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Zac Baxter's grandfather has always told him he's descended from African kings and is the rightful heir to a treasure that was stolen when his ancestors were sold into slavery. Zac believes none of this until his grandfather is murdered and his apartment is ransacked.
After sixty years, Dr. Roy G. Phillips, retired founding campus president at Miami-Dade College, Homestead Campus, returned to his native home in rural Webster Parish outside of Minden, Louisiana. It took him almost forty years to fulfill a dream, a journey that began as a conversation with renowned author Alex Haley culminated with the collection of fascinating stories, and then finished in a poignant book that tells the story of his ancestors in their trajectory from Africa to America. When he retired in December 2001, Phillips turned to writing, piecing together years worth of research. The final product, Exodus from the Door of No Return: Journey of an American Family (AuthorHouse) was published in September 2006 and revised in October 2008. Phillips family saga mirrors the lives of what arguably could be the tale of most African Americans. In the book, family is the glue that binds Phillips ancestors from Slavery to Reconstruction, Jim Crow Segregation, the World Wars, the Great Migration of black families out of the South, the tumultuous civil rights period of the sixties, to the present day. Phillips might never have started on the journey of family discovery if it had not been for a chance meeting with Haley, who had come to speak at the University of Michigan. At that time, Haley was in the midst of researching his book Roots, and Phillips was completing his doctoral dissertation in urban secondary administration. I spent half of the night talking to him about what to do, he recalls. He said, Go and talk to the old folks in your family. Get their stories. Phillips painstaking tracked down the descendants of the plantation owners James Germany McDade II who owned his great grandfather and other relatives. Phillips continues to meet and correspond with the McDades in Shreveport and East Texas. He also underwent DNA testing which helped him track both his paternal ancestry to the Mbute people in the Central African Republic and his maternal ancestry to the Mende people in Sierra Leone West Africa.
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From the Newbery Medal and Coretta Scott King Award winning author Kwame Alexander, comes the first book in a searing, breathtaking trilogy that tells the story of a boy, a village, and the epic odyssey of an African family. In his village in Upper Kwanta, 11-year-old Kofi loves his family, playing oware with his grandfather and swimming in the river Offin. He’s warned though, to never go to the river at night. His brother tells him ”There are things about the water you do not know. “ Like what? Kofi asks. “The beasts.” His brother answers. One fateful night, the unthinkable happens and in a flash, Kofi’s world turns upside down. Kofi soon ends up in a fight for his life and what happens next will send him on a harrowing journey across land and sea, and away from everything he loves. This spellbinding novel by the author of The Crossover and Booked will take you on an unforgettable adventure that will open your eyes and break your heart. The Door of No Return is an excellent choice for independent reading, sharing in the classroom, book groups, and homeschooling. An instant #1 New York Times Bestseller!
Now in its first American edition, Dionne Brand’s groundbreaking A Map to the Door of No Return has emerged as a modern classic, a highly influential exploration of “being” in the Black Diaspora. Since its first publication in 2001, Dionne Brand’s groundbreaking exploration of being in the Black Diaspora, A Map to the Door of No Return, has emerged as a modern classic. The door, in Brand’s iconic schema, represents the point of rupture where the ancestors of the Black Diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. “This door,” writes Brand, “is not mere physicality. It is a spiritual location . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply buried. There is as it says no way in; no return.” Through shards of history, memoir, lyrical investigation, and the unwritten experience of so many descendants of those who passed through the door, Brand constructs a map of this indelible region, culminating in an enduring expression, both definitive and seeking, of what it is to live, think, and create in the wake of colonization. With a new preface by the author, and an afterword by Saidiya Hartman.
A Finalist for the 2023 National Book Award for Translated Literature One of The Atlantic’s 10 Best Books of 2023 A Financial Times Best Book of 2023 | Named a best book of the year by Publishers Weekly and Kirkus Reviews “A hypnotic, powerful historical novel in which stories nest within one another like dolls . . . It all coheres mesmerizingly.” —Clémence Michallon, The New York Times Book Review “Stunningly realized . . . Exquisite . . . A spellbinding novel.” —Maaza Mengiste, author of The Shadow King The thrilling and deeply moving new novel by David Diop, winner of the International Booker Prize. Paris, 1806. The renowned botanist Michel Adanson lies on his deathbed, the masterwork to which he dedicated his life still incomplete. As he expires, the last word to escape his lips is a woman’s name: Maram. The key to this mysterious woman’s identity is Adanson’s unpublished memoir of the years he spent in Senegal, concealed in a secret compartment in a chest of drawers. Therein lies a story as fantastical as it is tragic: Maram, it turns out, is none other than the fabled revenant. A young woman of noble birth from the kingdom of Waalo, Maram was sold into slavery but managed to escape from the Island of Gorée—a major embarkation point of the transatlantic slave trade—to a small village hidden in the forest. While on a research expedition in West Africa as a young man, Adanson hears the story of the revenant and becomes obsessed with finding her. Accompanied by his guide, he ventures deep into the Senegalese bush on a journey that reveals not only the savagery of the French colonial occupation but also the unlikely transports of the human heart. Written with sensitivity and narrative flair, David Diop’s Beyond the Door of No Return is a love story like few others. Drawing on the richness and lyricism of Senegal’s oral traditions, Diop has constructed a historical epic of the highest order.
Analysing a variety of tourist productions, ranging from dance dramas in Bali to an Abraham Lincoln heritage site in Illinois, Bruner considers the diverse perspectives of various actors, including the tourists, the producers, the natives & the anthropologist himself.
Historic freedom fighter and conductor of the Underground Railroad Harriet Tubman risked her life to ferry enslaved people from America to freedom in Canada. Her legacy instigates and orients this exploration of the history of Black lives and the future of collective struggle in Canada. Harriet’s Legacies recuperates the significance of Tubman’s time in Canada as more than just an interlude in her American narrative: it is a new point from which to think about Black diasporic mobilities, possibilities, and histories. Through essays and creative works this collection articulates new territory for Tubman in relation to the Black Atlantic archive, connecting her legacies of survival, freedom, and cultural expression within a transnational framework. Contributors take up the question of legacy in ways that remap discourses of genealogy and belonging, positioning Tubman as an important part of today’s freedom struggles. Integrating scholarship with creative and curatorial practices, the volume expands conversations about culture and expression in African Canadian life across art, literature, performance, politics, and public pedagogy. Considering questions of culture, community, and futures, Harriet’s Legacies explores what happened in the wake of Tubman’s legacy and situates Canada as a key part of that dialogue.
The papers presented here offer a major challenge to previously conceived ideas about issues like slavery, racism, ethnic relations, nationalism, and cultural identity generating responses, critiques, revisions, counterarguments, and new perspectives. This volume is not only meant to address important matters of the past but also of the present and future as racism, ethnic relations, and cultural identity - with the attendant issues of human rights, freedom, and emancipation - will assume an ever-increasing significance in our globalised but ethically, socially, and culturally divided world. The volume is subdivided into three sections: «Racism and Nationalism» containing papers dealing with issues of racism and nationalism in a broader context, «Slavery: From Past to Present» exploring the concept of slavery in different literary genres and historical periods, «Cultural Identity and Ethnic Relations» dealing with cultural memory, nationalism, and relations between cultural and ethnic groups.
In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems.