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Recent years have seen an explosion of new Welsh writing for the stage. With the advent of Theatr Genedlaethol Cymru in 2003 and the launch of National Theatre Wales in 2009, there has been a tectonic shift in Welsh theatre and its perception. Wales has famously celebrated its poets and novelists, but in the twenty-first century, it is the playwright asking the crucial questions. Never before have there been so many playwrights of all ages, from across Wales, finding the stage to be the home for their stories. This collection is the first to officially recognise this new wave of Welsh playwrights. It showcases a wide range of forms, themes and political concerns, as well as representing the most exciting voices at the forefront of Welsh drama, taking the temperature on what be considered to be the first golden age of Welsh playwriting. Tonypandemonium by Rachel Trezise The Radicalisation of Bradley Manning by Tim Price Gardening for the Unfulfilled and Alienated by Brad Birch Llwyth by Dafydd James (published in Welsh) Parallel Lines by Katherine Chandler Bruised by Matthew Trevannion Featured in the volume are the following plays, along with a foreword by Professor David Ian Rabey of Aberystwyth University, and an introduction by the editors, Tim Price and Kate Wasserberg.
Rich in detail but vigorous, authoritative and unsentimental, A History of Modern Wales is a comprehensive and unromanticised examination of Wales as it was and is. It stresses both the long-term continuities in Welsh history, and also the significant regional differences within the principality.
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country’s three major Spanish baroque playwrights (Calderón de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.
This 15-hour free course explored key aspects of the economy, society, politics and culture of contemporary Wales from a social science perspective.