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Edward Lear's much celebrated book of nonsense is here reproduced with all the original pictures and verse and two autobiographical letters by the author. Children and adults alike will delight in the Limerick's that here abound. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Combining the best qualities of both storytelling and poetry, this rare collection has a special magic that will enchant readers. From the suspense of "The Listeners" to the sadness of "The Pied Piper of Hamelin," the humor of "The Train to Glasgow" to the sheer entertainment of "The Dong with a Luminous Nose," this beautifully illustrated book will delight all tastes.
From much-quoted classics like 'The Owl and the Pussy-cat' and 'Jabberwocky' to the epic adventure 'The Hunting of the Snark', the nonsense poems of Lewis Carroll and Edward Lear have a freshness and a sense of fun that still speak to children of all ages. These two masters of the absurd created characters that have entranced generation after generation: the Walrus and the Carpenter, the Dong with the Luminous Nose and the Quangle Wangle Quee are just a handful of the remarkable creatures to be found in these pages. Whether shared aloud or enjoyed on your own, these verses will continue to delight for years to come.
This collection demonstrates the varied ways in which Edward Lear pursued his philosophy of life. It includes 'The Owl and the Pussy-cat', 'The Quangle Wangle's Hat', and numerous comic limericks, along with stories, letters, alphabets and recipes. This ed. originally published: 2002.
Edward Lear (1812-1888) was an English artist, illustrator and writer known for his literary nonsense, in poetry and prose, and especially his limericks, a form which he popularised. At the age of 19 his first Illustrated work Family of Psittacidae; or, Parrots was published in 1830. His paintings were well received and he was favourably compared with Audubon. In 1846 Lear published A Book of Nonsense, a volume of limericks which went through three editions and helped popularise the form. In 1865 The History of the Seven Families of the Lake Pipple-Popple was published, and in 1867 his most famous piece of nonsense, The Owl and the Pussycat, which he wrote for the children of his patron Edward Stanley, 13th Earl of Derby. Many other works followed. His nonsense works are distinguished by a facility of verbal invention and a poet's delight in the sounds of words, both real and imaginary.
Edward Lear's beloved poem has charmed readers since it was first published in 1871. 4+ yrs.
Renowned author Daniel Pinkwater and best-selling poet and artist Calef Brown team up to champion the ridiculous! These endlessly fascinating and imaginative poems are as fresh and delightful today as they were when Edward Lear wrote them more than a hundred years ago—from "The Owl and the Pussycat" to "The Pobble Who Has No Toes." This charming book proves that, sometimes, there's nothing children need more than a healthy dose of nonsense!
A collection of poems that recall, in their powerful transformations of language, the moment of clarity that arrives upon waking from a dream One of John Ashbery’s most critically acclaimed collections since his iconic works of the mid-1970s, Wakefulness was praised in 1999 for its beauty and alertness. In these pages, the great poet is at once luring the reader into a vivid dream and waking us up with a jolt of recognition. In poems such as “The Village of Sleep,” “Shadows in the Street,” and “Wakefulness,” dreams, sleeplessness, and other transformational and liminal states are revealed to be part of a ceaseless continuity of accelerating changes. Even the most seemingly familiar phrases (“stop me if you’ve heard this one”) are ever in the process of changing their meanings, especially in Ashbery’s hands. And distinctive new realities are created constantly by the power of words, in strange and beautiful combinations. With every word and every line, Ashbery questions the real and summons a new reality.