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Mishika took a life-changing decision because of a boy she met in her dream. She thought her reality was better until she realizes the forests of an unknown land had been waiting for her to come back. The bond between them is bizarre. How? They don't know. Why? They don't know. It's a tale of her choices, her connection and her past.
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Haunted by waking visions of a blond boy in a kilt, Veronica can’t decide if she’s more eager to flee her recent messy breakup or join her best friend on a trip to Scotland in hopes of finding a real-life version of her imaginary Highland crush. But one thing leads to the next as the girls discover the enchanted world of Doon, and the curse that is tearing it apart. When her best friend, Mackenna, invites her to spend the summer in Scotland, Veronica jumps at the opportunity to leave her complicated life behind for a few months. But the Scottish countryside holds other plans. When Veronica and Mackenna settle into their cottage in Alloway, they uncover a strange set of rings and a very unnerving letter from Mackenna’s great aunt—and when the girls test the instructions Aunt Gracie left behind, they find themselves transported to a land that defies explanation. Doon seems like a real-life fairy tale, complete with one prince who has eyes for Mackenna and another who looks suspiciously like the blond, kilted boy from Veronica’s visions. But Doon has a dark secret that threatens everything. The two girls could have all they’ve longed for … or they could end up trapped on the wrong side of the Brig o’ Doonforever in a world that is quickly becoming a nightmare. Perfect for fans of Gail Carson Levine, Meagan Spooner, or Morgan Rhodes, Doon features: Soulmates and one true love tropes Clean and wholesome romance Magical fantasy world within modern society Journey back to Doon with the other titles in the series: Destined for Doon (Book 2) Shades of Doon (Book 3) Forever Doon (Book 4)
with essays by Peter S. Reed, Robert Friedel, Margaret Crawford, Greg Hise, Joel Davidson, and Michael Sorkin Among the legacies of World War II was a massive building program on a scale that America had not seen before and has not seen since. The war effort created thousands of factories, homes, even entire cities throughout the country. Many of these structures still stand, the physical evidence of an unprecedented ability to harness the power and resources of a people. The complex legacy of this most notable period in our nation's history is discussed from a different perspective by each contributor. Peter S. Reed, Associate Curator of the Department of Architecture and Design at the Museum of Modern Art, details the rise of modern architecture during the war -- housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel, Professor of History at the University of Maryland, documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford, Chair of the History and Theory of Architecture Program at the Southern California Institute of Architecture, explores the struggle of women and blacks for public housing. Greg Hise, Assistant Professor in the School of Urban and Regional Planning at the University of Southern California, considers how the construction of large-scale residential communities near defense plants prefigured postwar suburbia. Joel Davidson, historian of the "World War II and the American Dream" exhibition, analyzes the impact of the war's building program on the postwar military-industrial complex. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight. Copublished with The National Building Museum, Washington, D.C.