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These legends, translated by Chief Kenneth Harris, tell of the origin of the Native people who live in the region between the Skeena and Nass rivers of British Columbia. Other stories tell of occurrences particularly significant in the 'history' of the people -- the origins of the 'Killer Whale' and 'Thunderbird Twtjea-adku,' and the revenge of 'Medeek,' the great bear who rose from the lake to punish people for breaking 'the law.'
In the early decades of the twentieth century, the visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. This book traces the development of this program and illuminates its conflicted history. Leslie Dawn problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism.
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others – whether old or new, print or digital – that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
These oral histories, collected by Marius Barbeau and William Beynon from the Pacific Northwest reflect the Tsimshian relationship with the environment, their understanding of the spiritual universe and their interpretation of the physical world.
Marius Barbeau (1883-1969) played a vital role in shaping Canadian culture in the twentieth century. Rooted in the premise that his cultural work – in anthropology, fine arts, music, film, folklore studies, fiction, historiography – cannot be read uni-dimensionally, the sixteen articles that comprise this book demonstrate that by merging disciplinary perspectives about Barbeau, evaluations and understandings of the situation around Barbeau can be deepened.
In Thomas Crobsy and the Tsimshian: Small Shoes for Feet Too Large, Clarence Bolt demonstrates that the Indians were conscious participants in the acculturation and conversion process -- as long as this met their goals -- and not merely passive receivers of the blessings as typically reported by the missionaries. In order to understand the complexities of Indian-European contact, Bolt argues, one must look at the reasons for the Indians' behaviour as well as those of the Europeans. He points out that the Indians actively influenced the manner in which their relationships with the white population developed, often resulting in a complex interaction in which the values of both groups rubbed off on each other.
Historicizing Canadian Anthropology is the first significant examination of the historical development of anthropological study in this country. It addresses key issues in the evolution of the discipline: the shaping influence of Aboriginal-anthropological encounters; the challenge of compiling a history for the Canadian context; and the place of international and institutional relations. The contributors to this collection reflect on the definition and scope of the discipline and explore the degree to which a uniquely Canadian tradition affects anthropological theory, practice, and reflexivity.