable and ideal as templates for future planning. This book is excellent for anyone looking to set up drama in school, breathe new life into their drama teaching, or introduce more creativity into any area of the curriculum. Chair of National Drama, Patrice Baldwin, demonstrates how teachers can use drama as a powerful tool to develop flexible thinking and learning through creative, imagined experience - and kick start the latest government initiatives.
The true nature of consciousness is an issue of primary importance today. A great many deceptions exist today that create conflicts among humans and with nature itself. In the modern world, a real possibility exists that such a conflict could threaten the existence of humankind. It is logical to assume that every conflict is based on fundamental misunderstanding or lack of awareness of the true nature of existence. This is predicated on the notion that the consciousness and existence are the same thing. All misinterpretations and conflicts are rooted in differentiating consciousness from existence, i.e. separating what goes on in our head from what goes on in the outer world and dividing our thoughts from our words and deeds. This aim of this book is to confirm the nature of external existence as an indivisible part of our consciousness and essence. A logical framework of such a depiction of reality rests on the assumption that the consciousness which is in our mind is an integrated part of the same consciousness that creates the overall existence. Unlike what is thought traditionally, there is no multitude of consciousnesses; the consciousness is only one and the same in everything, it merely divides and utilizes itself in all of the aspects of existence. Consciousness and existence are one and the same, and together they comprise our essence, or the soul. The true nature of consciousness and existence cannot be separated from the true nature of our essence or the soul. In other words, we cannot live in the world in one way, be aware in another, and relate to our essence in some completely different way. The consciousness of our soul is inseparable from the world we live in. Our existence remains inauthentic, painful, and heartless, insofar as we keep ourselves apart from the consciousness of our soul; from consciousness itself; and from existence, as such. However, a simple statement that the consciousness and existence are the same is not enough. To make their unity crystal clear, the functioning of the consciousness is presented here in detail in different dimensions of nature and through various forms, from the quantum field, minerals, plants, and animals to human beings and the development of culture, the issue of artificial intelligence, ethics, and, ultimately, the discipline of self-knowledge. The unity of the divine consciousness that creates everything with our thoughts and actions is demonstrated and proved quite practically here. This is the only way in which a book that aspires to explain the world may have practial value.